Florentin Smarandache
In some places, some speeches may be adapted or the actors may improvise for a better connection between the moduli and the integrity of the play. In order to test the reaction of the audience, to measure the flair of the critics for the illogicality of the play, and to determine the force of electricity in the thinking and power of adaptability to the environment to the unpropitious conditions of living (Darwin's theory) of the spectators in a hostile and constraining world, the producer may create other variants to break the above conditions to realize totally illogical plays. I hope there will be an exact distinction between "the absurd" and "the illogical." The "absurd" has its absurd logical while the "illogical" has none. We can afford this illogicality because the world depicted in this play is an illogical one. It is an upside-down DRAMA. So the variants: IBAF H CG ED HGB DIF ACE GCE B AHI DF, are distinct illogical plays, even with the permutations done into the moduli G or G. Let's be serious even in... the unreliableness.
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