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Song of Eternity

Advanced Micro Image Systems Hawaii, Inc.

Abstract

It is the purpose of this series of articles to attempt a resolution on these questions by reviewing the ethnological history of the Hawaiian peoples as contained in their ancient traditions, rituals and epic poetry. It is the purpose of these articles to present the Hawaiian royal traditions unconfounded by the elements and theology of Christianity or the insidious influence of other cultural philosophies. It is our purpose to relate what will substantially be the same history, prayers, and chants that for innumerable centuries were recited by the Hawaiian priesthood of the Order of Io and the worship of Kane. If, as inevitably it must, there shall rise a conflict of thought between these articles and the preponderant opinion of modern anthropological research, we shall only be able to resolve or at least to mitigate these differences by restating our purpose of presenting the history of the Hawaiian from his own viewpoint. To accomplish this, we shall adhere strictly to our primary source of material, the Song of Eternity (He Koi Honua No Ke Aha Alii, Ka Halau Kapu O Keawe) of the Royal and Sacred House of Keawe, traditional ruling family of the island Kingdom of Hawaii and from whose ranks have sprung all the kings and princes of the four island kingdoms and the dynasties of Kamehameha and David Kalakaua, and from whence were chosen the entire hierarchy of the priesthood of the temples of Kane and the altar of Io.

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