Ph.D. HB Paksoy
1991
The present volume presents essays on eight Central Asian Monuments. Each essay discusses one Monument, placing it in historical perspective. Some works are very early products of Central Asian thought. A few, are quite new, that is, were produced in the 19th and the 20th centuries. They all, however, are repositories of thought and culture and all have had palpable repercussions. Their enduring quality is manifested in repeated references to them by present-day Central Asians in their own historical, literary, and even political writings. Indeed, this use of Monuments provided an additional reason for undertaking this collection. In a time when Central Asia's importance to the world affairs is again resurgent, it is necessary to understand the intellectual nucleus of Central Asians' mode of thinking. This is especially important, because an overwhelming majority of Central Asian writings do not appear in any other language than their own dialects. The appreciation of these Monuments, their messages and their influence over time contributes to the understanding of current issues precisely because they are directly linked in the minds of the Central Asians themselves. This is illustrated by the first essay, "Sun is also Fire," which examines the references to various Monuments in one contemporary "novella" from Uzbekistan.
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