EGYPTIAN MYTH AND LEGEND

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PREFACE

INTRODUCTION

CHAPTER I. Creation Legend of Sun Worshippers

CHAPTER II. The Tragedy of Osiris

CHAPTER III. Dawn of Civilization

CHAPTER IV. The Peasant who became King

CHAPTER V. Racial Myths in Egypt and Europe

CHAPTER VI. The City of the Elf God

CHAPTER VII. Death and the Judgment

CHAPTER VIII. The Religion of the Stone Workers

CHAPTER IX. A Day in Old Memphis

CHAPTER X. The Great Pyramid Kings

CHAPTER XI. Folk Tales of Fifty Centuries

CHAPTER XII. Triumph of the Sun God

CHAPTER XIII. Fall of the Old Kingdom

CHAPTER XIV. Father Gods and Mother Goddesses

CHAPTER XV. The Rise of Amon

CHAPTER XVI. Tale of the Fugitive Prince

CHAPTER XVII. Egypt's Golden Age

CHAPTER XVIII. Myths and Lays of the Middle Kingdom

CHAPTER XIX. The Island of Enchantment

CHAPTER XX. The Hyksos and their Strange God

CHAPTER XXI. Joseph and the Exodus

CHAPTER XXII. Amon, the God of Empire

CHAPTER XXIII. Tale of the Doomed Prince

CHAPTER XXIV. Changes in Social and Religious Life

CHAPTER XXV. Amenhotep the Magnificent and Queen Tiy

CHAPTER XXVI. The Religious Revolt of the Poet King

CHAPTER XXVII. The Empire of Rameses and the Homeric Age

CHAPTER XXVIII. Egypt and the Hebrew Monarchy

CHAPTER XXIX. The Restoration and the End

PREFACE

In this volume the myths and legends of ancient Egypt are embraced in a historical narrative which begins with the rise of the great Nilotic civilization and ends with the Græco-Roman Age. The principal deities are dealt with chiefly at the various periods in which they came into prominence, while the legends are so arranged as to throw light on the beliefs and manners and customs of the ancient people. Metrical renderings are given of such of the representative folk songs and poems as can be appreciated at the present day.

Egyptian mythology is of highly complex character, and cannot be considered apart from its racial and historical aspects. The Egyptians were, as a Hebrew prophet has declared, a "mingled people", and this view has been confirmed by recent ethnological research: "the process; of racial fusion begun in the Delta at the dawn of history", says Professor Elliot Smith, "spread through the whole land of Egypt". In localities the early Nilotic inhabitants accepted the religious beliefs of settlers, and fused these with their own. They also clung tenaciously to the crude and primitive tribal beliefs of their remote ancestors, and never abandoned an archaic conception even when they acquired new and more enlightened ideas; they accepted myths literally, and regarded with great sanctity ancient ceremonies and usages. They even showed a tendency to multiply rather than to reduce the number of their gods and goddesses, by symbolizing their attributes. As a result, we find it necessary to deal with a bewildering number of deities and a confused mass of beliefs, many of which are obscure and contradictory. But the average Egyptian was never dismayed by inconsistencies in religious matters: he seemed rather to be fascinated by them. There was, strictly speaking, no orthodox creed in Egypt; each provincial centre had its own distinctive theological system, and the religion of an individual appears to have depended mainly on his habits of life. "The Egyptian", as Professor Wiedemann has said, "never attempted to systematize his conceptions of the different divinities into a homogeneous religion. It is open to us to speak of the religious ideas of the Egyptians, but not of an Egyptian religion."

In our introduction we deal with the divergent character of some of the ancient myths so as to simplify the study of a difficult but extremely fascinating subject. It is shown that one section of the people recognized a Creator like Ptah, who begot himself and "shaped his limbs" ere he fashioned the Universe, while another section perpetuated the idea of a Creatrix who gave birth to all things. At the dawn of history these rival conceptions existed side by side, and they were perpetuated until the end. It is evident, too, that the theologies which were based on these fundamental ideas had undergone, ere the fusion of peoples occurred, a sufficiently prolonged process of separate development to give them a racial, or, at any rate, a geographical significance. As much is suggested by the divergent ideas which obtained regarding the world. One section, for instance, had conceived of land surrounded by sky-supporting mountains, peopled by gods and giants, round which the sun ass galloped to escape the night serpent; another section believed that the world was embraced by the "Great Circle"—Ocean—and that the Nile flowed from sea to sea; a third conception was of a heavenly and an underground Nile. There were also two Paradises—the Osirian and the Ra (sun god's). Osiris judged men according to their deeds. He was an agricultural deity, and the early system of Egyptian ethics seems to have had its origin in the experiences enshrined in the text: "Whatsoever a man soweth that shall he also reap". Admission to the Paradise of the sun cult was secured, on the other hand, by the repetition of magical formulæ. Different beliefs obtained also regarding the mummy. In the Book of the Dead it would appear that the preservation of the body was necessary for the continued existence of the soul. Herodotus, however, was informed that after a period of 3000 years the soul returned to animate the dead frame, and this belief in transmigration of souls is illustrated in the Anpu-Bata story, and is connected with a somewhat similar conception that the soul of a father passed to a son, who thus became "the image of his sire", as Horus was of Osiris, and "husband of his mother".

Of special interest in this connection are the various forms of the archaic chaos-egg myth associated with the gods Ptah, Khnûmû, Seb, Osiris, and Ra. As the European giant hides his soul in the egg, which is within the duck, which is within the fish, which is within the deer and so on, and Bata hides his soul in the blossom, the bull, and the tree ere he becomes "husband of his mother", so does Osiris "hide his essence in the shrine of Amon", while his manifestations include a tree, the Apis bull, the boar, the goose, and the Oxyrhynchus fish. Similarly when Set was slain he became a "roaring serpent", a hippopotamus, a crocodile, or a boar. The souls of Ra, Ptah, and Khnûmû are in the chaos egg like two of the prominent Hindu and Chinese gods. Other Egyptian deities who are "hidden" include Amon, Sokar, and Neith. This persistent myth, which appears to have been associated with belief in transmigration of souls, may be traced even in Akhenaton's religion. We have "Shu (atmosphere god) in his Aton (sun disk)", and a reference in the famous hymn to the "air of life" in the "egg". There can be little doubt that the Transmigration theory prevailed at certain periods and in certain localities in ancient Egypt, and that the statement made by Herodotus was well founded, despite attempts to discredit it.

It is shown that the conception of a Creator was associated with that form of earth, air, and water worship which was perpetuated at Memphis, where the presiding Deity was the hammer god Ptah, who resembles the Chinese Pan-ku, Indra of the Aryans, Tarku and Sutekh of Asia Minor, Hercules, Thor, &c. The Creatrix, on the other hand, was more closely associated with lunar, earth, and water worship, and appears to have been the principal Deity of the Mediterranean race which spread into Asia Minor and Europe. In Scotland, for instance, as we show, she is called Cailleach Bheur, and, like other archaic tribal deities and ghosts, she was the enemy of mankind. Similarly the Egyptian goddesses Sekhet and Hathor were destroyers, and Tefnut was goddess of plagues. Even the sun god Ra "produced calamity after thy (Osiris's) heart", as one of the late temple chants puts it.

In the chapter dealing with animal worship the racial aspect of early beliefs, which were connected with fixed and definite ceremonies, is illustrated in the Horus-Set myth. The "black pig" was Set (the devil) in Egypt, pork was "taboo", and the swineherd was regarded as "an abomination", and not allowed to enter temples. The Gauls and Achæans, on the other hand, honoured the swineherd and ate pork freely, while in the Teutonic Valhal and the Celtic (Irish) Paradise, swine's flesh was the reward of heroes. In Scotland, however, the ancient prejudice against pork exists in localities even at the present day, and the devil is the "black pig". Professor Sir John Rhys, in his Celtic Folklore, records that in Wales the black sow of All-Hallows was similarly regarded as the devil. Even in parts of Ireland the hatred of pork still prevails, especially among certain families. This evidence, considered with that afforded by the study of skull forms, suggests that Mediterranean racial ideas may not yet be wholly extinct in our own country." Strange to say," writes Mr. R. N. Bradley, in his recent work on Malta and the Mediterranean Race, "it is in these lands remote from the origin that some of the best indications of the (Mediterranean) race are to be found." The Gaulish treatment of the boar appears to be Asiatic. Brahma, in one of the Hindu creation myths, assumes the form of a boar, the "lord of creatures", and tosses up the earth with his tusks from the primordial deep.

Another myth which seems to havoc acquired a remote racial colouring is the particular form of the dragon story which probably radiated from Asia Minor. The hero is represented in Egypt by Horus, with his finger on his lips, in his character as Harpocrates, as the Greeks named this mysterious form of the god. The god Sutekh of Rameses II, as we show, was also a dragon slayer. So was Hercules, who fought with the Hydra, and Thor, who at Ragnarok overcame the Midgard Serpent. Sigurd, Siegfried, the Teutonic heroes, and the Celtic Finn-mac-Coul suck a finger or thumb after slaying the dragon, or one of its forms, and cooking part of it, to obtain "knowledge" or understand "the language of birds". In an Egyptian folk tale Ahura, after killing the "Deathless Snake", similarly understands "the language of birds, fishes", &c. Harpocrates appears to be the god Horus as the dragon-slaying Sutekh, the imported legend being preserved in the Ahura tale of the Empire period, when Egypt received so many Asiatic immigrants that the facial type changed as the statuary shows. Professor Elliot Smith considers that while the early Egyptian was "the representative of his kinsman the Neolithic European . . . the immigrant population into both Europe and Egypt" represented "two streams of the same Asiatic folk". Racial myths appear to have followed in the tracks of the racial drift.

In our historical narrative the reader is kept in touch with the great civilizations of the Cretans, Hittites, Babylonians, Assyrians, &c., which influenced and were influenced. by Egypt. Special attention is also devoted to Palestine and the great figures in Biblical narrative—Joseph, Moses, Isaiah, Jeremiah, Nahum, and the notable kings of Israel and Judah. There are numerous quotations from the Old Testament, and especially from the prophets who dealt with the political as well as the religious problems of their times. To students of the Bible this part of the volume should make special appeal. It is impossible to appreciate to the full the power and sagacity of Isaiah's sublime utterances without some knowledge of the history of ancient Egypt.

DONALD A. MACKENZIE.

INTRODUCTION

"CLEOPATRA'S NEEDLE", on the Thames Embankment, affords us an introduction to ancient Egypt, "the land of marvels" and of strange and numerous deities. This obelisk was shaped from a single block of red granite quarried at Assouan by order of one of the old Pharaohs; it is 68 feet 5½, inches high, and weighs 186 tons. Like one of our own megalithic monuments, it is an interesting relic of stone worship. Primitive man believed that stones were inhabited by spirits which had to be propitiated with sacrifices and offerings, and, long after higher conceptions obtained, their crude beliefs survived among their descendants. This particular monument was erected as a habitation for one of the spirits of the sun god; in ancient Egypt the gods were believed to have had many spirits.

The "Needle" was presented to the British Government in 1820, and in 1877-8 was transported hither by Sir Erasmus Wilson at a cost of £10,000. For about eighteen centuries it had been a familiar object at Alexandria. Its connection with the famous Queen Cleopatra is uncertain; she may have ordered it to be removed from its original site on account of its archæological interest, for it was already old in her day. It was first erected at Heliopolis thirty-two centuries ago. But even then Egypt was a land of ancient memories; the great Pyramids, near Cairo, were aged about 500 years, and the Calendar had been in existence for over fourteen centuries.

Heliopolis, "the city of the sun", is called On in the Bible. It was there that Moses was educated, and became "mighty in word and in deed". Joseph had previously married, at On, Asenath, the daughter of Potiphera, a priest of the sun temple, the site of which, at modern Matarieh, is marked by an erect obelisk of greater antiquity even than the "Needle". Near by are a holy well and a holy tree, long invested with great sanctity by local tradition. Coptic Christians and native Mohammedans still relate that when Joseph and Mary fled with the infant Christ into Egypt, to escape the fierce King Herod, they rested under the tree, and that Mary washed in the well the swaddling clothes of the holy child.

When "Cleopatra's Needle" was erected at On, which is also called Beth-shemesh , "the house of the sun god", in the Hebrew Scriptures, the priests taught classes of students in the temple colleges. For about thirty centuries the city was the Oxford of Egypt. Eudoxus and Plato, in the course of their travels, visited the priestly professors and heard them lecture. As ancient tradition has credited Egypt with the origin of geometry, Euclid, the distinguished mathematician, who belonged to the brilliant Alexandria school, no doubt also paid a pilgrimage to the ancient seat of learning. When he was a student he must have been familiar with our "Needle"; perhaps he puzzled over it as much as some of us have puzzled over his problems.

At On the Egyptian students were instructed, among other things, to read and fashion those strange pictorial signs which appear on the four sides of the "Needle". These are called hieroglyphics, a term derived from the Greek words hieros, "sacred", and glypho, "I engrave", and first applied by the Greeks because they believed that picture writing was used only by Egyptian priests for religious purposes. Much of what we know regarding the myths, legends, and history of the land of the Pharaohs has been accumulated since modern linguists acquired the art of reading those pictorial inscriptions. The ancient system had passed out of human use and knowledge for many long centuries when the fortunate discovery was made of a slab of black basalt on which had been inscribed a decree in Greek and Egyptian. It is called the "Rosetta Stone", because it was dug up at Rosetta by a French officer of engineers In 1799, when Napoleon, who had invaded Egypt, ordered a fort to be rebuilt. It was afterwards seized by the British, along with other antiquities collected by the French, and was presented by George III to the British Museum in 1802.

Copies of the Rosetta Stone inscriptions were distributed by Napoleon, and subsequently by British scholars, to various centres of learning throughout Europe. It was found that the Greek section recorded a decree, issued by the native priests to celebrate the first anniversary of Pharaoh Ptolemy V in 195 B.C. The mysterious Egyptian section was rendered in hieroglyphics and also in Demotic, a late form of the cursive system of writing called Hieratic. In 1814 two distinguished linguists—Dr. Thomas Young in Britain, and Professor Champollion in France—engaged in studying the quaint pictorial signs. The credit of having first discovered the method of reading them is claimed for both these scholars, and a heated controversy waged for long years over the matter. Modern opinion inclines to the view that Young and Champollion solved the secret simultaneously and independently of each other. The translation of other Egyptian texts followed in course; and of late years so great has been the skill attained by scholars that they are able to detect blunders made by ancient scribes. Much uncertainty exists, however, and must ever exist) regarding the proper pronunciation of the language.

Another source of knowledge regarding the civilization of Egypt is the history of Manetho, a native priest, who lived at the beginning of the third century before Christ. His books perished when Alexander the Great conquered Egypt, but epitomes survive in the writings of Julius Africanus, Eusebius, and George the Syncellus, while fragments are quoted by Josephus. Manetho divided the history of his country into thirty dynasties, and his system constitutes the framework upon which our knowledge of the great Egyptian past has accumulated.

Divergent views exist regarding the value of Manetho's history, and these are invariably expressed with point and vigour. Professor Breasted, the distinguished American Egyptologist, for instance, characterizes the chronology of the priestly historian as "a late, careless, and uncritical compilation", and he holds that it "can be proven wrong from the contemporary monuments in the vast majority of cases". "Manetho's dynastic totals", he says, "are so absurdly high throughout that they are not worthy of a moment's credence, being often nearly or quite double the maximum drawn from contemporary monuments. Their accuracy is now maintained only by a small and constantly decreasing number of modern scholars." Breasted goes even further than that by adding: "The compilation of puerile folk tales by Manetho is hardly worthy of the name history".

Professor Flinders Petrie, whose work as an excavator has been epochmaking, is inclined, on the other band, to attach much weight to the history of the native priest. "Unfortunately," he says, "much confusion has been caused by scholars not being content to accept Manetho as being substantially correct in the main, though with many small corruptions and errors. Nearly every historian has made large and arbitrary assumptions and changes, with a view to reducing the length of time stated. But recent discoveries seem to prove that we must accept the lists of kings as having been, correct, however they may have suffered in detail. . . . Every accurate test that we can apply shows the general trustworthiness of Manetho apart from minor corruptions."

Breasted, supported by other leading Egyptologists, accepts what is known as the "Berlin system of Egyptian chronology". The following tables illustrate how greatly he differs from Petrie:

	Breasted.	Petrie.
Mena's Conquest	3400 B.C.	5550 B.C.
Twelfth Dynasty	2000 B.C.	3400 B.C.
Eighteenth Dynasty	1580 B.C.	1580 B.C.

The Hyksos invasion took place, according to Manetho, at the beginning of the Fifteenth Dynasty, and he calculated that the Asiatic rulers were in Egypt for 511 years. Breasted's minimum is 100 years. King and Hall, like Newberry and Garstang, allow the Hyksos a little more than 200 years, while Hawes, the Cretan explorer, whose dating comes very close to that of Dr. Evans, says that "there is a growing conviction that Cretan evidence, especially in the eastern part of the island, favours the minimum (Berlin) system of Egyptian chronology". Breasted, it will be seen, allows 420 years for the period between the Twelfth and Eighteenth Dynasties, while Petrie gives 1820—a difference of 1400 years.

From 1580 B.C., onward, the authorities are in practical agreement; prior to that date the chronology is uncertain.

This confusion has been partly caused by the Egyptians having ignored the leap year addition of one day. Their calendar Of 365 days lost about a quarter of a day each twelvemonth and about a whole day every four years. New Year's Day began with the rising of the star Sirius (Sothos) on 17 June, and it coincided with the beginning of the Nile inundation. But in a cycle of 1461 years Sirius rose in every alternate month of the Egyptian year. When, therefore, we find in the Egyptian records a reference, at a particular period, to their first month (the month of Thoth), we are left to discover whether it was our April or October; and in dating back we must allow for the "wanderings of Sirius". Much controversial literature has accumulated regarding what is known as the Egyptian "Sothic Cycle".

Throughout this volume the dates are given in accordance with the minimum system, on account of the important evidence afforded by the Cretan discoveries. But we may agree to differ from Professor Petrie on chronological matters and yet continue to admire his genius and acknowledge the incalculable debt we owe him as one who has reconstructed some of the most obscure periods of Egyptian history. The light he has thrown upon early Dynastic and pre-Dynastic times, especially, has assured him an undying reputation, and he has set an example to all who have followed by the thoroughness and painstaking character of his work of research.

It is chiefly by modern-day excavators in Egypt, and in those countries which traded with the Nilotic kingdom in ancient times, that the past has been conjured up before us;. We know more about ancient Egypt now than did the Greeks or the Romans, and more about pre-Dynastic times and the early Dynasties than even those Egyptian scholars who took degrees in the Heliopolitan colleges when "Cleopatra's Needle" was first erected. But our knowledge is withal fragmentary. We can but trace the outlines of Egyptian history; we cannot command that unfailing supply of documentary material which is available, for instance, in dealing with the history of a European nation. Fragments of pottery, a few weapons, strings of beads, some rude drawings, and tomb remains are all we have at our disposal in dealing with some periods; others are made articulate by inscriptions, but even after civilization had attained a high level we occasionally find it impossible to deal with those great movements which were shaping the destinies of the ancient people. Obscure periods recur all through Egyptian history, and some, indeed, are almost quite blank.

When "Cleopatra's Needle" was erected by Thothmes III, the Conqueror, and the forerunner of Alexander the Great and Napoleon, Egyptian civilization had attained its highest level. Although occasionally interrupted by internal revolt or invasions from north and south, it had gradually increased in splendour until Thothmes III extended the empire to the borders of Asia Minor. The Mediterranean Sea then became an "Egyptian lake". Peace offerings were sent to Thothmes from Crete and Cyprus, the Phoenicians owed him allegiance, and his favours were courted by the Babylonians and Assyrians: the "Needle" records the gifts which were made by the humbled King of the Hittites.

After the passing of Thothmes, who flourished in the Eighteenth Dynasty, decline set in, and, although lost ground was recovered after a time, the power of Egypt gradually grew less and less. "Cleopatra's Needle" may be regarded as marking the "halfway house" of Egyptian civilization. It was erected at the beginning of the Age of Empire. The chief periods before that are known as the Pre-Dynastic, the Archaic Age, the Old Kingdom, the Middle Kingdom, and the Hyksos Age; after the fall of empire, in the Twentieth Dynasty, we have the periods of Libyan, Ethiopian, and Assyrian supremacy. Then came "The Restoration", or Saite period, which ended with the Persian Conquest. Subsequently the Greeks possessed the kingdom, which was afterwards seized by the Romans. Arabs and Turks followed, and to-day we witness a second Restoration under British rule. But not since the day when Ezekiel declared, in the Saite period: "There shall be no more a prince of the land of Egypt" (Ezek., xxx, 13) has a ruler of the old Egyptian race sat upon the throne of the Pharaohs.

The mythology of Egypt was formulated prior to the erection of the "Needle". Indeed, in tracing its beginnings we must go back to the pre-Dynastic times, when the beliefs of the various peoples who mingled in the ancient land were fused and developed under Egyptian influences.

We are confronted by a vast multitude of gods and goddesses. Attempts to enumerate them result, as a rule, in compilations resembling census returns. One of the Pharaohs, who lived about 4000 years ago, undertook the formidable task of accommodating them all under one roof, and caused to be erected for that purpose a great building which Greek writers called "The Labyrinth"; he had separate apartments dedicated to the various deities, and of these it was found necessary to construct no fewer than 3000, The ancient Egyptians lived in a world which swarmed with spirits, "numerous as gnats upon the evening beam". They symbolized everything; they gave concrete form to every abstract idea; they had deities which represented every phase and function of life, every act and incident of import, and every hour and every month; they had nature gods, animal gods and human gods, and gods of the living and gods of the dead. And, as if they had not a sufficient number of their own, they imported gods and goddesses from other countries.

In the midst of this mythological multitude, which a witty French Egyptologist calls "the rabble of deities", a few, comparatively speaking, loom vast and great. But some of these are but differentiated forms of a single god or goddess, whose various attributes were symbolized, so that deities budded from deities; others underwent separate development in different localities and assumed various names. If we gather those linking deities together in groups) the task of grappling with Egyptian mythology will be greatly simplified.

An interesting example of the separating process is afforded by Thoth of Hermopolis. That god of quaint and arresting aspect is most usually depicted with a man's body and the head of an ibis, surmounted by a lunar disk and crescent. As the divine lawyer and recorder, he checked the balance in the Judgment Hall of the Dead when the human heart was weighed before Osiris; as a rate, he measured out at birth the span of human life on a rod with serrated edge; he was also a patron of architects) a god of religious literature who was invoked by scribes, and a god of medicine. Originally he was a lunar deity, and was therefore of great antiquity, for, as Mr. Payne has emphasized in his History of the New World, a connection is traced between the lunar phenomena and the food supply in an earlier stage of civilization than that in which a connection is traced between the food supply and the solar phenomena.

The worship of the moon preceded in Egypt, as in many other countries, the worship of the sun. It still survives in Central Africa, and among primitive peoples elsewhere throughout the world. Even in highly civilized Europe we can still trace lingering evidences of belief in the benevolence of the lunar spirit, the ancient guide and protector of mankind.

The moon was believed to exercise a direct influence upon Nature as a generative agency; agriculturists were of opinion that seeds sown during its period of increase had more prolific growth than those sown when it was on the wane. Pliny said that "the blood of men grows and diminishes with the light of the moon, while leaves and herbage also feel the same influence". Crops were supposed to receive greater benefit in moonlight than in sunshine. In one of the Egyptian temple chants, the corn god is entreated to "give fecundity in the nighttime". The "harvest moon" was "the ripening moon", and many poets have in all ages sung its praises. It was followed in Scotland, where archaic Mediterranean beliefs appear to have tardy survival, by "the badger's moon", which marked the period for laying in winter stores, and then by "the hunter's moon", an indication that lunar worship prevailed in the archæological "hunting period". Indeed the moon bulks as largely in European as in ancient Egyptian folklore: it is still believed in certain localities to cure diseases and to inspire love; until a comparatively recent date quaint ceremonies were performed in Scotland during its first phase by women who visited sculptured stones to pray for offspring.

Although the strictly lunar character of the Egyptian god Thoth is not apparent at first sight, it can be traced through his association with kindred deities. At Hermopolis and Edfu he was fused with Khonsu (or Khensu), who had developed from Ah, the lunar representative of the male principle, which was also "the fighting principle". Khonsu was depicted as a handsome youth, and he symbolized, in the Theban group of gods, certain specialized influences of the moon. He was the love god, the Egyptian Cupid, and the divine physician; he was also an explorer (the root khens signifies "to traverse") and the messenger and hunter of the gods. Special offerings were made to him at the Ploughing Festival, just before the seed was sown, and at the Harvest Festival, after the grain was reaped; and he was worshipped as the increaser of flocks and herds and human families. Like Thoth, he was a "measurer", and inspirer of architects, because the moon measures time. But in this direction Thoth had fuller development; he was a "lawyer" because the orderly changes of the moon suggested the observance of well-defined laws, and a "checker" and "scribe" because human transactions were checked and recorded in association with lunar movements. Time was first measured by the lunar month.

Moon gods were also corn gods, but Thoth had no pronounced association with agricultural rites. That phase of his character may have been suppressed as a result of the specializing process; it is also possible that he was differentiated in the pastoral and hunting period when the lunar spirit was especially credited with causing the growth of trees. In the Nineteenth Dynasty Thoth was shown recording the name of a Pharaoh on the sacred sycamore. He must have been, therefore, at one time a tree spirit, like Osiris. Tree spirits, as well as corn spirits, were manifestations of the moon god.

Thoth also links with Osiris, and this association is of special interest. Osiris was originally an ancient king of Egypt who taught the Egyptians how to rear crops and cultivate fruit trees. He was regarded as a human incarnation of the moon spirit. As a living ruler he displayed his lunar qualities by establishing laws for the regulation of human affairs and by promoting agriculture and gardening; when he died, like the moon, he similarly regulated the affairs of departed souls in the agricultural Paradise of the Egyptians; he was the great Judge of the Dead, and in the Hall of Judgment Thoth was his recorder.

Like Thoth, Osiris was identified with the tree spirit. His dead body was enclosed in a tree which grew round the coffin, and Isis voyaged alone over the sea to recover it. Isis was also the herald of the Nile inundation; she was, indeed, the flood. The myth, as will be seen, is reminiscent of archaic tree and well worship, which survives at Heliopolis, where the sacred well and tree are still venerated in association with the Christian legend. In Ireland the tree and corn god Dagda has similarly for wife a water goddess; she is called Boann, and personifies Boyne River.

Osiris had many manifestations, or, rather, he was the manifestation of many gods. But he never lost his early association with the moon. In one of the Isis temple chants, which details his various attributes and evolutionary phases, he is hailed as the god—

Who cometh to us as a babe each month.

He is thus the moon child, a manifestation of the ever-young, and ever-renewing moon god. The babe Osiris is cared for by Thoth—

He lays thy soul in the Maadit boat

By the magic of thy name of Ah (moon god).

Thoth utters the magic "password" to obtain for Osiris his seat in the boat, which will carry him over the heavens. This reference explains the line in the complex hymn to Osiris-Sokar:—

Hail, living soul of Osiris, crowning him with the moon.

We have now reached a point where Thoth, Osiris, Khonsu, and Ah are one; they are but various forms of the archaic moon spirit which was worshipped by primitive hunters and agriculturists as the begetter and guardian of life.

According to Dr. Budge, whose works on Egyptian mythology are as full of carefully compiled facts as were Joseph's great storehouses of grain, the ancient Egyptians, despite their crowded labyrinth, "believed in the existence of one great God, self-produced, self-existent, almighty, and eternal, who created the 'gods', the heavens, and the sun, moon and stars in them, and the earth and everything on it, including man and beast, bird, fish) and reptile. . . . Of this god", Dr. Budge believes, "they never attempted to make any figure, form, likeness, or similitude, for they thought that no man could depict or describe Him, and that all His attributes were quite beyond man's comprehension. On the rare occasions in which He is mentioned in their writings, He is always called 'Neter', i.e. God, and besides this He has no name. The exact meaning of the word 'Neter' is unknown."

Dr. Budge explains the multiplication of Nilotic deities by saying that the behests of "God Almighty . . . were performed by a number of gods, or, as we might say, emanations or angels", which were "of African rather than Asiatic origin". He prefers to elucidate Egyptian mythology by studying surviving African beliefs "in the great forests and on the Nile, Congo, Niger, and other great rivers", and shows that in these districts the moon god is still regarded as the creator.

A distinction is drawn by Dr. Budge between the Libyan deities and those of Upper Egypt, and his theory of one God has forcible application when confined to the archaic lunar deity. He refers to the period prior to the minglings of peoples and the introduction of Asiatic beliefs. But in dealing with historic Egyptian mythology we must distinguish between the African moon spirit, which is still identified by savage peoples with the creator god, and the representative Egyptian lunar deity, which symbolized the male principle, and was not the "first cause", but the son of a self-produced creating goddess. The difference between the two conceptions is of fundamental character.

It is apparent that some of the great Egyptian deities, and especially those of Delta origin, or Delta characterization, evolved from primitive groups of Nature spirits. At Heliopolis, where archaic Nilotic and other beliefs were preserved like flies in amber, because the Asiatic sun worshippers sought to include all existing forms of tribal religion in their own, a creation myth makes reference to the one God of the primordial deep. But associated with him, it is significant to note, were "the Fathers and the Mothers".

The "Mothers" appear to be represented by the seven Egyptian Fates who presided at birth. These were called "the seven Hathors", but their association with the Asiatic Hathor, who was Ishtar, was evidently arbitrary. The Mediterranean people, who formed the basis of the Egyptian race, were evidently worshippers of the "Mothers". In southern and western Europe, which they peopled n early times, various groups of "Mothers" were venerated. These included "Proximæ (the kinswomen), Dervonnæ (the oak spirits), Niskai (the water spirits), Mairæ, Matronæ, Matres or Matræ (the mothers), Quadriviæ (the goddesses of crossroads). The Matres, Matræ, and Matronæ are often qualified by some local name. Deities of this type appear to have been popular in Britain, in the neighbourhood of Cologne, and in Provence. "In some cases it is uncertain", comments Professor Anwyl, from whose Celtic Religion in Pre-Christian Times we quote, "whether some of these grouped goddesses are Celtic or Teutonic." They were probably pre-Celtic and pre-Teutonic. "It is an interesting parallel", he adds, "to the existence of these grouped goddesses, when we find that in some parts of Wales 'Y Mamau.' (the mothers) is the name for the fairies. These grouped goddesses take us back to one of the most interesting stages in the early Celtic religion, when the earth spirits or the corn spirits had not yet been completely individualized."

Representatives of the groups of Egyptian spirits called "the Fathers" are found at Memphis, where Ptah, assisted by eight earth gnomes called Khnumu, was believed to have made the universe with his hammer by beating out the copper sky and shaping the hills and valleys. This group of dwarfs resemble closely the European elves, or male earth spirits, who dwelt inside mountains as the Khnumu dwelt underground.

In the process of time the various groups of male and female spirits were individualized. Some disappeared, leaving the chief spirit alone and supreme. When Ptah became a great god, the other earth gnomes vanished from the Memphis creation myth. Other members of groups remained and were developed separately. This evolutionary process can be traced, we think, in the suggestive association of the two sister goddesses Isis and Nepthys. In one of the temple chants both are declared to be the mothers of Osiris, who is called—

The bull, begotten of the two cows, Isis and Nepthys . . .
He, the progeny of the two cows, Isis and Nepthys,
The child surpassingly beautiful!

At the same time he is son of "his mother Nut". Osiris has thus three mothers. The conception may be difficult to grasp, but we must remember that we are dealing with vague beliefs regarding ancient mythological beings. Heimdal, the Norse god, had nine mothers, "the daughters of sea-dwelling Ran". The Norse god, Tyr's grandmother, was a giantess with nine hundred heads. If we reduce that number to nine, it might be suggested that she represented nine primitive earth spirits, which were multiplied and individualized by the tellers of wonder tales of mythological origin. The Egyptian Great Mother deities had sons, and practically all of these were identified with Osiris. It is not improbable, therefore, that the Mediterranean moon spirit, whom Osiris represented, had originally as many mothers as he had attributes. The "mothers" afterwards became "sisters" of the young god. Nepthys sings to Osiris:

All thy sister goddesses are at thy side
And behind thy couch.

The Heliopolitan reference to "the Fathers" and the "Mothers" indicates that fundamental beliefs of divergent origin were fused by the unscientific but diplomatic priestly theorists of the sun cult. It is evident that the people who believed in "Father spirits" were not identical with the people who believed in "Mother spirits".

We may divide into two classes the primitive symbolists who attempted to solve the riddle of the universe:

1. Those who conceived that life and natural phenomena had a female origin;

2. Those who conceived that life and natural phenomena had a male origin.

Both "schools of thought" were represented in Egypt from the earliest times of which we have any definite knowledge; but it may be inferred that the two rival conceptions were influenced by primitive tribal customs and habits of life.

It is possible that the theory of the female origin of life evolved in settled communities among large tribal units. These communities could not have come into existence, or continued to grow, without laws. As much may be taken for granted. Now, the earliest laws were evidently those which removed the prime cause of rivalries and outbreaks in tribal communities by affording protection to women. As primitive laws and primitive religions were inseparable, women must have been honoured on religious grounds. In such communities the growth of religious ideas would tend in the direction of exalting goddesses or mother spirits, rather than gods or father spirits. The men of the tribe would be regarded as the sons of an ancestress, and the gods as the sons of a goddess. The Irish tribe known as "Tuatha de Danann", for instance, were "the children of Danu", the mother of the Danann gods.

The theory of the male origin of life, on the other hand, may have grown up among smaller tribal units of wandering or mountain peoples, whose existence depended more on the prowess and activities of the males than on the influence exercised by their females, whom they usually captured or lured away. Such nomads, with their family groups over which the fathers exercised supreme authority, would naturally exalt the male and worship tribal ancestors and regard gods as greater than goddesses.

In Egypt the "mother-worshipping" peoples and the "father-worshipping" peoples were mingled, as we have indicated, long before the dawn of history. Nomadic peoples from desert lands and mountainous districts entered the Delta region of the Mediterranean race many centuries ere yet the Dynastic Egyptians made appearance in Upper Egypt. The illuminating researches of Professor Flinders Petrie prove conclusively that three or four distinct racial types were fused in pre-Dynastic times in Lower Egypt.

The evidence obtained from the comparative study of European mythologies tends to suggest that the "mother" spirits and the Great Mother deities were worshipped by the Mediterranean peoples, who multiplied rapidly in their North African area of characterization, and spread into Asia Minor and Europe and up the Nile valley as far as Nubia, where Thoth, the lunar god, was the son of Tefnut, one of the Great Mothers. But that matriarchal conception did not extend, as we have seen, into Central Africa. The evidence accumulated by explorers shows that the nomadic natives believe, as they have believed from time immemorial, in a Creator (god) rather than a Creatrix (goddess). Mungo Park found that the "one god" was worshipped only "at the appearance of the new moon". In Arabia, the "mothers" were also prominent, and certain ethnologists have detected the Mediterranean type in that country. But, of course, all peoples who worshipped "mother spirits" were not of Mediterranean origin. In this respect, however, the Mediterraneans, like other races which multiplied into large settled communities, attained early a comparatively high degree of civilization on account of their reverence for motherhood and all it entailed.

The Great Mother deity was believed to be self-created and self-sustaining. In the Isis chants addressed to Osiris we read—

Thy mother Nut cometh to thee in peace;
She hath built up life from her own body.

There cometh unto thee Isis, lady of the horizon,
Who hath begotten herself alone.

According to the Greeks, the Great Mother Neith declared to her worshippers—

I am what has been,
What is,
And what shall be.

A hymn to Neith, of which Dr. Budge gives a scholarly and literal translation, contains the following lines:—

Hail! Great Mother, not hath been uncovered thy birth;
Hail! Great Goddess, within the underworld doubly hidden;
Thou unknown one—
Hail! thou divine one,
Not hath been unloosed thy garment.

The typical Great Mother was a virgin goddess who represented the female principle, and she had a fatherless son who represented the male principle. Like the Celtic Danu, she was the mother of the gods, from whom mankind were descended. But the characteristics of the several mother deities varied in different localities, as a result of the separating and specializing process which we have illustrated in dealing with some of the lunar gods. One Great Mother was an earth spirit, another was a water spirit, and a third was an atmosphere or sky spirit.

The popular Isis ultimately combined the attributes of all the Great Mothers, who were regarded as different manifestations of her, but it is evident that each underwent, for prolonged periods, separate development, and that their particular attributes were emphasized by local and tribal beliefs. An agricultural people, for instance, could not fail, in Egypt, to associate their Great Mother with the Nile food; a pastoral people, like the Libyans, on the other hand, might be expected to depict her as an earth spirit who caused the growth of grass.

As a goddess of maternity the Great Mother was given different forms. Isis was a woman, the Egyptianized Hathor was a cow, Apet of Thebes was a hippopotamus, Bast was a cat, Tefnut was a lioness, Uazit was a serpent, Hekt was a frog, and so on. All the sacred animals and reptiles were in time associated with Isis.

In Asia Minor the Great Mother was associated with the lioness, in Cyprus she was "My Lady of Trees and Doves", in Crete she was the serpent goddess; in Rome, Bona Dea was an earth goddess, and the Norse Freyja was, like the Egyptian Bast, a feline goddess—her car was drawn by cats.

One of the least known, but not the least important, of Great Mothers of Europe is found in the Highlands of Scotland, where, according to the ethnologists, the Mediterranean element bulks considerably among the racial types. She is called Cailleach Bheur, and is evidently a representative survival of great antiquity. In Ireland she degenerated, as did other old gigantic deities, into a historical personage. An interesting Highland folk tale states that she existed "from the long eternity of the world". She is described as "a great big old wife". Her face was "blue black". and she had a single watery eye on her forehead, but "the sight of it" was "as swift as the mackerel of the ocean".

Like the Egyptian Ptah, this Scottish hag engaged herself in making the world. She carried upon her back a great creel filled with rocks and earth.. In various parts of northern Scotland small hills are said to have been formed by the spillings of her creel. She let loose the rivers and formed lochs. At night she rested on a mountain top beside a spring of fresh water. Like the Libyan Neith she was evidently the deity of a pastoral and hunting people, for she had herds of deer, goats, and sheep, over which she kept watch.

In the springtime the Cailleach, or hag, was associated with the tempests. When she sneezed, she was heard for many miles. But her stormy wrath, during the period in spring called in Gaelic "Cailleach", was especially roused because her son fled away on a white horse with a beautiful bride. The hag pursued him on a steed which leapt ravines as nimbly as the giant Arthur's' horse leapt over the Bristol Channel. But the son would not give up the bride, who had, it seems, great dread of the terrible old woman. The hag, however, managed to keep the couple apart by raising storm after storm. Her desire was to prevent the coming of summer. She carried in her hand a magic wand, or, as some stories have it, a hammer, which she waved over the earth to prevent the grass growing. But she could not baffle Nature. She, however, made a final attempt to keep apart her son and the young bride, who was evidently the spirit of summer, by raising her last great storm, which brought snow and floods, and was intended to destroy all life. Then her son fought against her and put her to flight. So "the old winter went past", as a Gaelic tale has it.

One of the many versions of the Scottish Hag story makes her the chief of eight "big old women" or witches. This group of nine suggests Ptah and his eight earth gnomes, the nine mothers of Heimdal the Norse god, and the Ennead of Heliopolis.

An Egyptian Great Mother, who was as much dreaded as the Scottish Hag, was Sekhet, the lioness-headed deity, who was the wife of Ptah. In a Twelfth-Dynasty story she is referred to as the terrible goddess of plagues. All the feline goddesses "represented", says Wiedemann, "the variable power of the sun, from genial warmth to scorching heat. Thus a Philæ text states in reference to Isis-Hathor, who there personified all goddesses in one: 'Kindly is she as Bast, terrible is she as Sekhet'. As the conqueror of the enemies of the Egyptian gods, Sekhet carried a knife in her hand, for she it was who, under the name of the 'Eye of Ra', entered upon the task of destroying mankind. Other texts represent her as ancestress of part of the human race."

The oldest deities were evidently those of most savage character. Sekhet must, therefore, have been a primitive conception of the Great Mother who rejoiced in slaughter and had to be propitiated. The kindly Bast and the lovable Isis, on the other hand, seem to be representative of a people who, having grown more humane, invested their deities with their own qualities. But the worship of mother goddesses was ever attended by rites which to us are revolting. Herodotus indicates the obscene character of those which prevailed in the Delta region. Female worshippers were unmoral (rather than immoral). In Asia Minor the festivals of the Great Mother and her son, who symbolized the generative agency in nature, were the scenes of terrible practices. Men mutilated their bodies and women became the "sacred wives" of the god. There are also indications that children were sacrificed. In Palestine large numbers of infants' skeletons have been found among prehistoric remains, and although doubt has been thrown on the belief that babies were sacrificed, we cannot overlook in this connection the evidence of Isaiah, who was an eyewitness of many terrible rites of Semitic and pre-Semitic origin.

"Against whom", cried the Hebrew prophet, "do ye sport yourselves? against whom make ye a wide mouth and draw out the tongue? are ye not children of transgression, a seed of falsehood, enflaming yourselves with idols under every green tree, slaying the children in the valleys under the clifts of the rocks" (Isaiah, lvii, 4 and 5).

In Ireland similar rites obtained "before the coming of Patrick of Macha", when the corn god, the son of the Great Mother, was dreaded and propitiated. He was called Cromm Cruaich, and was probably the archaic Dagda, son of Danu.

To him without glory
They would kill their piteous, wretched offspring
With much wailing and peril,
To pour their blood around Cromm Cruaich.

Milk and corn
They would ask from him speedily
In return for one-third of their healthy issue
Great was the horror and the scare of him.

—Celtic Myth and Legend.

Neith, the Libyan Great Mother, was an earth goddess. Nut, on the other hand, was a sky goddess, and associated with her was an earth god called Seb. Sometimes she is depicted with Seb alone, and sometimes a third deity, the atmosphere god, Shu, is added. Shu separates the heavens from the earth, and is shown as "the uplifter", supporting Nut, as Atlas supports the world. Nut is also pictured with another goddess drawn inside her entire form; within the second goddess a god is similarly depicted. This triad suggests Osiris and his two mothers. A mummy drawing of Nut, with symbols figured upon her body, indicates that she was the Great Mother of the sun disk and lunar disk and crescent. In one of the myths of the sun cult, Ra, the solar god, is said to be "born of Nut" each morning.

The most representative Egyptian Great Father was Ptah in his giant form and in his union with Tanen, the earth god. He was self-created; "no father begot thee", sang a priestly poet, "and no mother gave thee birth"; he built up his own body and shaped his limbs. Then he found "his seat" like a typical mountain giant; his head supported the sky and his feet rested upon the earth. Osiris, who also developed into a Great Father deity, was fused with Ptah at Memphis, and, according to the Pyramid texts, his name signifies "the seat maker". The sun and the moon were the eyes of the Great Father, the air issued from his nostrils and the Nile from his mouth. Other deities who link with Ptah include Khnumu, Hershef, and the great god of Mendes. These are dealt with in detail in Chapter XIV.

It is possible that Ptah was imported into Egypt by an invading tribe in pre-Dynastic times. He was an artisan god and his seat of worship was at Memphis, the home of the architects and the builders of the Pyramids and limestone mastabas. According to tradition, Egypt's first temple was erected to Ptah by King Mena.

The skilled working of limestone, with which Memphis was closely associated, made such spontaneous appearance in Egypt as to suggest that the art was developed elsewhere. It is of interest to find, therefore, that in Palestine a tall, pre-Semitic blonde race constructed wonderful artificial caves. These were "hewn out of the soft limestone", says Professor Macalister, "with great care and exactness. . . . They vary greatly in size and complexity; one cave was found by the writer that contained no less than sixty chambers. This was quite exceptional; but caves with five, ten, or even twenty chambers large and small are not uncommon. The passages sometimes are so narrow as to make their exploration difficult; and the chambers are sometimes so large that it requires a bright light such as that of magnesium wire to illuminate them sufficiently for examination. One chamber, now fallen in, was found to have been 400 feet long and 80 feet high. To have excavated these gigantic catacombs required the steady work of a long-settled population." They are "immense engineering works". The hewers of the artificial caves "possessed the use of metal tools, as the pick marks testify".

These caves, with their chambers and narrow passages, suggest the interiors of the Pyramids. A people who had attained such great skill in limestone working were equal to the task of erecting mountains of masonry in the Nile valley if, as seems possible, they effected settlement there in very early times. As they were of mountain characterization, these ancient artisans may have been Ptah worshippers.

The Pyramids evolved from mastabas. Now in Palestine there are. to the north of Jerusalem, "remarkable prehistoric monuments". These, Professor Macalister says, "consist of long, broad walls in one of which a chamber and shaft have been made, happily compared by Père Vincent to an Egyptian mastaba".

Legends regarding this tall people make reference to giants, and it is possible that with other mountain folk their hilltop deities, with whom they would be identified, were reputed to be of gigantic stature and bulk. They are also referred to in the Bible. When certain of the spies returned to Moses from southern Canaan "they brought up an evil report of the land which they had searched". They said: "It is a land that eateth up the inhabitants thereof; and all the people that we saw in it are men of great stature. And there we saw the giants, the sons of Anak, which come of the giants" (Numbers, xiii, 32-33). In other words, they were "sons of their gods".

It is evident that this tall, cave-hewing people had attained a high degree of civilization, with a well-organized system of government, ere they undertook engineering works on such a vast scale. Although they had established themselves in such close proximity to the Delta region, no reference is made to them in any surviving Egyptian records, so that they must have flourished at a remote period. They preceded the Semites in southern Palestine, and the Semites appeared in Egypt in pre-Dynastic times. Professor Macalister considers that they may be "roughly assigned to 3000 B.C.". A long period must be allowed for the growth of their art of skilled stone working.

When the mysterious cave-dwellers were at the height of their power, they must have multiplied rapidly, and it is not improbable that some of their surplus stock poured into the Delta region. Their mode of life must have peculiarly fitted them for residence in towns, and it may be that the distinctive character of the mythology of Memphis was due to their presence in no inconsiderable numbers in that cosmopolitan city.

There is no indication that the Dynastic Egyptians, who first made their appearance in the upper part of the Nile valley, utilized the quarries prior to their conquest of Lower Egypt. They were a brick-making people, and their early tombs at Abydos were constructed of brick and wood. But after King Mena had united the two kingdoms by force of arms, stone working was introduced into Upper Egypt. A granite floor was laid in the tomb of King Usephais of the First Dynasty. This sudden transition from brick making to granite working is very remarkable. It Is interesting to note, however, that the father of Usephais is recorded to have erected a stone temple at Hierakonpolis. Probably it was constructed of limestone. As much is suggested by the finish displayed in the limestone chamber of the brick tomb of King Khasekhemui of the Second Dynasty. Brick, however, continued in use until King Zoser of the Third Dynasty, which began about 2930 B.C., had constructed of stone, for his tomb, the earliest Egyptian pyramid near Memphis.

It is highly probable that it was the experienced limestone workers of the north, and not the brickmakers of Upper Egypt, who first utilized granite. The Pharaohs of the First Dynasty may have drafted southward large numbers of the skilled workers who were settled at Memphis, or in its vicinity. We seem to trace the presence of a northern colony in Upper Egypt by the mythological beliefs which obtained in the vicinity of the granite quarries at Assouan. The chief god of the First Cataract was Khnumu, who bears a close resemblance to Ptah, the artisan god of Memphis. (See Chapter XIV.)

We have now dealt with two distinct kinds of supreme deities-the Great Father, and the Great Mother with her son. It is apparent that they were conceived of and developed by peoples of divergent origin and different habits of life, who mingled in Egypt under the influence of a centralized government. The ultimate result was a fusion of religious beliefs and the formulation of a highly complex mythology which was never thoroughly systematized at any period. The Great Father then became the husband of the Great Mother, or the son god was exalted as "husband of his mother". Thus Ptah was given for wife Sekhet, the fierce lioness-headed mother, who resembles Tefnut and other feline goddesses. Osiris, the son of Isis and Nepthys, on the other hand, became "husband of his mother", or mothers; he was recognized as the father of Horus, son of Isis, and of Anubis, son of Nepthys. Another myth makes him displace the old earth god Seb, son of Nut. Osiris was also a son of Nut, an earlier form of Isis. So was Seb, who became "husband of his mother". That Seb and Osiris were fused is evident in one of the temple chants, in which Isis, addressing Osiris, says: "Thy soul possesseth the earth".

In Asia Minor, where the broad-headed patriarchal Alpine hill people blended with the long-headed matriarchal Mediterranean people, the Pappas god (Attis, Adon) became likewise the husband of the Ma goddess (Nana). A mythological scene sculptured upon a cliff at Ibreez in Cappadocia is supposed to represent the marriage of the two Great Father and Mother deities, and. it is significant to find that the son accompanies the self-created bride. As in Egypt, the father and the son were fused and at times are indistinguishable in the legends.

It now remains with us to deal with the worship of the solar disk. This religion was unknown to the early Mediterranean people who spread through Europe and reached the British Isles and Ireland. Nor did it rise into prominence in the land of the Pharaohs until after the erection of the Great Pyramids near Cairo. The kings did not become "sons of the sun" until the Fifth Dynasty.

There is general agreement among Egyptologists, that sun worship was imported from Asia and probably from Babylonia. It achieved fullest development on Egyptian lines at Heliopolis, "the city of the sun". There Ra, the solar deity, was first exalted as the Great Father who created the universe and all the gods and goddesses, from whom men and animals and fish and reptiles were descended. But the religion of the sun cult never achieved the popularity of the older faiths. It was embraced chiefly by the Pharaohs, the upper classes, and the foreign sections of the trading communities. The great masses of the people continued to worship the gods of the moon, earth, atmosphere, and water until Egyptian civilization perished of old age. Osiris was ever the deity of the agriculturists, and associated with him, of course, were Isis and Nepthys. Set, the red-haired god of prehistoric invaders, who slew Osiris, became the Egyptian Satan, and he was depicted as a black serpent, a black pig, a red mythical monster, or simply as a red-haired man; he was also given half-animal and half-human form.

As we have indicated, the policy adopted by the priests of the sun was to absorb every existing religious cult in Egypt. They permitted the worship of any deity, or group of deities, so long as Ra was regarded as the Great Father. No belief was too contradictory in tendency, and no myth was of too trivial a character, to be embraced in their complex theological system. As a result we find embedded, like fossils, in the religious literature of Heliopolis, many old myths which would have perished but for the acquisitiveness, of the diplomatic priests of the sun.

The oldest sun god was Tum, and he absorbed a primitive myth about Khepera, the beetle god. After Ra was introduced into Egypt the solar deity was called Ra-Tum. A triad was also formed by making Ra the noonday sun, Tum the evening sun, and Khepera the sun at dawn.

Khepera is depicted in beetle form, holding the sun disk between his two fore legs. To the primitive Egyptians the winged beetle was a sacred insect. Its association with the resurrected sun is explained by Wiedemann as follows: "The female (Ateuchus sacer) lays her eggs in a cake of dung, rolls this in the dust and makes it smooth and round so that it will keep moist and serve as food for her young; and finally she deposits it in a hole which she has scooped out in the ground; and covers it with earth. This habit had not escaped the observation of the Egyptians, although they failed to understand it, for scientific knowledge of natural history was very slight among all peoples of antiquity. The Egyptians supposed the Scarabæus to be male, and that it was itself born anew from the egg which it alone had made, and thus lived an eternal life. . . ."

The Scarabæus became a symbol of the resurrection and the rising sun. The dawn god raised up the solar disk as the beetle raised up the ball containing its eggs ere it set it a-rolling. Similarly souls were raised from death to life eternal.

Another myth represented the new-born sun as the child Horus rising from a lotus bloom which expanded its leaves on the breast of the primordial deep. Less poetic, but more popular, apparently, was the comedy about the chaos goose which was called "Great Cackler", because at the beginning she cackled loudly to the chaos gander and laid an egg, which was the sun. Ra was identified with the historical egg', but at Heliopolis the priests claimed that it was shaped by Ptah on his potter's wheel; Khnûmû, the other artisan god, was similarly credited with the work. The gander was identified with Seb, the earth god, and in the end Amon-Ra, the combined deity of Thebes, was represented as the great chaos goose and gander in one. The "beautiful goose" was also sacred to Isis.

Of foreign origin, probably, was the myth that the sun was a wild ass, which was ever chased by the Night serpent, Haiu, as it ran round the slopes of the mountains supporting the sky. These are probably the world-encircling mountains, which, according to the modern Egyptians, are peopled by giants (genii). Belief in mountain giants survive among the hillmen of Arabia, Syria, Asia Minor, and Europe. The most popular old Egyptian idea was that the earth was surrounded by the ocean; the same opinion obtained in Greece. The wild ass, as we have seen, was also Set, the Nilotic Satan.

A similar myth represents the sun as a great cat, which was originally a female, but was identified with Ra as a male. It fought with the Night serpent, Apep, below the sacred tree at Heliopolis, and killed it at dawn. In this myth Set is identified with the serpent.

The cat and the wild ass enjoyed considerable popularity at Heliopolis. In the Book of the Dead it is declared: "I have heard the word of power (the magic word) which the ass spake to the cat in the house of Hapt-ra", but the "password" which was used by the souls of the dead is not given.

Another belief regarding the sun had its origin apparently among the moon worshippers. It can be traced in one of the Nut pictures. Shu, the atmosphere god, stands beneath the curving body of the Great Mother and receives in one of his hands a white pool of milk, which is the sun. In the mummy picture, already referred to, the sun disk is drawn between the breasts of the sky goddess.

Nut is sometimes called the "mother of Ra", but in a creation myth she is his wife, and her secret lover is Seb, the earth god.

It was emphasized at Heliopolis that Ra, as the Great Father, called Nut, Seb, and Shu into being. Those deities which he did not create were either his children or their descendants.

The creation story in which the priests of Heliopolis fused the old myths will be found in Chapter I. It familiarizes the reader with Egyptian beliefs in their earliest and latest aspects.

The second chapter is devoted to the Osiris and Isis legends, which shows that these deities have both a tribal and seasonal significance. In the chapters which follow, special attention is devoted to the periods in which the religious myths were formulated and the greater gods came into prominence , while light is thrown on the beliefs and customs of the ancient people of Egypt by popular renderings of representative folk tales and metrical versions of selected songs and poems.

CHAPTER I. Creation Legend of Sun Worshippers

The Primordial Deep—Ra's "Soul Egg" arises—The Elder Gods—Isis and the Serpent—Plot to rival Ra—How his Magic Name was obtained—Ra. seeks to destroy Mankind—An Avenging Goddess—The Deluge—Worshippers are spared—Origin of Sacrifice—Ra ascends to Heaven—Earth God's Reptile Brood—Thoth the Deputy—The Sun God's Night journey—Perils of the Underworld—Rebirth of Sun at Dawn.

AT the beginning the world was a waste of water called Nu. and it was the abode of the Great Father. He was Nu, for he was the deep, and he gave being unto the sun god who hath said: "Lo! I am Khepera at dawn, Ra at high noon, and Tum at eventide". The god of brightness first appeared as a shining egg which floated upon the water's breast, and the spirits of the deep, who were the Fathers and the Mothers, were with him there, as he was with Nu, for they were the companions of Nu.

Now Ra was greater than Nu from whom he arose. He was the divine father and strong ruler of gods, and those whom he first created, according to his desire, were Shu, the wind god, and his consort Tefnut, who had the head of a lioness and was called "The Spitter" because she sent the rain. In aftertime these two deities shone as stars amidst the constellations of heaven, and they were called "The Twins".

Then came into being Seb, the earth god, and Nut, the goddess of the firmament, who became the parents of Osiris and his consort Isis and also of Set and his consort Nepthys.

Ra spake at the beginning of Creation, and bade the earth and the heavens to rise out of the waste of water. In the brightness of his majesty they appeared, and Shu, the uplifter, raised. Nut upon high. She formed the vault, which is arched over Seb, the god of earth, who lies prostrate beneath her from where, at the eastern horizon, she is poised upon her toes to where, at the western horizon, bending down with outstretched arms, she rests upon her finger tips. In the darkness are beheld the stars which sparkle upon her body and over her great unwearied limbs.

When Ra, according to his desire, uttered the deep thoughts of his mind, that which he named had being. When he gazed into space, that which he desired to see appeared before him. He created all things that move in the waters and upon the dry land. Now, mankind were born from his eye, and Ra, the Creator, who was ruler of the gods, became the first king upon earth. He went about among men; he took form like unto theirs, and to him the centuries were as years.

Ra had many names that were not known unto gods or men, and he had one secret name which gave to him his divine power. The goddess Isis, who dwelt in the world as a woman, grew weary of the ways of mankind; she sought rather to be amidst the mighty gods. She was an enchantress, and she desired greatly to have power equal with Ra in the heavens and upon the earth. In her heart, therefore, she yearned to know the secret name of the ruling god, which was hidden in his bosom and was never revealed in speech.

Each day Ra walked forth, and the gods who were of his train followed him, and he sat upon his throne and uttered decrees. He had grown old, and as he spake moisture dripped from his mouth and fell upon the ground. Isis followed after him, and when she found his saliva she baked it with the earth on which it lay. In the form of a spear she shaped the substance, and it became a venomous serpent. She lifted it up; she cast it from her, and it lay on the path which Ra was wont to traverse when he went up and down his kingdom, surveying that which he had made. Now the sacred serpent which Isis created was invisible to gods and men.

Soon there came a day when Ra, the aged god, walked along the path followed by his companions. He came nigh to the serpent, which awaited him, and the serpent stung him. The burning venom entered his body, and Ra was stricken with great pain. A loud and mighty cry broke from his lips, and it was heard in highest heaven.

Then spake the gods who were with him, saying: "What hath befallen thee?" and "What thing is there?"

Ra answered not; he shook; all his body trembled and his teeth clattered, for the venom overflowed in his flesh as does the Nile when it floods the land of Egypt. But at length he possessed himself and subdued his heart and the fears of his heart. He spake, and his words were:

"Gather about me, ye who are my children, so that I may make known the grievous thing which hath befallen

me even now. I am stricken with great pain by something I know not of . . . by something which I cannot behold. Of that I have knowledge in my heart, for I have not done myself an injury with mine own hand. Lo! I am without power to make known who hath stricken me thus. Never before hath such sorrow and pain been mine."

He spake further, saying: "I am a god and the son of a god; I am the Mighty One, son of the Mighty One. Nu, my father, conceived my secret name which giveth me power, and he concealed it in my heart so that no magician might ever know it, and, knowing it, be given power to work evil against me.

"As I went forth, even now, beholding, the world which I have created, a malignant thing did bite me. It is not fire, yet it burns in my flesh; it is not water, yet cold is my body and my limbs tremble. Hear me now! My command is that all my children be brought nigh to me so that they may pronounce words of power which shall be felt upon earth and in the heavens."

All the children of Ra were brought unto him as was his desire. Isis, the enchantress, came in their midst, and all sorrowed greatly, save her alone. She spoke forth mighty words, for she could utter incantations to subdue pain and to give life unto that from which life had departed. Unto Ra spake Isis, saying: "What aileth thee, holy father? . . . Thou hast been bitten by a serpent, one of the creatures which thou didst create. I shall weave spells; I shall thwart thine enemy with magic. Lo! I shall overwhelm the serpent utterly in the brightness of thy glory."

He answered her, saying: "A malignant thing did bite me. It is not fire, yet it burns my flesh. It is not water, yet cold is my body, and my limbs tremble. Mine eyes also have grown dim. Drops of sweat fall from my face."

Isis spake unto the divine father and said: "Thou must, even now, reveal thy secret name unto me, for, verily, thou canst be delivered from thy pain and distress by the power of thy name."

Ra heard her in sorrow. Then he said: "I have created the heavens and the earth. Lo! I have even framed the earth, and the mountains are the work of my hands; I made the sea, and I cause the Nile to flood the land of Egypt. I am the Great Father of the gods and the goddesses. I gave life unto them. I created every living thing that moves upon the dry land and in the sea depths. When I open my eyes there is light: when I close them there is thick darkness. My secret name is known not unto the gods. I am Khepera at dawn, Ra at high noon, and Tum at eventide."

So spake the divine father; but mighty and magical as were his words they brought him no relief. The poison still burned in his flesh and his body trembled. He seemed ready to die.

Isis, the enchantress, heard him, but there was no sorrow in her heart. She desired, above all other things, to share the power of Ra, and she must needs have revealed unto her his sacred name which Nu conceived and uttered at the beginning. So she spake to Ra, saying:

"Divine father, thou hast not yet spoken thy name of power. If thou shalt reveal it unto me I will have strength to give thee healing."

Hotter than fire burned the venom in the heart of Ra. Like raging flames it consumed his flesh, and he suffered fierce agony. Isis waited, and at length the Great Father spake in majesty and said; "It is my will that Isis be given my secret name, and that it leave my heart and enter hers."

When he had spoken thus, Ra vanished from before the eyes of the gods. The sun boat was empty, and there was thick darkness. Isis waited, and when the secret name of the divine father was about to leave his heart and pass into her own, she spake unto Horus her son and said:

"Now, compel the ruling god, by a mighty spell, to yield up also his eyes, which are the sun and the moon."'

Isis then received in her heart the secret name of Ra, and the mighty enchantress said

"Depart, O venom, from Ra; come forth from his heart and from his flesh; flow out, shining from his mouth. . . . I have worked the spell. . . . Lo! I have overcome the serpent and caused the venom to be spilled upon the ground, because that the secret name of the divine father hath been given unto me. . . . Now let Ra live, for the venom hath perished."

So was the god made whole. The venom departed from his body and there was no longer pain in his heart or any sorrow.

As Ra grew old ruling over men, there were those among his subjects who spake disdainfully regarding him, saying: "Aged, indeed, is King Ra, for now his bones are silvern and his flesh is turned to gold, although his hair is still true lapis lazuli (dark)."

Unto Ra came knowledge of the evil words which were spoken against him, and there was anger in his heart, because that there were rebellious sayings on the lips of men and because they sought also to slay him. He spake unto his divine followers and said:

"Bring before me the god Shu and the goddess

Tefnut, the god Seb and his consort Nut, and the fathers and mothers who were with me at the beginning when I was in Nu. Bring Nu before me also. Let them all come hither in secret, so that men may not behold them, and, fearing, take sudden flight. Let all the gods assemble in my great temple at Heliopolis."

The gods assembled as Ra desired, and they made obeisance before him. They then said: "Speak what thou desirest to say and we will hear."

He addressed the gods, saying: "O Nu, thou the eldest god, from whom I had my being, and ye ancestral gods, hear and know now, that rebellious words are spoken against me by mankind, whom I did create. Lo! they seek even to slay me. It is my desire that ye should instruct me what ye would do in this matter. Consider well among yourselves and guide me with wisdom. I have hesitated to punish mankind until I have heard from Your lips what should now be done regarding them.

"For lo! I desire in my heart to destroy utterly that which I did create. All the world will become a waste of water through a great flood as it was at the beginning, and I alone shall be left remaining, with no one else beside me save Osiris and his son Horus. I shall become a small serpent invisible to the gods. To Osiris will be given power to reign over the dead, and Horus will be exalted on the throne which is set upon the island of fiery flames."

Then spake forth Nu, god of primeval waters, and he said: "Hear me now, O my son, thou who art mightier far than me, although I gave thee life. Steadfast is thy throne; great is the fear of thee among men. Let thine eye go forth against those who are rebels in the kingdom." Ra said: "Now do men seek escape among the hills; they tremble because of the words they have uttered."

The gods spake together, saying: "Let thine eye go forth against those who are rebels in the kingdom and it shall destroy them utterly. When it cometh down from heaven as Hathor, no human eye can be raised against it."

Ra heard, and, as was his will, his eye went forth as Hathor against mankind among the mountains, and they were speedily slain. The goddess rejoiced in her work and drave over the land, so that for many nights she waded in blood.

Then Ra repented. His fierce anger passed away, and he sought to save the remnant of mankind. He sent messengers, who ran swifter than the storm wind, unto Elephantine, so that they might obtain speedily many plants of virtue. These they brought back, and they were well ground and steeped with barley in vessels filled with the blood of mankind. So was beer made and seven thousand jars were filled with it.

Day dawned and Hathor went upstream slaughtering mankind. Ra surveyed the jars and said: "Now shall I give men protection. It is my will that Hathor may slay them no longer."

Then the god gave command that the jars should be carried to the place where the vengeful goddess rested for the night after that day of slaughter. The jars were emptied out as was his desire, and the land was covered with the flood.

When Hathor awoke her heart was made glad. She

stooped down and she saw her beauteous face mirrored in the flood. Then began she to drink eagerly, and she was made drunken so that she went to and fro over the land, nor took any heed of mankind.

Ra spake unto her, saying: "Beautiful goddess, return to me in peace."

Hathor returned, and the divine father said: "Henceforward shall comely handmaidens, thy priestesses, prepare for thee in jars, according to their number, draughts of sweetness, and these shall be given as offerings unto thee at the first festival of every New Year.'

So it came that from that day, when the Nile rose in red flood, covering the land of Egypt, offerings of beer were made unto Hathor. Men and women partook of the draughts of sweetness at the festival and were made drunken like the goddess.

Now when Hathor had returned to Ra he spake unto her with weariness, saying:

"A fiery pain torments me, nor can I tell whence it comes. I am still alive, but I am weary of heart and desire no longer to dwell among men. Lo! I have not destroyed them as I have power to do."

The gods who followed Ra said: "Be no longer weary. Power is thine according to thy desire."

Ra answered them, saying: "Weary indeed are my limbs and they fail me. I shall go forth no longer alone, nor shall I wait until I am stricken again with pain. Help shall be given unto me according to my desire."

Then the ruler of the gods called unto Nu, from whom he had being, and Nu bade Shu, the atmosphere god, and Nut, goddess of the heavens, to give aid unto Ra in his distress.

Nut took the form of the Celestial Cow, and Shu lifted Ra upon her back. Then darkness came on. Men issued forth from their hiding places in great fear, and when they beheld Ra departing from them they sorrowed because of the rebellious words which had been spoken against his majesty. Indeed they cried unto Ra, beseeching him to slay those of his enemies who remained. But Ra was borne through the darkness, and men followed him until he appeared again and shed light upon the earth. Then did his faithful subjects arm themselves with weapons, and they sallied forth against the enemies of the sun god and slaughtered them in battle.

Ra beheld that which his followers among men had done, and he was well pleased. He spake unto them saying: "Now is your sin forgiven. Slaughter atones for slaughter. Such is sacrifice and the purport thereof." When Ra had thus accepted in atonement for the sin of men the sacrifice of his enemies who desired to slay him, he spake unto the heavenly goddess Nut, saying:

"Henceforth my dwelling place must be in the heavens. No longer will I reign upon the earth."

So it happened, according to his divine will. The great god went oil his way through the realms which are above, and these he divided and set in order. He spake creating words, and called into existence the field of Aalu, and there he caused to assemble a multitude of beings which are beheld in heaven, even the stars, and these were born of Nut. In millions they came to praise and glorify Ra. Unto Shu, the god of atmosphere, whose consort is Nut, was given the keeping of the multitude of beings that shine in thick darkness. Shu raised his arms, uplifting over his head the Celestial Cow and the millions and millions of stars.

Then Ra spake unto the earth god, who is called Seb, and said:

"Many fearsome reptiles dwell in thee. It is my will now that they may have dread of me as great as is my dread of them. Thou shalt discover why they are moved with enmity against me. When thou hast done that, thou shalt go unto Nu, my father, and bid him to have knowledge of all the reptiles in the deep and upon the dry land. Let be made known unto each one that my rays shall fall upon them. By words of magic alone can they be overcome. I shall reveal the charms by which the children of men call thwart all reptiles, and Osiris, thy son, shall favour the magicians who protect mankind against them."

He spake again and called forth the god Thoth who came into being by his word.

"For thee, O Thoth he said, "I shall make a resplendent abode in the great deep and the underworld which is Duat. Thou shalt record the sins of men, and the names of those who are mine enemies; in Duat thou shalt bind them. Thou shalt be temporary dweller in my place; thou art my deputy. Lo! I now give messengers unto thee."

So came into being by his power the ibis, the crane, and the dog ape, the messengers of Thoth.

Ra spake again, saying: "Thy beauty shall be shed through the darkness; thou shalt join night with day."

So came into being the moon (Ah) of Thoth, and Ra said: "All living creatures shall glorify and praise thee as a wise god."

When all the land is black, the sun bark of Ra passes through the twelve hour-divisions of night in Duat. At

eventide, when the god is Tum, he is old and very frail. Five-and-seventy invocations are chanted to give him power to overcome the demons of darkness who are his enemies. He then enters the western gate, through which dead men's souls pass to be judged before Osiris. In front of him goes the jackal god, Anubis, for he is "Opener of the Ways". Ra has a sceptre in one hand: in the other he carries the Ankh, which is the symbol of life.

When the sun bark enters the river Ûrnes of the underworld the companions of Ra are with him. Watchman is there, and Striker, and Steersman is at the helm, and in the bark are also those divinities who are given power, by uttering magical incantations, to overcome the demons of evil.

The gloomy darkness of the first hour-division is scattered by the brightness of Ra. Beside the bark gather the pale shades of the newly dead, but none of them can enter it without knowledge of the magical formulae which it is given unto few to possess.

At the end of the first hour-division is a high and strong wall, and a gate is opened by incantations so that the bark of Ra may pass through. So from division to division, all through the perilous night, the sun god proceeds, and the number of demons that must be thwarted by magic and fierce fighting increases as he goes. Apep, the great Night serpent, ever seeks to overcome Ra and devour him.

The fifth hour-division is the domain of dreaded Sokar, the underworld god, with three human heads, a serpent's body, and mighty wings between which appears his hawk form. His abode is in a dark and secret place which is guarded by fierce sphinxes. Nigh to him is the Drowning Pool, watched over by five gods with bodieslike to men and animals' heads. Strange and mysterious forms hover nigh, and in the pool are genii in torture, their heads aflame with everlasting fire.

In the seventh hour-division sits Osiris, divine judge of the dead. Fiery serpents, which are many-headed, obey his will. Feet have they to walk upon and hands, and some carry sharp knives with which to cut to pieces the souls of the wicked. Whom Osiris deems to be worthy, he favours; such shall live in the Nether World: whom he finds to be full of sin, he rejects; and these do the serpents fall upon, dragging them away, while they utter loud and piercing cries of grief and agony, to be tortured and devoured; lo! the wicked perish utterly. In this division of peril the darksome Night serpent Apep attacks the sun bark, curling its great body round the compartment of Ra with ferocious intent to devour him. But the allies of the god contend against the serpent; they stab it with knives until it is overcome. Isis utters mighty incantations which cause the sun bark to sail onward unscathed nor stayed.

In the eighth division are serpents which spit forth fire to illumine the darkness, and in the tenth are fierce water reptiles and ravenous fishes. The god Horus burns great beacons in the eleventh hour-division; ruddy flames and flames of gold blaze aloft in beauty: the enemies of Ra are consumed in the fires of Horus.

The sun god is reborn in the twelfth hour-division. He enters the tail of the mighty serpent, which is named "Divine Life", and issues from its mouth in the form of Khepera, which is a beetle. Those who are with the god are reborn also. The last door of all is guarded by Isis, wife of Osiris, and Nepthys, wife of Set, in the form of serpents. They enter the sun bark with Ra.

Now Ûrnes, the river of Duat, flows into the primevalocean in which Nu has his abode. And as Ra was lifted out of the deep at the beginning, so he is lifted by Nu at dawn. He is then received by Nut, goddess of the heavens; he is born of Nut and grows in majesty, ascending to high noon.

The souls of the dead utter loud lamentations when the sun god departs out of the darkness of Duat.

CHAPTER II. The Tragedy of Osiris

Osiris the Wise King—Introduction of Agriculture —Isis the Strong Queen—Conspiracy of Set—The Tragic Feast—Osiris is slain—The Quest of Isis——Set the Oppressor—"The Opener of the Ways"—Birth of Horus—Thoth the Healer—Tree encloses Osiris's Body—Isis as a Foster-mother—Her Swallow Guise—Flames of Immortality—Osiris brought back to Egypt —Torn in Pieces by Set, the Boar Hunter—Isis recovers Fragments—Ghost of Murdered King—Horus as Hamlet—Succession of Uncle and Son—Agricultural Rites—The Inundation—Lamentations at Sowing Time and Harvest —Osiris and Isis as Corn Spirits—Hapi, the Nile Deity—Isis as a Male.

WHEN Osiris was born, a voice from out of the heavens proclaimed: "Now hath come the lord of all things." The wise man Pamyles had knowledge of the tidings in a holy place at Thebes, and he uttered a cry of gladness, and told the people that a good and wise king had appeared among men.

When Ra grew old and ascended unto heaven, Osiris sat in his throne and ruled over the land of Egypt. Men were but savages when he first came amongst them. They hunted wild animals, they wandered in broken tribes hither and thither, up and down the valley and among the mountains, and the tribes contended fiercely in battle. Evil were their ways and their desires were sinful.

Osiris ushered in a new age. He made good and binding laws, he uttered just decrees, and he judged with wisdom between men. He caused peace to prevail at length over all the land of Egypt.

Isis was the queen consort of Osiris, and she was awoman of exceeding great wisdom. Perceiving the need of mankind, she gathered the ears of barley and wheat which she found growing wild, and these she gave unto the king. Then Osiris taught men to break up the land which had been under flood) to sow the seed, and, in due season, to reap the harvest. He instructed them also how to grind corn and knead flour and meal so that they might have food in plenty. By the wise ruler was the vine trained upon poles, and he cultivated fruit trees and caused the fruit to be gathered. A father was he unto his people, and he taught them to worship the gods, to erect temples, and to live holy lives. The hand of man was no longer lifted against his brother. There was prosperity in the land of Egypt in the days of Osiris the Good.

When the king perceived the excellent works which he had accomplished in Egypt, he went forth to traverse the whole world with purpose to teach wisdom unto all men, and prevail upon them to abandon their evil ways. Not by battle conquest did he achieve his triumphs, but by reason of gentle and persuasive speech and by music and song. Peace followed in his footsteps, and men learned wisdom from his lips.

Isis reigned over the land of Egypt until his return. She was stronger than Set, who regarded with jealous eyes the good works of his brother, for his heart was full of evil and he loved warfare better than peace. He desired to stir up rebellion in the kingdom. The queen frustrated his wicked designs. He sought in vain to prevail in battle against her, so he plotted to overcome Osiris by guile. His followers were seventy and two men who were subjects of the dusky queen of Ethiopia.

OSIRIS, ISIS AND HORUS

When Osiris returned from his mission, there was great rejoicing in the land. A royal feast was held, and set came to make merry, and with him were his fellow conspirators. He brought a shapely and decorated chest, which he had caused to be made according to the measurements of the king's body. All men praised it at the feast, admiring its beauty, and many desired greatly to possess it. When hearts were made glad with beer-drinking, Set proclaimed that he would gift the chest unto him whose body fitted its proportions with exactness. There was no suspicion of evil design among the faithful subjects of Osiris. The guests spoke lightly, uttering jests one against another, and all were eager to make trial as Set had desired. So it happened that one after another entered the chest on that fateful night, until it seemed that no man could be found to win it for himself. Then Osiris came forward. He lay down within the chest, and he filled it in every part. But dearly was his triumph won in that dark hour which was his hour of doom. Ere he could raise his body, the evil followers of Set sprang suddenly forward and shut down the lid, which they nailed fast and soldered with lead. So the richly decorated chest became the coffin of the good king Osiris, from whom departed the breath of life.

The feast was broken up in. confusion. Merrymaking ended in sorrow, and blood flowed after that instead of beer. Set commanded his followers to carry away the chest and dispose of it secretly. As he bade them, so did they do. They hastened through the night and flung it into the Nile. The current bore it away in the darkness, and when morning came it reached the great ocean and was driven hither and thither, tossing among the waves. So ended the days of Osiris and the years of his wise and prosperous reign in the land of Egypt.When the grievous tidings were borne unto Isis, she was stricken with great sorrow and refused to be comforted. She wept bitter tears and cried aloud. Then she uttered a binding vow, cut off a lock of her shining hair, and put on the garments of mourning. Thereafter the widowed queen wandered up and down the land, seeking for the body of Osiris.

Nor would she rest nor stay until she found what she sought. She questioned each one she encountered, and one after another they answered her without knowledge. Long she made search in vain, but at length she was told by shoreland children that they had beheld the chest floating down the Nile and entering the sea by the Delta mouth which takes its name from the city of Tanis.

Meanwhile Set, the usurper, ascended the throne of Osiris and reigned over the land of Egypt. Men were wronged and despoiled of their possessions. Tyranny prevailed and great disorder, and the followers of Osiris suffered persecution. The good queen Isis became a fugitive in the kingdom, and she sought concealment from her enemies in the swamps and deep jungle of the Delta. Seven scorpions followed her, and these were her protectors. Ra, looking down from heaven, was moved to pity because of her sore distress, and he sent to her aid Anubis, "the opener of the ways", who was the son of Osiris and Nepthys, and he became her guide.

One day Isis sought shelter at the house of a poor woman, who was stricken with such great fear when she beheld the fearsome scorpions that she closed the door against the wandering queen. But a scorpion gained entrance) and bit her child so that he died. Then loud and long were the lamentations of the stricken mother.

The heart of Isis was touched with pity, and she uttered magical words which caused the child to come to life again, and the woman ministered unto the queen with gratitude while she remained in the house.

Then Isis gave birth unto her son Horus; but Set came to know where the mother and babe were concealed, and he made them prisoners in the house.

It was his desire to put Horus to death, lest he should become his enemy and the claimant of the throne of Osiris. But wise Thoth came out of heaven and gave warning unto Isis, and she fled with her child into the night. She took refuge in Buto, where she gave Horus into the keeping of Uazit, the virgin goddess of the city, who was a serpent, So that he might have protection against the jealous wrath of Set, his wicked uncle, while she went forth to search for the body of Osiris. But one day, when she came to gaze upon the child, she found him lying dead. A scorpion had bitten him, nor was it in her power to restore him to life again. In her bitter grief she called upon the great god Ra. Her voice ascended to high heaven, and the sun boat was stayed in its course. Then wise Thoth came down to give aid. He worked a mighty spell; he spoke magical words over the child Horus, who was immediately restored to life again. It was the will of the gods that he should grow into strong manhood and then smite his father's slayer.

The coffin of Osiris was driven by the waves to Byblos, in Syria, and it was cast upon the shore. A sacred tree sprang up and grew round it, and the body of the dead ruler was enclosed in its great trunk. The king of that

alien land marvelled greatly at the wonderful tree, because that it had such rapid growth, and he gave command that it should be cut down. As he desired, so it was done. Then was the trunk erected in his house as a sacred pillar, but to no man was given knowledge of the secret which it contained.

A revelation came unto Isis, and she set out towards Byblos in a ship. When she reached the Syrian coast she went ashore clad in common raiment, and she sat beside a well, weeping bitterly. Women came to draw water, and they spoke to her with pity, but Isis answered not, nor ceased to grieve, until the handmaidens of the queen drew nigh. Unto them she gave kindly greetings. When they had spoken gently unto her she braided their hair, and into each lock she breathed sweet and alluring perfume. So it chanced that when the maidens returned unto the king's house the queen smelt the perfume, and commanded that the strange woman should be brought before her. Then it was that Isis found favour in the eyes of the queen, who chose her to be the foster-mother of the royal babe.

But Isis refused to suckle the child, and to silence his cries for milk, she put her finger into his mouth. When night came she caused fire to burn away his flesh, and she took the form of a swallow and flew, uttering broken cries of sorrow, round about the sacred pillar which contained the body of Osiris. It chanced that the queen came nigh and beheld her babe in the flames. She immediately plucked him forth; but although she rescued his body she caused him to be denied immortality.

Isis again assumed her wonted form, and she confessed

unto the queen who she was. Then she asked the king that the sacred pillar be given unto her. The boon was granted, and she cut deep into the trunk and took forth the chest which was concealed therein. Embracing it tenderly, she uttered cries of lamentation that were so bitter and keen that the royal babe died with terror. Then she consecrated the sacred pillar, which she wrapped in linen and anointed with myrrh, and it was afterwards placed in a temple which the king caused to be erected to Isis, and for long centuries it was worshipped by the people of Byblos.

The coffin of Osiris was borne to the ship in which the queen goddess had sailed unto Syria. Then she went aboard, and took with her Maneros, the king's first-born, and put forth to sea. The ship sped on, and the land faded from sight. Isis yearned to behold once again the face of her dead husband, and she opened the chest and kissed passionately his cold lips, while tears streamed from her eyes. Maneros, son of the King of Byblos, came stealthily behind her, wondering what secret the chest contained. Isis looked round with anger, her bright eyes blinded him, and he fell back dead into the sea.

When Isis reached the land of Egypt she concealed the body of the dead king in a secret place, and hastened towards the city of Buto to embrace her son Horus; but shortlived was her triumph. It chanced that Set came hunting the boar at full moon in the Delta jungle, and he found the chest which Isis had taken back from Syria. He caused it to be opened, and the body of Osiris was taken forth and rent into fourteen pieces, which he cast into the Nile, so that the crocodiles might devour them. But these reptiles had fear of Isis and touched them not,

and they were scattered along the river banks. A fish (Oxyrhynchus) swallowed the phallus.

The heart of Isis was filled with grief when she came to know what Set had done. She had made for herself a papyrus boat and sailed up and down the Delta waters, searching for the fragments of her husband's body, and at length she recovered them all, save the part which had been swallowed by the fish. She buried the fragments where they were found, and for each she made a tomb. In after days temples were erected over the tombs, and in these Osiris was worshipped by the people for long centuries.

Set continued to rule over Egypt, and he persecuted the followers of Osiris and Isis in the Delta swamps and along the seacoast to the north. But Horus, who was rightful king, grew into strong manhood. He prepared for the coming conflict, and became a strong and brave warrior. Among his followers were cunning workers in metal who were called Mesniu (smiths), and bright and keen were their weapons of war. The sun hawk was blazoned on their battle banners.

One night there appeared to Horus in a. dream a vision of his father Osiris. The ghost urged him to overthrow Set) by whom he had been so treacherously put to death, and Horus vowed to drive his wicked uncle and all his followers out of the land of Egypt. So he gathered his army together and went forth to battle. Set came against him at Edfu and slew many of his followers. But Horus secured the aid of the tribes that remained faithful to Osiris and Isis, and Set was again attacked and driven towards the eastern frontier. The usurper uttered a

great cry of grief when he was forced to take flight. He rested at Zaru, and there was the last battle fought. It was waged for many days, and Horus lost an eye. But Set was still more grievously wounded, and he was at length driven with his army out of the kingdom.

It is told that the god Thoth descended out of heaven and healed the wounds of Horus and Set. Then the slayer of Osiris appeared before the divine council and claimed the throne. But the gods gave judgment that Horus was the rightful king, and he established his power in the land of Egypt, and became a wise and strong ruler like to his father Osiris.

Another version of the legend relates that when the fragments of the body of Osiris were recovered from the Nile, Isis and Nepthys lamented over them, weeping bitterly. In one of the temple chants Isis exclaims:

Gods, and men before the face of the gods, are weeping for thee at the same time when they behold me!
Lo! I invoke thee with wailing that reacheth high as heaven—
Yet thou hearest not my voice. Lo! I, thy sister, I love thee more than all the earth
And thou lovest not another as thou dost thy sister!

Nepthys cries,

Subdue every sorrow which is in the hearts of us thy sisters . . .
Live before us, desiring to behold thee.

The lamentations of the goddesses were heard by Ra, and he sent down from heaven the god Anubis, who, with the assistance of Thoth and Horus, united the severed portions of the body of Osiris, which they wrapped in linen bandages. Thus had origin the mummy form of the god. Then the winged Isis hovered over

the body, and the air from her wings entered the nostrils of Osiris so that he was imbued with life once again. He afterwards became the Judge and King of the Dead.

Egyptian burial rites were based upon this legend. At the ceremony enacted in the tomb chapel two female relatives of the deceased took the parts of Isis and Nepthys, and recited magical formulæ so that the dead might be imbued with vitality and enabled to pass to the Judgment Hall and Paradise.

Osiris and Isis, the traditional king and queen of ancient Egyptian tribes, were identified with the deities who symbolized the forces of Nature, and were accordingly associated with agricultural rites.

The fertility of the narrow strip of country in the Nile valley depends upon the River Nile, which overflows its banks every year and brings down fresh soil from the hills. The river is at its lowest between April and June, the period of winter. Fed by the melting snows on the Abyssinian hills, and by the equatorial lakes, which are flooded during the rainy season, the gradual rise of the river becomes perceptible about the middle of June. The waters first assume a reddish tint on account of the clay which they carry. For a short period they then become greenish and unwholesome. Ere that change took place the Ancient Egyptians were wont to store up water for domestic use in large jars. By the beginning of August the Nile runs high. It was then that the canals were opened in ancient days, so that the waters might fertilize the fields.

"As the Nile rose," writes Wilkinson, "the peasants were careful to remove the flocks and herds from the lowlands; and when a sudden irruption of the water, owing to the bursting. of a dike, or an unexpected and

unusual increase of the river, overflowed the fields and pastures, they were seen hurrying to the spot, on foot or in boats, to rescue the animals and to remove them to the high grounds above the reach of the inundation. . . . And though some suppose the inundation does not now attain the same height as of old, those who have lived in the country have frequently seen the villages of the Delta standing, as Herodotus describes them, like islands in the Ægean Sea, with the same scenes of rescuing the cattle from the water." According to Pliny, "a proper inundation is of 16 cubits . . . in 12 cubits the country suffers from famine, and feels a deficiency even in 13; 14 causes joy, 15 scarcity, 16 delight; the greatest rise of the river to this period was of 18 cubits".

When the river rose very high in the days of the Pharaohs, "the lives and property of the inhabitants", says Wilkinson, "were endangered"; in some villages the houses collapsed. Hence the legend that Ra sought to destroy his enemies among mankind.

The inundation is at its height by the end of September, and continues stationary for about a month. Not until the end of September does the river resume normal proportions. November is the month for sowing; the harvest is reaped in Upper Egypt by March and in Lower Egypt by April.

It was believed by the ancient agriculturists that the tears of Isis caused the river to increase in volume. When Sirius rose before dawn about the middle of July it was identified with the goddess. In the sun-cult legend this star is Hathor, "the eye of Ra", who comes to slaughter mankind. There are evidences that human sacrifices were offered to the sun god at this period.

E. W. Lane, in his Manners and Customs of the Modern Egyptians , tells that the night of 17 June is called "Leylet-en-Nuktah",or "the Night of the Drop", because "it is believed that a miraculous drop then falls into the Nile and causes it to rise". An interesting ceremony used to be performed at "the cutting of the dam" in old Cairo. A round pillar of earth was formed, and it was called the "bride", and seeds were sown on the top of it. Lane says that an ancient Arabian historian "was told that the Egyptians were accustomed, at the period when the Nile began to rise, to deck a young virgin in gay apparel, and throw her into the river, as a sacrifice to obtain a plentiful inundation".

When the ancient Egyptians had ploughed their fields they held a great festival at which the moon god, who, in his animal form, symbolized the generative principle, was invoked and worshipped. Then the sowing took place, amidst lamentations and mourning for the death of Osiris. The divine being was buried in the earth; the seeds were the fragments of his body. Reference is made to this old custom in Psalm cxxvi: "They that sow in tears shall reap in joy. He that goeth forth and weepeth, bearing precious seed, shall doubtless come again with rejoicing, bringing his sheaves with him".

When harvest operations began, the Egyptians mourned because they were slaying the corn spirit. Diodorus Siculus tells that when the first handful of grain was cut, the Egyptian reapers beat their breasts and lamented, calling upon Isis. When, however, all the sheaves were brought in from the fields, they rejoiced greatly and held their "harvest home".

Both Osiris and Isis were originally identified with the spirits of the corn. The former represented the earth god and the latter the earth goddess. But after the union of the tribes which worshipped the human incarnations of ancient deities, the rival conceptions werefused. As a result we find that the inundation is symbolized now as the male principle and now as the female principle; the Nile god, Hapi, is depicted as a man with female breasts. In an Abydos temple chant Isis makes reference to herself as "the woman who was made a male by her father, Osiris".

The Scottish Osiris

(JOHN BARLEYCORN)

THERE were three kings into the east,
Three kings both great and high,
And they hae sworn a solemn oath
John Barleycorn should die.

They took a plough and plough'd him down
Put clods upon his head,
And they hae sworn a solemn oath
John Barleycorn was dead.

But the cheerful spring came kindly on,
And show'rs began to fall;
John Barleycorn got up again,
And sore surpris'd them all.

The sultry suns of summer came,
And he grew thick and strong,
His head weel arm'd wi' pointed spears,
That no one should him wrong.

The sober autumn enter'd mild,
When he grew wan and pale;
His bending joints and drooping head
Show'd he began to fail.

His colour sicken'd more and more,
He faded into age;
And then his enemies began
To show their deadly rage.

They've ta'en a weapon long and sharp,
And cut him by the knee;
Then ty'd him fast upon a cart,
Like a rogue for forgerie.

They laid him down upon his back,
And cudgell'd him full sore;
They hung him up before the storm,
And turn'd him o'er and o'er.

They filèd up a darksome pit
With water to the brim,
They heavèd in John Barleycorn-
There let him sink or swim.

They laid him out upon the floor,
To work him farther woe;
And still, as signs of life appear'd,
They tossed him to and fro.

They wasted, o'er a scorching flame,
The marrow of his bones;
But the miller us'd him worst of all,
For he crush'd him between two stones.

And they hae ta'en his very heart's blood,
And drank it round and round;
And still the more and more they drank,
Their joy did more abound.

John Barleycorn was a hero bold
Of noble enterprise;
For if you do but taste his blood,
'Twill make your courage rise.

'Twill make a man forget his woe;
'Twill heighten all his joy;
'Twill make the widow's heart to sing,
Tho' the tear were in her eye.

Then let us toast John Barleycorn,
Each man a glass in hand;
And may his great posterity
Ne'er fail in old Scotland.

Burns
.

CHAPTER III. Dawn of Civilization

Early Peoples—The Mediterranean Race—Blonde Peoples of Morocco and Southern Palestine—Fair Types in Egypt—Migrations of Mediterraneans —They reach Britain—Early Nilotic Civilizations—Burial Customs—Osiris Invasion—The Set Conquest—Sun Worshippers from Babylonia—Settlement in North—Coming of Dynastic Egyptians—The Two Kingdoms—United by Mena—The Mathematicians of the Delta—Introduction of Calendar—Progressive Pharaohs—Early Irrigation Schemes.

IN the remote ages, ere the ice cap had melted in northern Europe, the Nile valley was a swamp, with growth of jungle like the Delta. Rain fell in season, so that streams flowed from the hills, and slopes which are now barren wastes were green and pleasant grassland. Tribes of Early Stone Age savages hunted and herded there, and the flints they chipped and splintered so rudely are still found in mountain caves, on the surface of the desert, and embedded in mud washed down from the hills.

Other peoples of higher development appeared in time and after many centuries elapsed they divided the valley between them, increasing in numbers and breaking off in tribes. Several small independent kingdoms were thus formed. When government was ultimately centralized after conquest, these kingdoms became provinces,

called nomes, and each had its capital, with its ruling god and local theological system. The fusion of peoples which resulted caused a fusion of religious beliefs, and one god acquired the attributes of another without complete loss of identity.

The early settlers came from North Africa, which was possessed by tribes of the Mediterranean race. They were light-skinned "long heads" of short stature, with slender bodies, aquiline noses, and black hair and eyes. In the eastern Delta they were the Archaic Egyptians; in the western Delta and along the coast, which suffered from great subsidences in later times, they were known as the Libyans. Tribes of the latter appear to have mingled with a blonde and taller stock. On the northern slopes of the Atlas Mountains this type has still survival; a similar people occupied southern Palestine in pre-Semitic times. Blue-eyed and light-haired individuals thus made appearance in the Nile valley at an early period. They were depicted in tomb paintings, and, although never numerous, were occasionally influential. There are fair types among modern-day Berbers. The idea that these are descendants of Celts or Goths no longer obtains.

As they multiplied and prospered, the Mediterranean peoples spread far from their North African area of characterization. Their migration southward was arrested in Nubia, where the exploring tribes met in conflict hordes of dusky Bushmen, with whom they ultimately blended. Fusion with taller negroes followed in later times. Thus had origin the virile Nubian people, who were ever a menace to the Dynastic Pharaohs.

But the drift of surplus Mediterranean stock appears to have been greater towards the north than the south. Branching eastward, they poured into Palestine and Asia Minor. They were the primitive Ph�nicians who ultimately fused with Semites, and they were the Hittites who blended with Mongols and Alpine (or Armenoid) "broad heads". Possessing themselves of large tracts of Italy and Greece, they became known to history as the Italici, Ligurians, Pelasgians, &c., and they founded a great civilization in Crete, where evidences have been forthcoming of their settlement as early as 10,000 B.C.

The western migration towards Morocco probably resulted in periodic fusions with blonde mountain tribes, so that the stock which entered Spain across the Straits of Gibraltar may have been more akin in physical type to the Libyans than to the Archaic Egyptians. The early settlers spread through western Europe, and are known to history as the Iberians. They also met and mingled with the tribes branching along the seacoast from Greece. Moving northward through the river valleys of France, the Iberians crossed over to Britain, absorbing everywhere, it would appear, the earlier inhabitants who survived the clash of conflict. These were the men of the Late Stone Age, which continued through vast intervals of time.

A glimpse of the early Mediterranean civilization is obtained in the Delta region. The dwellings of the Archaic Egyptians were of mud-plastered wickerwork, and were grouped in villages, round which they constructed strong stockades to ward off the attacks of desert lions and leopards, and afford protection for their herds of antelopes, goats, and ostriches. The cat and the dog were already domesticated. Men tattooed their bodies and painted their faces; they wore slight garments ofgoatskin, and adorned their heads with ostrich feathers. The women) who affected similar habits, but had fuller attire, set decorated combs in their hair., and they wore armlets and necklets of shells, painted pebbles, and animals' teeth which were probably charms against witchcraft.

These early settlers were herdsmen and hunters and fishermen, and among them were artisans of great skill, who chipped from splintered flint sharp lances and knives and keen arrowheads, while they also fashioned artistic pottery and hollowed out shapely stone jars. In their small boats they sailed and rowed upon the Nile; they caught fish with bone hooks, and snared birds in the Delta swamps. Their traders bartered goods constantly among the tribes who dwelt on the river banks. They were withal fierce and brave warriors, as fearless in the chase as in battle, for they not only slew the wild ox, but made attack with lance and bow upon the crocodile and hippopotamus, and hunted the wild boar and desert lion in moonlight.

As day followed night, so they believed that life came after death. They buried their dead in shallow graves, clad in goatskin, crouched up as if taking rest before setting forth on a journey, while beside them were placed their little palettes of slate for grinding face paint, their staffs and flint weapons and vessels of pottery filled with food for sustenance and drink for refreshment.

Long centuries went past, and a new civilization appeared in Lower Egypt. Tribes from the east settled there and effected conquests, introducing new arts and manners of life and new beliefs. The people began to till the soil after the Nile flood subsided, and they raised harvests of barley and wheat. It was the age of Osiris and Isis.Each king was an Osiris, and his symbols of power were the shepherd's staff and the flail. The people worshipped their king as a god, and, after thirty years' reign, devoured him at their Sed festival with cannibalistic ceremonial, so that his spirit might enter his successor and the land and the people have prosperity. The gnawed bones of monarchs have been found in tombs.'

Laws, which were stern and inexorable as those of Nature, disciplined the people and promoted their welfare. Social life was organized under a strict system of government. Industries were fostered and commerce flourished. Traders went farther afield as the needs of the age increased, and procured ivory from Nubia, silver from Asia, and from Araby its sweet perfumes and precious stones, and for these they bartered corn and linen and oil; there was also constant exchange of pottery and weapons and ornaments. Centuries went past, and this civilization at length suffered gradual decline, owing, probably, to the weakening of the central power.

Then followed a period of anarchy, when the kingdom, attracting plunderers, sustained the shock of invasion. Hordes of Semites, mingled probably with northern mountaineers, poured in from Syria and the Arabian steppes, and overthrew the power of the Osirian ruler. They were worshippers of Set (Sutekh), and they plundered and oppressed the people. Their sway, however, was but slight in the region of the western Delta, where frequent risings occurred and rebellion was ever fostered. Warfare disorganized commerce and impoverished the land. Art declined and an obscure period ensued.

But the needs of a country prevail in the end, and

the north flourished once again with growing commerce and revived industries. On their pottery the skilled artisans painted scenes of daily life. Men and women were, it appears, clad in garments of white linen, and the rich had belts and pouches of decorated leather and ornaments of silver and gold set with precious stones. Tools and weapons of copper had come into use, but flint was also worked with consummate skill unsurpassed by an), other people.

The land was a veritable hive of industry. Food was plentiful, for the harvests yielded corn, and huntsmen found wild animals more numerous as beasts of prey were driven from their lairs and lessened in number. Great galleys were built to trade in the Mediterranean, and each was propelled by sixty oarsmen. The ships of other peoples also visited the ports of Egypt, probably from Crete and the Syrian coast, and caravans crossed the frontier going eastward and north, while alien traders entered the land and abode in it. Battle conflicts with men of various races were also depicted on the pottery, for there was much warfare from time to time.

Growing communities with Babylonian beliefs effected settlements in the north. These were the sun worshippers whose religion ultimately gained ascendancy all over Egypt. From primitive Pithom (house of Tum) they may have passed to On (Heliopolis), which became sacred to Ra-Tum and was the capital of a province and probably, for a period, of the kingdom of Lower Egypt.

A. masterful people also appeared in Upper Egypt. They came from or through Arabia, and had absorbed a culture from a remote civilization, which cannot be located, in common with the early Babylonians. Crossing the lower end of the Red Sea, they entered the verdurous valley of the Nile over a direct desert route, or throughthe highlands of Abyssinia. They were armed with weapons of copper, and effected their earliest settlement, it would appear, at Edfu. Then by gradual conquest they welded together the various tribes, extending their sway over an ever-increasing area. New and improved methods of agriculture were introduced. Canals were constructed for purposes of irrigation. The people increased in number and prosperity, and law and order was firmly established in the land.

These invaders were sun worshippers of the Horus-hawk cult, but they also embraced the religious beliefs of the people with whom they mingled, including the worship of the corn god Osiris. From Edfu and Hierakonpolis they pressed northward to sacred Abydos, the burial place of kings, and to Thinis, the capital of four united provinces. Several monarchs, who wore with dignity the white crown of Upper Egypt, reigned and "abode their destined hour". Then arose a great conqueror who was named Zaru, "The Scorpion". He led his victorious army down the Nile valley, extending his kingdom as he went, until he reached the frontier of the Fayum province, which was then a great swamp. There his progress was arrested. But a new era had dawned in Egypt, for there then remained but two kingdoms—the Upper and the Lower.

King Zaru was not slain at the Sed festival in accordance with the suggested ancient custom. He impersonated Osiris, throned in solitary dignity and wearing his crown, within a small curtained enclosure which opened at the front, and he held the crook in one hand and the flail in the other. The people made obeisance before him. It is not possible to follow the details of the ceremony, but from pictorial records it appears that large numbers of captives and oxen and cattle were offered up in sacrifice,so that slaughter might be averted by slaughter. The monarch was believed to have died a ceremonial death and to have come to life again with renewed energy which prolonged his years. An Abydos inscription declares of an Osiris ruler in this connection: "Thou dost begin thy days anew; like the holy moon child thou art permitted to prosper . . . thou hast grown young and thou art born to life again." An important event at the festival was the appearance before the Pharaoh of his chosen successor, who performed a religious dance; and he was afterwards given for wife a princess of the royal line, so that his right to the throne might be secured.

The closing years of Zaru's reign were apparently occupied in organizing and improving the conquered territory. As befitted an Osirian king, he de-voted much attention to agriculture, and land was reclaimed by irrigation. An artist depicted him in the act of digging on the river bank with a hoe, as if performing the ceremony of "cutting the first sod" of a new canal. The people are shown to have had circular dwellings, with fruit trees protected by enclosures. Their square fields were surrounded by irrigating ditches.

When the king died he was buried at Abydos, like other rulers of his line, in one of the brick tombs of the time. The investigation of these by Flinders Petrie has made possible the reconstruction in outline of the history of Egypt immediately prior to the founding of the First Dynasty. It is significant to note that the dead were buried at full length instead of in contracted posture as in Lower Egypt.

The next great monarch was Narmer, who is believed by certain authorities to have been Mena. Petrie, however, holds that they were separate personalities. Another view is that the deeds of two or three monarchs were attributed to Mena, as in the case of the Sesostris of the Greeks. Evidently many myths attached to the memory of the heroic figure who accomplished the conquest of the northern kingdom and founded the First Dynasty of united Egypt. Mena was represented, for instance) as the monarch who taught the people how to gorge luxuriously while he lay upon a couch and slaves massaged his stomach, and tradition asserted that he met his death, apparently while intoxicated, by falling into the Nile, in which he was devoured by a hippopotamus. But these folk tales hardly accord with the character of a conqueror of tireless energy, who must have been kept fully occupied in organizing his new territory and stamping out the smouldering fires of rebellion.

The initial triumph of the traditional Mena, in his Narmer character, was achieved in the swampy Fayum, the buffer state between Upper and Lower Egypt. It had long resisted invasion, but in the end the southern forces achieved a great victory. The broad Delta region then lay open before them, and their ultimate success was assured. King Narmer is shown on a slate palette clutching with one hand the headlocks of the Fayum chief-who kneels in helpless posture-while with the other he swings high a mace to smite the final blow. A composed body servant waits upon the conquering monarch, carrying the royal sandals and a water jar. The ha-wk symbol is also depicted to signify that victory was attributed to Horus, the tribal god. Two enemies take flight beneath, and above the combatants are two cow heads of the pastoral and sky goddess Hathor.This great scene was imitated, in the true conservative spirit of the ancient Egyptians, on the occasion of similar acts of conquest in after time. Indeed, for a period of 3000 years each succeeding Pharaoh who achieved victory in battle was depicted, like Narmer, smiting his humbled foeman, and his importance was ever emphasized by his gigantic stature. It was an artistic convention in those ancient days to represent an Egyptian monarch among his enemies or subjects like a Gulliver surrounded by Lilliputians.

After the conquest of the Fayum, the Libyans appear to have been the dominating people in Lower Egypt. Their capital was at Sais, the seat of their goddess Neith. The attributes of this deity reflect the character of the civilization of her worshippers. Her symbol was a shield and two arrows. She was depicted with green hands and face, for she was an earth spirit who provided verdure for the flocks of a pastoral people. A weaver's shuttle was tattooed upon her body, to indicate apparently that she imparted to women their skill at the loom.

Mena conquered the Libyans in battle, and many thousands were slain, and he extended his kingdom to the shores of the Mediterranean. Then he assumed, in presence of his assembled army, the red crown of Lower Egypt. He appears also to have legitimatized the succession by taking for wife Neithhotep, "Neith rests", a princess of the royal house of Sais.

So was the Horus tribe united with the Libyans who worshipped a goddess. In aftertime the triad of Sais was composed of Osiris, Neith, and Horus. Neith was identified with Isis.

The race memory of the conquest of Lower Egypt is believed to be reflected in the mythical tale of Horus overcoming Set. The turning-point in the campaignwas the Fayum conflict where the animal gods of Set were slain. Petrie urges with much circumstantial detail the striking view that the expulsion of Set from Egypt signifies the defeat of the military aristocracy of "Semites " by the Horus people, who, having espoused the religion of Osiris, also espoused the cause of the tribe which introduced his worship into the land. It is evident, from an inscription on a temple of southern Edfu, that many conquests were effected in the Delta region ere the union was accomplished. One version of the great folk tale states that when Horus overcame Set he handed him over to Isis bound in chains. She failed, however, to avenge her husband's death, and set her oppressor at liberty again. In his great wrath Horus then tore the crown from her head. This may refer particularly to the circumstances which led to the Libyan conquest. "We can hardly avoid", says Petrie, "reading the history of the animosities of the gods as being the struggles of their worshippers."

The Libyans were ever a troublesome people to the Pharaohs, whose hold on the western district of the Delta was never certain. Mena apparently endeavoured to break their power by taking captive no fewer than 120,000 prisoners. His spoils included also 100,000 oxen and 1,420,000 goats.

This displacement of so large a proportion of the inhabitants of the north was not without its effect in the physical character of the Nile-valley peoples. The differences of blend between north and south were well marked prior to the conquest. After the union of the two kingdoms the ruling classes of Upper Egypt approximated closely to the Delta type. It is evident that the great

native civilization which flourished in the Nile valley for over forty centuries owed much to the virility and genius of the Mediterranean race, which promoted culture where ver its people effected settlements. One is struck, indeed) to note in this connection that the facial characteristics of not a few Pharaohs resemble those of certain great leaders of men who have achieved distinction among the nations of Europe.

The culture of the Horite conquerors was evidently well adapted for the Nile valley. It developed there rapidly during the three centuries which elapsed before the Delta was invaded, and assumed a purely Egyptian character. Hieroglyphics were in use from the beginning, copper was worked by "the smiths", and superior wheel-turned pottery made its appearance. But the greatest service rendered to ancient Egypt by the Horites was the ultimate establishment of settled conditions over the entire land in the interests of individual welfare and national progress.

The contribution of the north to Dynastic culture was not inconsiderable. In fact, it cannot really be overestimated. The Delta civilization was already well developed prior to the conquest. There was in use among the people a linear script which resembled closely the systems of Crete and the Ægean and those also that appeared later in Karia and Spain. Its early beginnings may be traced, perhaps, in those rude signs which the pioneers of the Late Stone Age in western Europe scratched upon the French dolmens. Archaic Ph�nician letters show that the great sea traders in after time simplified the system and diffused it far and wide.' Our alphabet is thus remotely North African in origin.

It was in the Delta also that the Calendar was invented by great mathematicians of the Late Stone Age, over sixty centuries ago, who recognized that an artificial division of time was necessary for purposes of accurate record and calculation. They began their year with the rising of the star Sirius (Sothos) at the height of the Nile inundation. and it was divided into twelve months of thirty days each, five extra days being added for religious festivals associated with agricultural rites. This Calendar was ultimately imported and adjusted by the Romans, and it continues in use, with subsequent refinements, all over the world until the present day. Under Mena's rule there are evidences of the progress which is ever fostered when ideas are freely exchanged and a stimulating rivalry is promoted among the people. The inventive mind was busily at work. Pottery improved in texture and construction, and was glazed in colours. Jewellery of great beauty was also produced, and weapons and tools were fashioned with artistic design. Draughtboards and sets of "ninepins" were evidently in demand among all classes for recreation in moments of leisure.

Meanwhile the administration of the united kingdom was thoroughly organized. Officials were numerous and their duties were strictly defined. Various strategic centres were garrisoned so as to prevent outbreaks and to secure protection for every industrious and law-abiding citizen. Memphis became an important city. According to tradition it was built by Mena, but the local theological system suggests that it existed prior to his day. It is probable that he erected buildings there, including a fortification, and made it a centre of administration for the northern part of his kingdom.

When Mena died he was buried at Abydos, and he was succeeded by his son Aha, "the fighter". Underthe new monarch a vigorous military campaign was conducted in the south, and another province was placed under the sway of the central government. The peaceful condition of the north is emphasized by his recorded visit to Sais, where he made offerings at the shrine of Neith, the goddess of his mother's people.

Meanwhile the natural resources of the Nile valley were systematically developed. Irrigation works were undertaken everywhere, jungle was cleared away, and large tracts of land were reclaimed by industrious toilers. These activities were promoted and controlled by royal officials. King Den, a wise and progressive monarch, inaugurated the great scheme of clearing and draining the Fayum, which was to become in after time a fertile and populous province. The surveyors set to work and planned the construction of a canal, and the scheme was developed and continued by the monarchs who followed. It was as shrewdly recognized in the time of the First Dynasty as it is in our own day, that the progress and welfare of the Nile-valley people must ever depend upon the development of the agricultural resources of the country. The wealth of Egypt is drawn from the soil. All the glory and achievements of the Dynasties were made possible by the systems of government which afforded facilities and protection for the men who "cast their bread upon the waters" so that abundant return might be secured "after many days". When we are afforded, therefore, a glimpse of daily life on the land, as is given in the ancient and treasured folk tale which follows, we are brought into closer touch with the people who toiled in contentment many thousands of years ago in the land of Egypt than is possible when we contemplate

with wonder their exquisite works of art or great architectural triumphs. The spirit which pervaded the ancient peasantry of the Nile valley is reflected in the faithful and gentle service and the winning qualities of poor Bata, the younger brother. It gives us pause to reflect that the story of his injured honour and tragic fate moved to tears those high-born dames whose swaddled mummies now lie in our museums to be stared at by holidaymakers who wonder how they lived and what scenes surrounded their daily lives.

CHAPTER IV. The Peasant who became King

The Two Brothers—Peasant Life—The Temptress—Wrath of Anpu—Attempt to slay his Brother—Flight of Bata—Elder Brother undeceived—Kills his Wife—Bata hides his Soul—His Wife—Sought by the King—Bata's Soul Blossom destroyed—Wife becomes a Queen—Recovery of Lost Soul—Bata as a Bull—Slaughtered for the Queen—Bata a Tree—Bata reborn as Son of his Wife—The King who slew his Wife—mother—Belief in Transmigration of Souls.

THERE were once two brothers, and they were sons of the same father and of the same mother. Anpu was the name of the elder, and the younger was called Bata. Now Anpu had a house of his own, and he had a wife. His brother lived with him as if he were his son, and made garments for him. It was Bata who drove the oxen to the field, it was he who ploughed the land, and it was he who harvested the grain. He laboured continually upon his brother's farm, and his equal was not to be found in the land of Egypt; he was imbued with the spirit of a god.

In this manner the brothers lived together, and many days went past. Each morning the younger brother went forth with the oxen, and when evening came on he drove them again to the byre, carrying upon his back a heavy burden of fodder which he gave to the animals to eat, and he brought with him also milk and herbs for Anpu and his wife. While these two ate and drank together in the house, Bata rested in the byre with the cattle and he slept beside them.When day dawned, and the land grew bright again, the younger brother was first to rise up, and he baked bread for Anpu and carried his own portion to the field and ate it there. As he followed the oxen he heard and he understood their speech. They would say: "Yonder is sweet herbage", and he would drive them to the place of their choice, whereat they were well pleased. They were indeed noble animals, and they increased greatly.

The time of ploughing came on, and Anpu spake unto Bata, saying: "Now get ready the team of oxen, for the Nile flood is past and the land may be broken up. We shall begin to plough on the morrow; so carry seed to the field that we may sow it."

As Anpu desired, so did Bata do. When the next day dawned, and the land grew bright, the two brothers laboured in the field together, and they were well pleased with the work which they accomplished. Several days went past in this manner, and it chanced that on an afternoon the seed was finished ere they had completed their day's task.

Anpu thereupon spake to his younger brother saying: "Hasten to the granary and procure more seed."

Bata ran towards the house, and entered it. He beheld his brother's wife sitting upon a mat, languidly pleating her hair.

"Arise," he said, "and procure corn for me, so that I may hasten back to the field with it. Delay me not."

The woman sat still and said: "Go thou thyself and open the storeroom. Take whatsoever thou dost desire. If I were to rise for thee, my hair would fall in disorder."

Bata opened the storeroom and went within. He took a large basket and poured into it a great quantity of seed. Then he came forth carrying the, basket through the house.The woman looked up and said: "What is the weight of that great burden of thine?"

Bata answered: "There are two measures of barley and three of wheat. I carry in all upon my shoulders five measures of seed."

"Great indeed is thy strength," sighed the woman. "Ah, thee do I contemplate and admire each day!"

Her heart was moved towards him, and she stood up saying: "Tarry here with me. I will clothe thee in fine raiment."

The lad was made angry as the panther, and said: "I regard thee as a mother, and my brother is like a father unto me. Thou hast spoken evil words and I desire not to hear them again, nor will I repeat unto any man what thou hast just spoken."

He departed abruptly with his burden and hastened to the field, where he resumed his labour.

At eventide Anpu returned home and Bata prepared to follow after him. The elder brother entered his house and found his wife lying there, and it seemed as if she had suffered violence from an evildoer. She did not give him water to wash his hands, as was her custom. Nor did she light the lamp. The house was in darkness. She moaned where she lay, as if she were in sickness, and her garment was beside her.

"Who hath been here?" asked Anpu, her husband.

The woman answered him: "No one came nigh me save thy younger brother. He spoke evil words unto me, and I said: 'Am I not as a mother, and is not thine elder brother as a father unto thee?' Then was he angry, and he struck me until I promised that I would not inform thee. . . . Oh I if thou wilt allow him to live now, I shall surely die."

The elder brother became like an angry panther. Hesharpened his dagger and went out and stood behind the door of the byre with purpose to slay young Bata when he came nigh.

The sun had gone down when the lad drove the oxen into the byre, carrying on his back fodder and herbs, and in one hand a vessel of milk, as was his custom each evening.

The first ox entered the byre, and then it spoke to Bata, saying: "Beware I for thine elder brother is standing behind the door. In his hand is a dagger, and he desires to slay thee. Draw not nigh unto him."

The lad heard with understanding what the animal had said. Then the second ox entered and went to its stall, and spake likewise words of warning, saying: "Take speedy flight."

Bata peered below the byre door, and he saw the legs of his brother, who stood there with a dagger in his hand. He at once threw down his burden and made hurried escape. Anpu rushed after him furiously with the sharp dagger.

In his sore distress the younger brother cried unto the sun god Ra-Harmachis, saying: "O blessed lord! thou art he who distinguisheth between falsehood and truth."

The god heard his cry with compassion, and turned round. He caused a wide stream to flow between the two brothers, and, behold! it was full of crocodiles. Then it came that Anpu and Bata stood confronting one another, one upon the right bank and the other upon the left. The elder brother twice smote his hands with anguish because that he could not slay the youth.

Bata called out to Anpu, saying: "Tarry where thou art until the earth is made bright once again. Lo! when

Ra, the sun god, riseth up, I shall reveal in his presence all that I know, and he shall judge between us, discerning what is false and what is true. . . . Know thou that I may not dwell with thee any longer, for I must depart unto the fair region of the flowering acacia."

When day dawned, and the sun god Ra appeared in his glory, the two brothers stood gazing one upon the other across the stream of crocodiles. Then the lad spake to his elder brother, saying: "Why didst thou come against me, desiring to slay me with treachery ere yet I had spoken for myself? Am I not thy younger brother, and hast thou not been as a father and thy wife as a mother unto me? Hear and know now that when I hastened to procure seed thy wife spoke, saying: 'Tarry thou with me.' But this happening hath been related unto thee in another manner."

So spake Bata, and he told his brother what was true regarding the woman. Then he called to witness the sun god, and said: "Great was thy wickedness in desiring to murder me by treachery." As he spoke he cut off a piece of his flesh and flung it into the stream, where it was devoured by a fish. He sank fainting upon the bank.

Anpu was stricken with anguish; tears ran from his eyes. He desired greatly to be beside his brother on the opposite bank of the stream of crocodiles.

Bata spake again, saying: "Verily, thou didst desire an evil thing, but if thy desire now is to do good, I shall instruct thee what thou shouldst do. Return unto thy home and tend thine oxen, for know now that I may not dwell with thee any longer, but must depart unto the fair region of the flowering acacia. What thou shalt do is to come to seek for me when I need thine aid, for my soul

shall leave my body and have its dwelling in the highest blossom of the acacia. When the tree is cut down, my soul will fall upon the ground. There thou mayest seek it, even if thy quest be for seven years, for, verily, thou shalt find it if such is thy desire. Thou must then place it in a vessel of water, and I shall come to life again and reveal all that hath befallen and what shall happen thereafter. When the hour cometh to set forth on the quest, behold! the beer given to thee will bubble, and the wine will have a foul smell. These shall be as signs unto thee."

Then Bata took his departure, and he went into the valley of the flowering acacia, which was across the ocean. His elder brother returned home. He lamented, throwing dust upon his head. He slew his wife and cast her to the dogs, and abandoned himself to mourning for his younger brother.

Many days went past, and Bata reached at length the valley of the flowering acacia. He dwelt there alone and hunted wild beasts. At eventide he lay down to rest below the acacia, in whose highest blossom his soul was concealed. In time he built a dwelling place and he filled it with everything that he desired.

Now it chanced that on a day when he went forth he met the nine gods, who were surveying the whole land. They spoke one to another and then asked of Bata why he had forsaken his home because of his brother's wife, for she had since been slain. "Return again," they said, "for thou didst reveal unto thine elder brother the truth of what happened unto thee."

They took pity on the youth, and Ra spoke, saying: "Fashion now a bride for Bata, so that he may not be alone."

Then the god Khnumu fashioned a wife whose body was more beautiful than any other woman's in the land, because that she was imbued with divinity.

Then came the seven Hathors and gazed upon her. In one voice they spoke, saying: "She shall surely die a speedy death."

Bata loved her dearly. Each day she remained in his house while he hunted wild beasts, and he carried them home and laid them at her feet. He warned her each day, saying: "Walk not outside, lest the sea may come up and carry thee away. I could not rescue thee from the sea spirit, against whom I am as weak as thou art, because my soul is concealed in the highest blossom of the flowering acacia. If another should find my soul I must needs fight for it."

Thus he opened unto her his whole heart and revealed its secrets.

Many days went past. Then on a morning when Bata had gone forth to hunt, as was his custom, his girl wife went out to walk below the acacia) which was nigh to the house.

Lo! the sea spirit beheld her in all her beauty and caused his billows to pursue her. Hastily she fled away and returned to the house, whereat the sea spirit sang to the acacia: "Oh, would she were mine!"

The acacia heard and cast to the sea spirit a lock of the girl wife's hair. The sea bore it away towards the land of Egypt and unto the place where the washers of the king cleansed the royal garments.

Sweet was the fragrance of the lock of hair, and it perfumed the linen of the king. There were disputes among the washers because that the royal garments smelt

of ointment, nor could anyone discover the secret thereof. The king rebuked them.

Then was the heart of the chief washer in sore distress, because of the words which were spoken daily to him regarding this matter. He went down to the seashore; he stood at the place which was opposite the floating lock of hair, and he beheld it at length and caused it to be carried unto him. Sweet was its fragrance, and he hastened with it to the king.

Then the king summoned before him his scribes, and they spake, saying: "Lo! this is a lock from the hair of the divine daughter of Ra, and it is gifted unto thee from a distant land. Command now that messengers be sent abroad to seek for her. Let many men go with the one who is sent to the valley of the flowering acacia so that they may bring the woman unto thee".

The king answered and said: "Wise are your words, and they are pleasant unto me."

So messengers were sent abroad unto all lands. But those who journeyed to the valley of the flowering acacia returned not, because that Bata slew them all; the king had no knowledge of what befel them.

Then the king sent forth more messengers and many soldiers also, so that the girl might be brought unto him. He sent also a woman, and she was laden with rare ornaments . . . and the wife of Bata came back with her.

Then was there great rejoicing in the land of Egypt. Dearly did the king love the divine girl, and he exalted her because of her beauty. He prevailed upon her to reveal the secrets of her husband, and the king then said: "Let the acacia be cut down and splintered in pieces."

Workmen and warriors were sent abroad, and they reached the acacia. They severed from it the highest blossom, in which the soul of Bata was concealed. The petals were scattered, and Bata dropped down dead.

A new day dawned, and the land grew bright. The acacia was then cut down.

Meanwhile Anpu, the elder brother of Bata., went into his house, and he sat down and washed his hands. He was given beer to drink, and it bubbled, and the wine had a foul smell.

He seized his staff, put on his shoes and his garment, and armed himself for his journey, and departed unto the valley of the flowering acacia.

When he reached the house of Bata he found the young man lying dead upon a mat. Bitterly he wept because of that. But he went out to search for the soul of his brother at the place where, below the flowering acacia) Bata was wont to lie down to rest at eventide. For three years he continued his search, and when the fourth year came his heart yearned greatly to return to the land of Egypt. At length he said: "I shall depart at dawn to-morrow."

A new day came, and the land grew bright. He looked over the ground again at the place of the acacia for his brother's soul. The time was spent thus. In the evening he continued his quest also, and he found a seed, which he carried to the house, and, lo! the soul of his brother was in it. He dropped the seed into a vessel filled with cold water, and sat down as was his custom at evening.

Night came on, and then the soul absorbed the water.

The limbs of Bata quivered and his eyes opened and gazed upon his elder brother, but his heart was without feeling. Then Anpu raised the vessel which contained the soul to the lips of Bata, and he drank the water. Thus did his soul return to its place, and Bata was as he had been before.

The brothers embraced and spoke one to the other. Bata said: "Now I must become a mighty bull with every sacred mark. None will know my secret. Ride thou upon my back, and when the day breaks I shall be at the place where my wife is. Unto her must I speak. Lead me before the king, and thou shalt find favour in his eyes. The people will wonder when they behold me, and shout welcome. But thou must return unto thine own home."

A new day dawned, and the land grew bright. Bata was a bull, and Anpu sat upon his back and they drew nigh to the royal dwelling. The king was made glad, and he said: "This is indeed a miracle." There was much rejoicing throughout the land. Silver and gold were given to the elder brother, and he went away to his own home and waited there.

In time the sacred bull stood in a holy place, and the beautiful girl wife was there. Bata spoke unto her, saying: "Look thou upon me where I stand, for, lo! I am still alive."

Then said the woman: "And who art thou?"

The bull made answer: "Verily, I am Bata. It was thou who didst cause the acacia to be cut down; it was thou who didst reveal unto Pharaoh that my soul had dwelling in the highest blossom, so that it might be destroyed and I might cease to be. But, lo! I live on, and I am become a sacred bull."

The woman trembled; fear possessed her heart whenBata spoke unto her in this manner. She at once went out of the holy place.

It chanced that the king sat by her side at the feast, and made merry, for he loved her dearly. She spoke, saying: "Promise before the god that thou wilt do what I ask of thee."

His Majesty took a vow to grant her the wish of her heart, and she said: "It is my desire to eat of the liver of the sacred bull, for he is naught to thee."

Sorrowful was the king then, and his heart was troubled, because of the words which she spake. . . .

A new day dawned, and the land grew bright. Then the king commanded that the bull should be offered in sacrifice.

One of the king's chief servants went out, and when the bull was held high upon the shoulders of the people he smote its neck and it cast two drops of blood towards the gate of the palace, and one drop fell upon the right side and one upon the left. There grew up in the night two stately Persea trees from where the drops of blood fell down.

This great miracle was told unto the king, and the people rejoiced and made offerings of water and fruit to the sacred trees.

A day came when his majesty rode forth in his golden chariot. He wore his collar of lapis lazuli, and round his neck was a garland of flowers. The girl wife was with him, and he caused her to stand below one of the trees, and it whispered unto her:

"Thou false woman, I am still alive. Lo! I am even Bata, whom thou didst wrong. It was thou who didst cause the acacia to be cut down. It was thou who

didst cause the sacred bull to be slain, so that I might cease to be."

Many days went past, and the woman sat with the king at the feast, and he loved her dearly. She spake, saying: "Promise now before the god that thou wilt do what I ask of thee."

His Majesty made a vow of promise, and she said: "It is my desire that the Persea trees be cut down so that two fair seats may be made of them."

As she desired, so was it done. The king commanded that the trees should be cut down by skilled workmen, and the fair woman went out to watch them. As she stood there, a small chip of wood entered her mouth, and she swallowed it.

After many days a son was born to her, and he was brought before the king, and one said: "Unto thee a son is given."

A nurse and servants were appointed to watch over the babe.

There was great rejoicing throughout the land when the time came to name the girl wife's son. The king made merry, and from that hour he loved the child, and he appointed him Prince of Ethiopia.

Many days went past, and then the king chose him to be heir to the kingdom.

In time His Majesty fulfilled his years, and he died, and his soul flew to the heavens.

The new king (Bata) then said: "Summon before me the great men of my Court, so that I may now reveal unto them all that hath befallen me and the truth concerning the queen."

His wife was then brought before him. He revealed

himself unto her, and she was judged before the great men, and they confirmed the sentence.

Then Anpu was summoned before His Majesty, and he was chosen to be the royal heir.

When Bata had reigned for thirty years, he came to his death, and on the day of his burial his elder brother stood in his place.

Egyptian Love Songs

(Collected by Scribes over 3000 years ago, and laid in tombs so that they might be sung by departed souls in Paradise.)

THE WINE OF LOVE

Oh! when my lady cometh,
And I with love behold her,
I take her to my beating heart
And in mine arms enfold her;
My heart is filled with joy divine
For I am hers and she is mine.

Oh! when her soft embraces
Do give my love completeness,
The perfumes of Arabia
Anoint me with their sweetness;
And when her lips are pressed to mine
I am made drunk and need not wine.

THE SNARE OF LOVE

(Sung by a girl snarer to one she loves.)

With snare in hand I hide me,
I wait and will not stir;
The beauteous birds of Araby
Are perfumed all with myrrh—
Oh, all the birds of Araby,
That down to Egypt come,
Have wings that waft the fragrance
Of sweetly smelling gum!

I would that, when I snare them, Together we could be,
I would that when I hear them
Alone I were with thee.
If thou wilt come, my dear one,
When birds are snared above,
I'll take thee and I'll keep thee
Within the snare of love.

THE SYCAMORE SONG

A sycamore sang to a lady fair,
And its words were dropping like honey dew.
"Now ruby red is the fruit I bear
All in my bower for you.

"Papyri green are my leaves arrayed,
And branch and stem like to opal gleam;
Now come and rest in my cooling shade
The dream of your heart to dream.

"A letter of love will my lady fair
Send to the one who will happy be,
Saying: 'Oh, come to my garden rare
And sit in the shade with me!

"'Fruit I will gather for your delight,
Bread I will break and pour out wine,
I'll bring you the perfumed flow'rs and bright
On this festal day divine.'

"My lady alone with her lover will be,
His voice is sweet and his words are dear-
Oh, I am silent of all I see,
Nor tell of the things I hear!"

THE DOVE SONG

I hear thy voice, O turtle dove—
The dawn is all aglow—
Weary am I with love, with love,
Oh, whither shall I go?

Not so, O beauteous bird above,
Is joy to me denied. . . .
For I have found my dear, my love,
And I am by his side.

We wander forth, and hand in hand
Through flow'ry ways we go—
I am the fairest in the land,
For he hath called me so.

JEALOUSY

My face towards the door I'll keep
    Till I my love behold,
With watching eyes and list'ning ears
    I wait . . . and I turn cold,
        I sigh and sigh;
        He comes not nigh.

My sole possession is his love
    All sweet and dear to me;
And ever may my lips confess
    My heart, nor silent be.
        I sigh and sigh;
        He comes not nigh.

But now . . . a messenger in haste
    My watching eyes behold . . .
He went as swiftly as he came.
    "I am delayed", he told.
        I sigh and sigh;
        He comes not nigh.

Alas! confess that thou hast found
    One fairer far than me.
O thou so false, why break my heart
    With infidelity?
        I sigh and sigh;
        He'll ne'er come nigh.

THE GARDEN OF LOVE

Oh! fair are the flowers, my beloved,
And fairest of any I wait.
A garden art thou, all fragrant and dear,
Thy heart, O mine own, is the gate.

The canal of my love I have fashioned,
And through thee, my garden, it flows—
Dip in its waters refreshing and sweet,
When cool from the north the wind blows.

In our beauteous haunt we will linger,
Thy strong hand reposing in mine—
Then deep be my thoughts and deeper my joy,
Because, O my love, I am thine.

Oh! thy voice is bewitching, beloved,
This wound of my heart it makes whole—
Ah! when thou art coming, and thee I behold,
Thou'rt bread and thou'rt wine to my soul.

LOVE'S PRETENCE

With sickness faint and weary
    All day in bed I'll lie;
My friends will gather near me
    And she'll with them come nigh.
She'll put to shame the doctors
    Who'll ponder over me,
For she alone, my loved one,
    Knows well my malady.

CHAPTER V. Racial Myths in Egypt and Europe

Worship of Animals—Possessed by Spirits of Good and Evil—Reptiles as Destroyers and Protectors——Pigs of Set and Osiris—The Moon Eater—Horus Solar and Storm Myth—The Devil Pig in Egypt and Scotland—Contrast with Gaulish, Irish, and Norse Beliefs—Animal Conflicts for Mastery of Herd—Love God a Pig—Why Eels were not eaten—The Sacred Bull—Irish and Egyptian Myths—Corn Spirits—The Goose Festival in Europe—The Chaos Egg—Giant's Soul Myth—Nilotic and other Versions—Wild Ass as Symbol of Good and Evil.

ONE of the most interesting phases of Nilotic religion was the worship of animals. Juvenal ridiculed the Egyptians for this particular practice in one of his satires, and the early fathers of the Church regarded it as proof of the folly of pagan religious ideas. Some modern-day apologists, on the other hand, have leapt to the other extreme by suggesting that the ancient philosophers were imbued with a religious respect for life in every form, and professed a pantheistic creed. Our task here, however, is to investigate rather than to justify or condemn ancient Egyptian beliefs. We desire to get, if possible, at the Egyptian point of view. That being so, we must recognize at the outset that we are dealing with a confused mass of religious practices and conceptions of Egyptian and non-Egyptian origin, which accumulated during a vast period of time and were perpetuated as much by custom as by conviction. The average Egyptian of the later Dynasties might have been as little able to account for his superstitious regard for the crocodile or the serpentas is the society lady of to-day to explain her dread of being one of a dinner party of thirteen, or of spilling salt at table; he worshipped animals because they had always been worshipped, and, although originally only certain representatives of a species were held to be sacred, he was not unwilling to show reverence for the species as a whole.

We obtain a clue which helps to explain the origin of animal worship in Egypt in an interesting Nineteenth-Dynasty papyrus preserved in the British Museum. This document contains a calendar in which lucky and unlucky days are detailed in accordance with the ideas of ancient seers. Good luck, we gather, comes from the beneficent deities, and bad luck is caused by the operations of evil spirits. On a particular date demons are let loose, and the peasant is warned not to lead an ox with a rope at any time during the day, lest one of them should enter the animal and cause it to gore him. An animal, therefore, was not feared or worshipped for its own sake, but because it was liable to be possessed by a good or evil spirit.

The difference between good and evil spirits was that the former could be propitiated or bargained with, so that benefits might be obtained, while the latter ever remained insatiable and unwilling to be reconciled. This primitive conception is clearly set forth by Isocrates, the Greek orator, who said: "Those of the gods who are the sources to us of good things have the title of Olympians; those whose department is that of calamities and punishments have harsher titles. To the first class both private persons and states erect altars and temples; the second is not worshipped either with prayers or burnt sacrifices, but in their case we perform ceremonies of riddance".

"Ceremonies" of riddance are, of course, magicalceremonies. It was by magic that the Egyptians warded off the attacks of evil spirits. Ra's journey in the sun bark through the perilous hour-divisions of night was accomplished by the aid of spells which thwarted the demons of evil and darkness in animal or reptile form.

In Egypt both gods and demons might possess the same species of animals or reptiles. The ox might be an incarnation of the friendly Isis, or of the demon which gored the peasant. Serpents and crocodiles were at once the protectors and the enemies of mankind. The dreaded Apep serpent symbolized everything that was evil and antagonistic to human welfare; but the beneficent mother goddess Uazit of Buto, who shielded Horus, was also a serpent, and serpents were worshipped as defenders of households; images of them were hung up for "luck" or protection, as horseshoes are in our own country even at the present day; the serpent amulet was likewise a protective agency., like the serpent stone of the Gauls and the familiar "lucky pig" which is still worn as a charm.

In certain parts of Egypt the crocodile was also worshipped, and was immune from attack; in others it was ruthlessly hunted down. As late as Roman times the people of one nome waged war against those of another because their sacred animals were being slain by the rival religious organization.

Here we touch upon the tribal aspect of animal worship. Certain animals or reptiles were regarded as the protectors of certain districts. A particular animal might be looked upon by one tribe as an incarnation of their deity, and by another as the incarnation of their Satan. The black pig, for instance, was associated by the Egyptians with Set, who was the god of a people who conquered

and oppressed them in pre-Dynastic times. Horus is depicted standing on the back of the pig and piercing its head with a lance; its legs and jaws are fettered with chains. But the pig was also a form of Osiris, "the good god".

Set was identified with the Apep serpent of night and storm, and in certain myths the pig takes the place of the serpent. It was the Set pig, for instance, that fed upon the waning moon, which was the left eye of Horus. How his right eye, the sun, was once blinded is related in a Heliopolitan myth. Horus sought, it appears, to equal Ra, and desired to see all things that had been created. Ra delivered him a salutory lesson by saying: "Behold the black pig". Horus looked, and immediately one of his eyes (the sun) was destroyed by a whirlwind of fire. Ra said to the other gods: "The pig will be abominable to Horus". For that reason pigs were never sacrificed to him. Ra restored the injured eye, and created for Horus two horizon brethren who would guard him against thunderstorms and rain.

The Egyptians regarded the pig as an unclean animal. Herodotus relates that if they touched it casually, they at once plunged into water to purify themselves. Swineherds lost caste, and were not admitted to the temples. Pork was never included among the meat offerings to the dead. In Syria the pig was also "taboo". In the Highlands, even in our own day, there survives a strong prejudice against pork, and the black pig is identified with the devil.

On the other hand, the Gauls, who regarded the pig

as sacred, did not abstain from pork. Like their kinsmen, the Achæans, too, they regarded swineherds as important personages; these could even become kings. The Scandinavian heroes in Valhal feast upon swine's flesh, and the boar was identified with Frey, the corn god. In the Celtic (Irish) Elysium presided over by Dagda, the corn god, as the Egyptian Paradise was presided over by Osiris, there was always "one pig alive and another ready roasted". Dagda's son, Angus, the love god, the Celtic Khonsu, had a herd of swine, and their chief was the inevitable black pig.

In The Golden Bough, Professor Frazer shows that the pig was tabooed because it was at one time a sacred animal identified with Osiris. Once a year, according to Herodotus, pigs were sacrificed in Egypt to the moon and to Osiris. The moon pig was eaten, but the pigs offered to Osiris were slain in front of house doors and given back to the swineherds from whom they were purchased.

Like the serpent and the crocodile, the pig might be either the friend or the enemy of the corn god. At sowing time it rendered service by clearing the soil of obnoxious roots and weeds which retard the growth of crops. When, however, the agriculturists found the—

Snouted wild boar routing tender corn,

they apparently identified it with the enemy of Osiris—it slew the corn god. The boar hunt then ensued as a matter of course. We can understand, therefore, why the Egyptians sacrificed swine to Osiris because, as Plutarch says, "not that which is dear to the gods but that which

is contrary is fit to be sacrificed". The solution of the problem may be that at sowing time the spirit of Osiris entered the boar, and that at harvest the animal was possessed by the spirit of Set.

This conclusion leads us back to the primitive conception of the Great Mother Deity. In the archaic Scottish folk tale, which is summarized in our Introduction, she is the enemy of mankind. But her son, the lover of the spirit of summer—he is evidently the prototype of the later love god—is a beneficent giant; he fights against his mother, who separated him from his bride and sought to destroy all life. Ra similarly desired to slay "his enemies", because he created evil as well as good. Seb, the Egyptian earth god, was the father of Osiris, "the good god", and of Set, the devil; they were "brothers". Osiris was a boar, and Set was a boar. The original "battle of the gods" may, therefore, have been the conflict between the two boars for the mastery of the herd—a conflict which also symbolized the warfare between evil and good, winter and summer. Were not the rival forces of Nature created together at the beginning? The progeny of the Great Father, or the Great Mother, included evil demons as well as good gods.

The Greek Adonis was slain by a boar; Osiris was slain by Set, the black boar; the Celtic Diarmid was slain by a boar which was protected by a Hag who appears to be identical with the vengeful and stormy Scottish Earth Mother. The boar was "taboo" to the worshippers of Adonis and Osiris; in Celtic folklore "bonds" are put upon Diarmid not to hunt the boar. Evidently Adonis, Osiris, and Diarmid represented the "good" boars.

These three deities were love gods; the love god was identified with the moon, and the primitive moon spirit was the son of the Great Mother; the Theban Khonsu was the son of Mut; the Nubian Thoth was the son of Tefnut. Now Set, the black boar of evil, devoured the waning moon, and in doing so he devoured his brother Osiris. When the Egyptians, therefore, sacrificed a pig to the moon, and feasted upon it like Set, they ate the god. They did not eat the pig sacrificed to Osiris, because apparently it represented the enemy of the god; they simply slew it, and thus slew Set.

It would appear that there were originally two moon pigs—the "lucky pig" of the waxing moon and the black pig of the waning moon. These were the animal forms of the moon god and of the demon who devoured the moon—the animal form of the love god and the thwarted rebel god; they also symbolized growth and decay—Osiris was growth, and Set symbolized the slaughter of growth: he killed the corn god.

The primitive lunar myth is symbolized in the legend which tells that Set hunted the boar in the Delta marshes. He set out at full moon, just when the conflict between the demon and the lunar deity might be expected to begin, and he found the body of Osiris, which he broke up into fourteen parts—a suggestion of the fourteen phases of lunar decline. We know that Set was the moon-eating pig. The black boar of night therefore hunts, slays, and devours the white boar of the moon. But the generative organ of Osiris is thrown into the river, and is swallowed by a fish: similarly Set flings the wrenched-out "eye" of Horus into the Nile.

Now the fish was sacred in Egypt. It had a symbolic significance; it was a phallic symbol. The Great Mother of Mendes, another form of Isis, is depicted with a fishupon her head. Priests were not permitted to eat fish, and the food which was "taboo" to the priests was originally "taboo" to all the Egyptians. In fact, certain fish were not eaten during the Eighteenth Dynasty and later, and fish were embalmed. Those fish which were included among articles of dietary were brought to the table with fins and tails removed. The pig which was eaten sacrificially once a year had similarly its tall cut off. Once a year, on the ninth day of the month of Thoth, the Egyptians ate fried fish at their house doors: the priests offered up their share by burning them. Certain fish were not eaten by the ancient Britons. The eel is still abhorred in Scotland: it was sacred and tabooed in Egypt also.'

Osiris was worshipped at Memphis in the form of the bull Apis, Egyptian Hapi, which was known to the Greeks as "Serapis", their rendering of Asar-Hapi (Osiris-Apis). This sacred animal was reputed to be of miraculous birth, like the son of the Great Mother deity. "It was begotten", Plutarch was informed, "by a ray of generative light flowing from the moon." "Apis", said Herodotus, "was a young black bull whose mother can have no other offspring." It was known by its marks; it had "on its forehead a white triangular spot, on its back an eagle, a beetle lump under its tongue, while the hair of its tail was double". Plutarch said that "on account of the great resemblance which the Egyptians imagine between Osiris and the moon, its more bright and shining parts being shadowed and obscured by those that are of darker hue, they call the Apis the living image of Osiris". The bull, Herodotus says, was "a fair and beautiful image of the soul of Osiris". Diodorus similarly states that Osiris manifested

himself to men through successive ages as Apis. "The soul of Osiris migrated into this animal", he explains.

That this bull represented the animal which obtained mastery of the herd is suggested by the popularity of bull fights at the ancient sports; there are several representations on the ancient tombs of Egyptian peasants, carrying staves, urging bulls to battle one against another. Worshippers appear to have perpetuated the observance of the conflict between the male animals in the mock fights at temples. Herodotus relates that when the votaries of the deity presented themselves at the temple entrance they were armed with staves. Men with staves endeavoured to prevent their admission, and a combat ensued between the two parties, "in which many heads were broken, and, I should suppose," adds Herodotus, "many lives lost, although this the Egyptians positively deny". Apparently Set was the thwarted male animal—that is, the demon with whom the Egyptianized Set (Sutekh) was identified.

The sacred Apis bull might either be allowed to die a natural death, or it was drowned when its age was twenty-eight years—a suggestion of the twenty-eight phases of the moon and the violent death of Osiris. The whole nation mourned for the sacred animal; its body was mummified and laid in a tomb with much ceremony. Mariette, the French archæologist, discovered the Eighteenth-Dynasty tombs of the Memphite bulls in 1851. The sarcophagi which enclosed the bodies weighed about 58 tons each. One tomb which he opened had been undisturbed since the time of the burial, and the footprints of the mourners were discoverable after a lapse of 3000 years.

After the burial the priests set out to search for the successor of the old bull, and there was great rejoicing when one was found; its owner was compensated with generous gifts of gold. In the Anpu-Bata story, which is evidently a version of the Osiris myth, the elder brother is honoured and becomes rich after he delivers the Bata bull to the Pharaoh. It will be noted that the Osiris soul was believed to be in the animal's liver, which was eaten—here we have again the ceremony of eating the god. Before the bull was transferred to its temple it was isolated for forty days, and was seen during that period by women only.

At Heliopolis the soul of Osiris entered the Mnevis bull. This sacred animal was evidently a rival to Apis. Ammianus Marcellinus says that Apis was dedicated to the moon and Mnevis to the sun.

In Upper Egypt the sacred bull was Bakh (Bacis) a form of Mentu; it was ultimately identified with Ra.

The worship of Apis ultimately triumphed, and in Roman times became general all over Egypt.

Like the Osiris boar, the Osiris bull was identified with the corn spirit. But its significance in this regard is not emphasized in the Egyptian texts. That may have been because different tribes regarded different animals as harvest deities. The association of Apis with Ptah is therefore of interest. We have suggested that Ptah was originally worshipped by a people of mountain origin. In the great caves of southern Palestine there survive rude scratchings of cows and bulls, suggesting that this pastoral people venerated their domesticated animals. In Europe the corn spirit was identified with the bull and cow principally by the Hungarians, the Swiss, and the Prussians, and by some of the French, for the "corn bull" was slain at Bordeaux. On theother hand, it may be that in the Irish legend regarding the conflict between the Brown Bull of Ulster and the White-horned Bull of Connaught we have a version of a very ancient myth which was connected with Osiris in Egypt. Both Irish animals were of miraculous birth; their mothers were fairy cows.

Like the Egyptian Anpu-Bata story, the Irish legend is characterized by belief in the transmigration of souls. It relates that the rival bulls were originally swineherds. One served Bodb, the fairy king of Munster, who was a son of Dagda, the Danann corn god; the other served Ochall Ochne, the fairy king of Connaught, the province occupied by the enemies of the beneficent Danann deities. The two herds fought one against another. "Then, the better to carry on their quarrel, they changed themselves into two ravens and fought for a year; next they turned into water monsters, which tore one another for a year in the Suir and a year in the Shannon; then they became human again, and fought as champions; and ended by changing into eels. One of these eels went into the River Cruind in Cualgne in Ulster, where it was swallowed by a cow belonging to Daire of Cualgne; and the other into the spring of Uaran Garad, in Connaught, where it passed into the belly of a cow of Queen Medb's. Thus were born those two famous beasts, the Brown Bull of Ulster and the White-horned Bull of Connaught." The brown bull was victorious in the final conflict; it afterwards went mad, burst its heart with bellowing, and fell dead. In this myth we have the conflict between rival males, suggested in the Osiris-Set boar legend and the mock fights at the Egyptian bull temple.

The sacred cow was identified with Isis, Nepthys, Hathor, and Nut. Isis was also fused with Taurt, the

female hippopotamus, who was goddess of maternity and was reputed to be the mother of Osiris. Even the crocodile was associated with the worship of the corn god; in one of the myths this reptile recovers the body of Osiris from the Nile.

Bast, another Great Mother who was regarded as a form of Isis, was identified with the cat, an animal which was extremely popular as a household pet in Egypt. Herodotus relates that when a house went on fire the Egyptians appeared to be occupied with no thought but that of preserving their cats. These animals were prone to leap into the flames, and when a family lost a cat in such circumstances there was universal sorrow. A Roman soldier was once mobbed and slain because he killed a household cat. The cat was identified in France with the corn spirit: the last portion of grain which was reaped was called "the cat's tail".

We have referred in the Introduction to the goose which laid the sun egg. Apparently this bird was at one time sacred. Although it was a popular article of diet in ancient Egypt, and was favoured especially by the priests, it was probably eaten chiefly in the winter season. The goose and the duck were sacred in Abyssinia, where the Mediterranean type has been identified in fusion with Semitic, Negroid, and other types. In the Highlands of Scotland the goose was eaten, until recently, on Christmas Day only. Throughout England it was associated with Michaelmas. "If you eat goose at Michaelmas", runs an old saying, "you will never want money all the year round." The bird was evidently identified with the corn spirit. In Shropshire the shearing of the last portion of

grain was referred to as "cutting the gander's neck". When all the corn was gathered into a stackyard in Yorkshire an entertainment was given which was called "The Inning Goose". During the reign of Henry IV the French subjects of the English king called the harvest festival the "Harvest Gosling". The Danes had also a goose for supper after harvest.

The sun god Ra, of Egypt, was supposed to have been hatched from the egg which rose from the primordial deep. This belief is reminiscent of the folk tale of the European giant who hid his soul in an egg, as Anpu hid his soul in the blossom of the acacia.

In one Scottish version of the ancient mythical story the giant's soul is in a stump of a tree, a hare, a salmon, a duck, and an egg; in another it is in a bull, a ram, a goose, and an egg. Ptah was credited with making the sun egg which concealed his own soul, or the soul of Ra. So was Khnûmû. These artisan gods appear to be of common origin (see Chapter XIV); they became giants in their fusion with the primitive earth god, who was symbolized as a gander, while they were also identified with the ram and the bull. Khnûmû received offerings of fish, so that a sacred fish may be added. Anpu's soul passed from the blossom to a bull, and then to a tree. It may be that in these folk tales we have renderings of the primitive myth of a pastoral people which gave origin to the Egyptian belief in the egg associated with Ra, Ptah, and Khnûmû. In the Book of the Dead reference is made to the enemies of Ra, "who have cursed that which is in the egg". The pious were wont to declare: "I keep watch over the egg of the Great Cackler" (the chaos goose), or, according to another reading: "I am the egg which is in the Great Cackler" (Budge). Set, the earth deity, was believed to have flown through the air at thebeginning in the form of the chaos goose. The Celtic deities likewise appeared to mankind as birds.

The hare was identified with a god of the underworld. Doves and pigeons were sacred; the ibis was an incarnation of Thoth, the hawk of Horus, and the swallow of Isis. The mythical ph�nix, with wings partly of gold and partly of crimson, was supposed to fly from Arabia to Heliopolis once every five hundred years. It was reputed to spring from the ashes of the parent bird, which thus renewed its youth.

The frog was sacred, and the frog goddess Hekt was a goddess of maternity. Among the gods identified with the ram were Amon and Min and the group of deities resembling Ptah. Anubis was the jackal. Mut, the Theban Great Mother, and the primitive goddess Nekhebat were represented by the vulture. The shrew mouse was sacred to Uazit, who escaped from Set in this form when she was the protector of Horus, son of Isis. The dog-faced ape was a form of Thoth; the lion was a form of Aker, an old, or imported, earth god.

There were two wild asses in Egyptian mythology, and they represented the good and evil principles. One was Set, and the other the sun ass, which was chased by the night serpent. Although the souls of the departed, according to the Book of the Dead, boasted that they drove back the "Eater of the Ass" (the serpent which devoured the sun); they also prayed that they would "smite the ass" (the devil ass) "and crush the serpent". When Set was driven out of Egypt he took flight on the back of the night ass, which was another form of the night serpent. Set was also the Apep serpent and the "roaring serpent", which symbolized the tempest.

Herodotus has recorded that although the number of beasts in ancient Egypt was comparatively small, boththose which were wild and those which were tame were regarded as sacred. They were fed upon fish, and ministered to by hereditary lay priests and priestesses. "In the presence of the animals", the Greek historian wrote, "the inhabitants of the cities perform their vows. They address themselves as supplicants to the deity who is believed to be manifested by the animal in whose presence they are. . . . It is a capital offence to kill one of these animals."

CHAPTER VI. The City of the Elf God

The London of Ancient Egypt—Ptah Chief of Nine Earth Spirits—God of a Military Aristocracy—Palestine Cave—dwellers and Alpine "Broad Heads"—Creation Artificers of Egyptians, Europeans, Indians, and Chinese—Sun Egg and Moon Egg—The Later Ptah—Neith as a Banshee—Sokar, God of the Dead—Earliest Memphite Deity—Ptah and Osiris——Manetho's Folk Tales—A Famous Queen—The First Pyramid.

Now, when there was corn in Egypt "as the sand of the sea", traders from foreign countries crossed the parched deserts and the perilous deep, instructed, like the sons of Jacob, to "get you down thither and buy for us from thence". So wealth and commerce increased in the Nile valley. A high civilization was fostered, and the growing needs of the age caused many industries to flourish.

The business of the country was controlled by the cities which were nursed into prosperity by the wise policy of the Pharaohs. Among these Memphis looms prominently in the history of the early Dynasties. Its ruling deity was, appropriately enough, the artificer god Ptah, for it was not only a commercial but also an important industrial centre; indeed it was the home of the great architects and stone builders whose activities culminated in the erection of the Pyramids, the most sublime achievements in masonry ever accomplished by man.

To-day the ruins of Old Memphis lie buried deep in the sand. The fellah tills the soil and reaps the harvest in season above its once busy streets and stately temples,its clinking workshops and noisy markets. "I have heard the words of its teachers whose sayings are on the lips of men. But where are their dwelling places? Their walls have been cast down and their homes are not, even as though they had never been." Yet the area of this ancient city was equal to that of modern London from Bow to Chelsea and the Thames to Hampstead, and it had a teeming population.

O mighty Memphis, city of "White Walls",
The habitation of eternal Ptah,
Cradle of kings . . . on thee the awful hand
Of Vengeance hath descended. . . . Nevermore
Can bard acclaim thy glory; nevermore
Shall harp, nor flute, nor timbrel, nor the song
Of maids resound within thy ruined halls,
Nor shouts of merriment in thee be heard,
Nor hum of traffic, nor the eager cries
Of merchants in thy markets murmurous;
The silence of the tomb hath fallen on thee,
And thou art faded like a lovely queen,
Whom loveless death hath stricken in the night,
Whose robe is rent, whose beauty is decayed—
And nevermore shall princes from afar
Pay homage to thy greatness, and proclaim
Thy wonders, nor in reverence behold
Thy sanctuary glories . . .

Are thy halls
All empty, and thy streets laid bare
And silent as the soundless wilderness?
O Memphis, mighty Memphis, hath the morn
Broken to find thee not?

Memphis was named after King Pepi, and is called Noph in the Old Testament. Its early Dynastic name

was "White Walls", the reference being probably to the fortress erected there soon after the Conquest. Of its royal builder we know little, but his mother, Queen Shesh, enjoyed considerable repute for many centuries afterwards as the inventor of a popular hair wash which is referred to in a surviving medical papyrus.

After Egypt was united under the double crown of the Upper and the Lower Kingdoms, and the Pharaoh became "Lord of the Two Lands", the seat of government remained for a long period at Thinis, in the south. The various nomes, like the present-day states of North America, had each their centres of local administration. Pharaoh's deputies were nobles who owed him allegiance, collected the Imperial taxes, supplied workmen or warriors as desired, and carried out the orders of the Court officials regarding the construction and control of canals. The temple of the nome god adorned the provincial capital.

Ptah, the deity of Memphis, is presented in sharp contrast to the sun god Ra, who was of Asiatic origin, and the deified King Osiris, whose worship was associated with agricultural rites. He was an earth spirit, resembling closely the European elf. The conception was evidently not indigenous, because the god had also a giant form, like the hilltop deities of the mountain peoples (see Chapter XII). He was probably imported by the invaders who constituted the military aristocracy at Memphis in pre-Dynastic times. These may have been the cave-dwellers of Southern Palestine, or tall and muscular "broad heads" of Alpine or Armenoid type who prior to the Conquest appear to have pressed southward from Asia Minor through the highlands of Palestine, and, after settlement, altered somewhat the physical character of the "long heads" of the eastern Delta.Allowance has to be made for such an infusion in accounting for the new Dynastic type as well as for the influence exercised by the displacement of a great proportion of the mingled tribes of Libyans. The Palestine cave-dwellers may have been partly of Alpine origin.

A people seldom remember their early history, but they rarely forget their tribal beliefs. That being so, the god Ptah is of special interest in dealing with the tribal aspect of mythology. Among all the gods of Egypt his individuality is perhaps the most pronounced. Others became shadowy and vague, as beliefs were fused and new and greater conceptions evolved in the process of time. But Ptah never lost his elfin character, even after he was merged with deities of divergent origin. He was the chief of nine earth spirits (that is, eight and himself added) called Khnûmû, the modellers. Statuettes of these represent them as dwarfs, with muscular bodies, bent legs, long arms, big broad heads, and faces of intelligent and even benign expression. Some wear long moustaches, so unlike the shaven or glabrous Egyptians.

At the beginning, according to Memphite belief, Ptah shaped the world and the heavens, assisted by his eight workmen, the dwarfish Khnûmû. He was also the creator of mankind, and in Egyptian tombs are found numerous earthenware models of these "elves". who were believed to have had power to reconstruct the decaying bodies of the dead. As their dwellings were underground, they may have also been "artisans of vegetation", like the spirits associated with Tvashtar, the "master workman" of the Rig-Veda hymns and the

"black dwarfs" of Teutonic mythology. A particular statuette of Ptah, wearing a tight-fitting cap, suggests the familiar "wonder smith" of the Alpine "broad heads" who were distributed along Asiatic and European mountain ranges from Hindu Kush to Brittany and the British isles and mingled with the archaic Hittites in Asia Minor. The Ph�nician sailors carried figures of dwarfs in their ships, and worshipped them. They were called "pataikoi". In the Far East a creation artificer who resembles Ptah is Pan Ku, the first Chinese deity, who emerged from a cosmic egg.

Like Ra, Ptah was also believed to have first appeared as an egg, which, according to one of the many folk beliefs of Egypt, was laid by the chaos goose which came to be identified with Seb, the earth god, and afterwards with the combined deities Amon-Ra. Ptah, as the primeval "artificer god", was credited with making "the sun egg" and also "the moon egg", and a bas-relief at Philæ shows him actively engaged at the work, using his potter's wheel.

A higher and later conception of Ptah represents him as a sublime creator god who has power to call into existence each thing he names. He is the embodiment of mind from which all things emerge, and his ideas take material shape when he gives them expression. In a philosophic poem a Memphite priest eulogizes the great deity as "the mind and tongue of the gods", and even as the creator of other gods as well as of "all people, cattle, and reptiles", the sun, and the habitable world.

Thoth is also credited with similar power, and it is possible that in this connection both these deities were imparted with the attributes of Ra, the sun god.

According to the tradition perpetuated by Manetho, the first temple in Egypt was erected at Memphis, that city of great builders, to the god Ptah at the command of King Mena. It is thus suggested that the town and the god of the ruling caste existed when the Horite sun worshippers moved northward on their campaign of conquest. As has been shown, Mena also gave diplomatic recognition to Neith, the earth goddess of the Libyans, "the green lady" of Egypt, who resembles somewhat the fairy, and especially the banshee, of the Iberians and their Celtic conquerors.

The Ptah worshippers were probably not the founders of Memphis. An earlier deity associated with the city is the dreaded Sokar (Seker). He was a god of the dead, and in the complex mythology of later times his habitation was located in the fifth hour-division of night. When sun worship became general in the Nile valley Sokar was identified with the small winter sun, as Horus was with the large sun of summer. But the winged and three-headed monster god, with serpent body, suffers complete loss of physical identity when merged with the elfin deity of Memphis. Ptah-Sokar is depicted as a dwarf and one of the Khnûmû. Another form of Sokar is a hawk, of different aspect to the Horus hawk, which appears perched on the Ra boat at night with a sun disk upon its head.

Ptah-Sokar was in time merged with the agricultural

Osiris whose spirit passed from Pharaoh to Pharaoh. Ptah-Osiris was depicted as a human-sized mummy, swathed and mute, holding firmly in his hands before him the Osirian dadu (pillar) symbol. The triad, Ptah-Sokar-Osiris, gives us a combined deity who is a creator, a judge of the dead, and a traditional king of Egypt. The influence of the sun cult prevailed when Sokar and Osiris were associated with the worship of Ra.

Memphis, the city of Ptah, ultimately became the capital of United Egypt. It was then at the height of its glory; a great civilization had evolved. Unfortunately, however, we are unable to trace its progress, because the records are exceedingly scanty. Fine workmanship in stone, exquisite pottery, &c., indicate the advanced character of the times, but it is impossible to construct from these alone an orderly historical narrative. We have also the traditions preserved by Manetho. Much of what he tells us, however, belongs to the domain of folklore. We learn, for instance, that for nearly a fortnight the Nile ran with honey, and that one of the Pharaohs, who was a giant about 9 feet high, was "a most dangerous man". It is impossible to confirm whether a great earthquake occurred in the Delta region, where the ground is said to have yawned and swallowed many of the people, or whether a famine occurred in the reign of one pharaoh and a great plague in that of another, and if King Aha really engaged his leisure moments compiling works on anatomy. The story of a Libyan revolt at a later period may have had foundation in fact, but the explanation that the rebels broke into flight because the moon suddenly attained enormous dimensions shows how myth and history were inextricably intertwined.

Yet Manetho's history contains important material.His list of early kings is not imaginative, as was once supposed, although there may be occasional inaccuracies. The Palermo Stone, so called because it was carried to the Sicilian town of that name by some unknown curio collector, has inscribed upon it in hieroglyphics the names of several of the early kings and references to notable events which occurred during their reigns. It is one of the little registers which were kept in temples. Many of these, no doubt, existed, and some may yet he brought to light.

Four centuries elapsed after the Conquest ere Memphis became the royal city. We know little, however, regarding the first three hundred years. Two dynasties of Thinite kings ruled over the land. There was a royal residence at Memphis, which was the commercial capital of the country—the marketplace of the northern and southern peoples. Trade flourished and brought the city into contact with foreign commercial centres. It had a growing and cosmopolitan population, and its arts and industries attained a high level of excellence.

The Third Dynasty opens with King Zoser, who reigned at Memphis. He was the monarch for whom the first pyramid was erected. It is situated at Sakkara, in the vicinity of his capital. The kings who reigned prior to him had been entombed at Abydos, and the new departure indicates that the supremacy of Memphis was made complete. The administrative, industrial, and religious life of the country was for the time centred there.

Zoser's preference for Memphis had, perhaps, a political bearing. His mother, the wife of Khasekhemui,' the last of the Thinite kings, was probably a daughter of

the ruling noble of "White Walls". It was the custom of monarchs to marry the daughters of nome governors, and to give their sons his daughters in marriage also. The aristocracy was thus closely connected with the royal house; indeed the relations between the Pharaoh and his noblemen appear to have been intimate and cordial.

The political marriages, however, were the cause of much jealous rivalry. As the Pharaoh had more than one wife, and princes were numerous, the choice of an heir to the crown was a matter of great political importance. The king named his successor, and in the royal harem there were occasionally plots and counterplots to secure the precedence of one particular prince or another. Sometimes methods of coercion were adopted with the aid of interested noblemen whose prestige would be increased by the selection of a near relative—the son, perhaps, of the princess of their nome. In one interesting papyrus roll which survives there is a record of an abortive plot to secure the succession of a rival to the Pharaoh's favourite son. The ambitious prince was afterwards disposed of. In all probability he was executed along with those concerned in the household rebellion. Addressing his chosen heir, the monarch remarks that "he fought the one he knew, because it was unwise that he should be beside thy majesty".

It may be that these revolts explain the divisions of the lines of early kings into Dynasties. Zoser's personality stands out so strongly that it is evident he was a prince who would brook no rival to the throne. His transference of the seat of power to the city of Ptah suggests, too, that he found his chief support there.

With the political ascendancy of Memphis begins the great Pyramid Age; but ere we make acquaintance withthe industrial and commercial life in the city, and survey the great achievements of its architects and builders, we shall deal with the religious conceptions of the people, so that it may be understood why the activities of the age were directed to make such elaborate provision for the protection of the bodies of dead monarchs.

CHAPTER VII. Death and the Judgment

The Human Triad—Ghosts—Spirits of the Living—Why the Dead were given Food—Souls as Birds—The Shadow and the Name—Beliefs of Divergent Origin—Burial Customs—The Crouched Burial—Secondary Interment—Extended Burials—Mummies—Life after Death—Two Conceptions—Souls in the Sun Boat—The Osirian Paradise—journey to the Other World —Perils on the Way—Conflicts with Demons—The River of Death—The judgment Hall—Weighing the Heart—The Happy Fields.

IN the maze of Egyptian beliefs there were divergent views regarding the elements which constitute the human personality. One triad was a unity of the Ka, spirit; the Khu, soul; and Khat, the body. Another grouped Khaybet, the shadow, with Ba, the soul, and Sahu, the mummy. The physical heart was called Hati; it was supposed to be the seat of the intelligence, and its "spirit" was named Ab, which signified the will and desires. The "vital spark", or controlling force, was symbolized as the Sekhem, and the Ran was the personal name.

The Ka of the first triad is the most concrete conception of all. It was probably, too, the oldest. The early people appear to have believed that the human personality combined simply the body and the spirit. In those tomb scenes which depict the birth of kings the royal babe is represented by two figures-the visible body and the invisible "double". The Ka began to be at birth; it continued to live on after death.

But a human being was not alone in possessing aKa. Everything that existed was believed to have its "double". A fish or other animal had a Ka; so also had a tree; and there were spirits in water, in metals, in stone, and even in weapons and other articles manufactured by man. These spirits were invisible to all save the seers, who were able to exercise on occasion the "faculty" which Scottish Highlanders call "second sight".

It was conceived that the Ka could leave the human body during sleep, or while the subject lay in a trance. It then wandered forth and visited people and places, and its experience survived in memory. Dreams were accounted for in this way as actual happenings. When a man dreamt of a deceased friend, he believed that his Ka had met with the Ka of the dead, held converse with it, and engaged in the performance of some Other-World duty. Sometimes the wandering Ka could be observed at a distance from where the sleeper reposed. It had all the appearance of the individual, because it was attired in the "doubles" of his clothing and might carry the "double" of his staff. Ghosts, therefore, included "the spirits of the living", which were not recognized to be spirits until they vanished mysteriously. They might also be simply heard and not seen.

In the story of Anpu and Bata is contained the belief that the Ka could exist apart from the body. Its habitation was a blossom, and when the petals were scattered the younger brother fell dead. He revived, however., when the seed was placed n a vessel of water. This conception was associated with belief in the transmigration of souls. Bata entered a new state of existence after he left his brother.

During normal life the Ka existed in the human body. It was sustained by the "doubles" of everythingthat was partaken of. After death it required food and drink) and offerings were made to it at the grave. The practice of feeding the dead continues in Egypt even in our own day.

In ancient times a cult believed that the Ka could be fed by magic. Mourners or ancestor worshippers who visited the tomb simply named the articles of food required, and these were immediately given existence for the spirit. The "good wishes" were thus considered to be potent and practical.

It was essential that the dead should receive the service of the living, and those who performed the necessary ceremonies and made the offerings were called the "servants". Thus the Egyptian word for "priest" signified a "servant". But the motive which prompted the mourners to serve the departed was not necessarily sorrow or undying affection, but rather genuine fear. If the Ka or ghost were neglected, and allowed to starve, it could leave the grave and haunt the offenders. Primitive man had a genuine dread of spirits, and his chief concern was ever to propitiate them, no matter how great might be the personal sacrifice involved.

Sometimes a small "soul house" was provided by the wayside for the wandering Ka, but oftener an image of wood or stone was placed for its use in the grave. The statues of kings which have been found in their tombs were constructed so that their disembodied spirits might be given material bodies, and those which they caused to be erected in various parts of the kingdom were primarily intended for a similar purpose and not merely to perpetuate their fame, although the note of vanity is rarely absent in the inscriptions.

The Khu, or "soul", was a vague conception. It was really another form of the Ka, but it was the"double" of the intellect. will, and intentions, rather than the "double" of the physical body. The Khu was depicted as a bird, and was called "the bright one" or "the glorious one".

The Ba of the second triad was a conception uniting both the Ka and the Khu. It is represented in bird form with a human head, hovering over the Sahu, or mummy, on which it gazes wistfully, always seeking to re-enter the bandaged form. Like the Ka, it required nourishment, which was provided, however, by the goddess of the consecrated burial ground.

The Khaybet, or shadow, is evidently the survival of an early belief. It is really another manifestation of the Ka. Like all primitive peoples, the archaic Egyptians believed that their shadows were their souls. Higher conceptions evolved in time, but their cultured descendants clung to the old belief, which was perpetuated by folk customs associated with magical practices. Spells were wrought by casting shadows upon a man., and he might be insulted or injured if an offence were committed against his shadow.

The Ran, or name, was also a manifestation of the Ka. Power could be exercised by uttering the name, because there was magical influence in those words which were believed to have spiritual "doubles". A personal name was the spirit identified; its service was secured when the name was uttered. The spirit was the name and the name was the spirit. If a magician desired to work evil against an individual, he made use of the name when uttering potent magical formulæ. The dead were similarly conjured up when their names were spoken

in invocations; evil spirits were cast out by those who knew their names. To guard himself against wizards who uttered "words of power", or verbal spells, the Egyptian therefore considered it necessary to have two names—the big name and the little name, or the true name and the good name. He kept his "big, true name" secret, because it was the Ran; his "good little name" was his nickname, and was not a part of his living being.

The naming ceremony was conducted in secret. The child's fate was bound up in the true name and his character was influenced by it. After it was conferred, a nickname was used, but the true name was the grave name and was uttered when the welfare of the spirit was secured by the utterance of magical spells which "opened the way" in the land of the dead. The gods had Rans also. When Isis obtained the secret name of Ra, she became his equal.

The divergent conceptions regarding the soul in Egyptian religion arose from the mingling of beliefs caused by the mingling of peoples, and also the Egyptian tendency to cling to every belief, or form of belief, which evolved in the course of time in Egypt. A people who believed in the existence of "doubles" and in the transmigration of souls had many vague and complex conceptions. Incoherencies were a feature of their religious beliefs. It must be borne in mind, at the same time, that our review covers a vast period of time, during which various religious cults exercised supreme influence in moulding Egyptian thought. One cult predominated at one period; another cult arose in turn to teach its own peculiar tenets, with the result that all beliefs were ultimately accepted. This process is clearly indicated by the

various burial customs and the complex religious ceremonies which prevailed in different ages.

As we have seen, the early people buried their dead crouched up in shallow graves with due provision of nourishment and implements. They appear to have believed that the Ka remained beside the body until the flesh decayed. Then it either ceased to be, or it haunted the cemetery. Among primitive peoples at the present day much concern is evinced regarding the ghosts of the newly dead. When a negro, for instance, is questioned about his remote ancestors, he is unable to express an opinion as to whether or not their spirits continue to exercise any influence upon the living, but he trembles if asked about his dead father.

The Egyptian tree worshippers conceived of a tree goddess which gave food cakes and poured out drink to disembodied Kas. The influence of this ancient cult is traced in the Osiris and Bata folk tales. In late Dynastic times tree worship was revived when the persisting beliefs of the common people gained ascendancy, and it has not yet wholly disappeared in the Delta region. The sacred tree and the holy well are still regarded with reverence.

The. Horites, or Dynastic Egyptians, who pressed northward on their gradual campaign of conquest, introduced a new burial custom. Instead of digging shallow graves they erected brick-lined tombs, in which the dead were laid upon their backs, fully extended, clad in state, and adorned with articles of jewellery. In the inscriptions the Ka and Khu are referred to. But no attempt was made, even in the First and Second Dynasties, to preserve the body from decay, and sumptuous offerings were placed in the tombs,

Another burial custom involved secondary interment, as was the case in those European districts where early graves have been found to contain disconnected skeletons. In Egypt attempts were sometimes made to arrange the bones in proper position, but they were often heaped in confusion. It appears that temporary interment was a ceremony of riddance, the object being probably to hasten the departure of the Ka. Dismemberment was also practised, and many graves show that decapitation was effected after death.

In one of the sacred books of ancient Egypt the mutilation of dead bodies is referred to with horror. "I shall not be destroyed," we read, "my head will not be cut off, nor my tongue taken out, nor will the hair of my head or my eyebrows be shaved off. My body will endure for all time."

The revolt against dismemberment took place at the beginning of the Third Dynasty, about 3000 B.C. Massive stone tombs were then constructed and the bodies of the dead were mummified. The idea was either that the Ka would ultimately return and cause the dead to live again, or that the existence of the soul in the Nether World depended upon the existence of the body upon earth. The embalming of the dead ultimately became general throughout Egypt, but the belief in dismemberment survived in the practise of disjointing one of the mummy's feet. During the Middle Kingdom period the dead were laid on their left sides, as if to peer through the Osiris or Horus eyes depicted outside the mummy cases.

Herodotus, who visited Egypt in the fifth century before Christ, found the people "adhering contentedly to the customs of their ancestors, and averse to foreign manners". He related that when an influential man died, the females of the household smeared their handsand faces with dirt, and ran through the streets with their clothes in disorder, beating their bodies and lamenting aloud. The men behaved in similar manner after the corpse was removed from the house.

Embalmers were licensed to practise their profession, and they displayed much ingenuity and surgical skill. When a body was carried to them, they produced models of mummies and arranged a price. The quality of their work depended on the amount of money expended by the dead man's friends.

The costliest method of embalming was as follows. The brain was extracted through the nostrils with the aid of instruments and after the infusion of a chemical preparation. Then a stone knife was used to make an incision on one side of the body. The liver, heart, lungs, and intestines were immediately drawn out, and, after being cleansed, they were steeped in palm wine and sprinkled with rich perfume. The body was dried, and stuffed with powdered myrrh, cassia, &c., and sewn up. It was afterwards covered with nitre for seventy days. Then it was washed all over and carefully wrapped in bandages which had been dipped in a strong gum. As soon as it was carried back to the home it was placed in a large coffin, shaped like a human form, which was inscribed with magical charms and decorated with sacred symbols and figures of gods and goddesses. The face of the dead was carved upon the lid; in the Roman period it was painted.

A cheaper method of embalmment was to inject a chemical preparation before the body was covered with nitre. At the end of seventy days the intestines were drawn out. Nothing then remained except the skin and bones; the flesh had been eaten away by the nitre. Poor people could only afford to have a cheap preservativeinjected into the veins, after which the body was left in nitre for the usual period.

The intestines were placed in four canopic jars, on the lids of which were often shaped the heads of the four protecting gods, who were the sons of Horus, and represented the north, south, east, and west. These were Amset, with human face, who guarded the stomach and large intestines; Hapi, with dog's head, who guarded the small intestines; Dûamûtef, with jackal's head, who guarded lungs and heart, and Kebeh-senuf, the hawk-headed, who guarded the liver and gall bladder. These jars were placed in a chest and deposited in the tomb. The organs they contained were those which were believed to have caused the various sins to be committed.

The funeral procession was a solemn and touching spectacle. All the family were present, and women mourners wailed aloud on the way to the cemetery on the western bank of the Nile. The mummy was drawn upon a sledge. When the tomb was reached, the coffin was set up on end, facing the south, and an elaborate ceremony was gone through. It was conducted by the chief mourner, who recited the ritual from a papyrus roll, while responses were made by the relatives. Two females represented Isis and Nepthys, for a part of the ceremony was a reproduction of the scene enacted around the body of Osiris when it was restored and prepared for burial. The dead had also to be instructed how to reach the Egyptian heaven. The journey could not be accomplished in safety without the aid of magical formulæ. So these were spoken into the ears of the corpse, as was probably the custom in the days of crouched burials. But the danger was ever present that the dead would fail to remember all the priestly instructions which were repeated over them. The formulæ were therefore inscribedon the coffin and on the walls of the tomb, and as time went on it became customary to prepare rolls of papyrus, which were ultimately collected into The Book of the Dead. This papyrus might be wrapped under the mummy bandages, or else laid within the coffin. A bull was slaughtered to provide food for the sustenance of the Ka and as a sacrifice to the gods.

The coffin was afterwards lowered down the grave shaft to the secret chamber in which had been placed the image of the dead, his weapons and clothing, his ornaments and perfumes and, perhaps, several articles of furniture. Then the entrance was closed up with stonework. A funeral feast in the antechamber concluded a ceremony which grew more and more elaborate as time went on. Food offerings were afterwards brought at intervals by faithful mourners.

There were two distinct conceptions of the after-life and these became confused in the ages that followed. The sun worshippers believed that the souls of the dead passed to the first division of night, where those who were privileged to utter the magical spells, which could compel the obedience of the gods, were permitted to enter the bark of Ra. In their tombs were placed models of the sun boat.

The Other-World conception of the Osirian cult made more permanent appeal to the Egyptian mind. Heaven is pictured as the "double" of the Delta region, where apparently the conception had its origin. But, before it can be reached, the soul must needs travel a long and weary way which is beset with many perils. The Paradise of Aalu is situated in the west. Bleak and waterless deserts have to be crossed, and these are infested by fierce reptiles; boiling streams also intercept the pilgrim, who is ever in danger of being compelled to turn back.When the soul sets forth, he takes with him his staff and his weapons, and food for nourishment. He climbs the western mountains and then enters the Kingdom of the Dead. An immense sycamore tree towers before him with great clusters of fruit amidst its luxuriant foliage. As he approaches it a goddess leans out from the trunk as from a window, displaying the upper part of her body. In her hands she holds a tray heaped with cakes and fruit; she has also a pot of clear fresh water. The soul must needs eat of the magic food and drink of the magic water, and thus become a servant of the gods, if he is to proceed farther. If he rejects the hospitality of the tree goddess, he will have to return again to the dark and narrow tomb whence he came, and lead forever there a solitary and joyless existence.

The soul of him who is faithful eats and drinks as desired, and then proceeds on the journey, facing many perils and enduring great trials. Evil spirits and fierce demons compass him about, desiring that he should die a second death and cease to be. A gigantic tortoise rises against him; he must fight against it with his lance; serpents are poised to strike, and they must be overcome. The very insects have venomous stings and must be driven away. But his most formidable enemy is the fierce god Set, the murderer of Osiris, the terror of the good gods and of men, who appears as an enormous red monster, with a head like a camel and the body of a hound, his long and forked tail erect and venomous. Fain would that wrathful demon devour the pilgrim on his way.

When the evil god is overcome and driven back, the soul goes forward until he reaches the bank of a wide river There a magic boat awaits him. The crew consist of silent divinities who give him no aid. But ere hecan embark he must needs answer each question which the boat addresses to him. He must know and tell how it is constructed in every part, and if the papyrus roll which was laid beside his mummy contains the secrets of the boat. and the magical formulæ which must also be repeated, he will be ferried over the river and taken to the Osirian kingdom. The sulky "ferryman" is called "Turnface": his face is always turned away from the dead who call to him.

After entering the boat the soul's journey is not near to an end. He desires greatly to join those happy beings who have their dwellings in the blessed fields of Aalu but he must first be tried before Osiris the King of the Dead and Judge of All. The only approach to Paradise is through the Hall of justice, which rises before him stupendous and dark and full of mystery. The gate is shut fast; no man can draw the bolts or enter without permission of the king.

Alone, and trembling with fear, the pilgrim soul stands before the gate with both hands uplifted in adoration. He is beheld by the shining god who is within. Then in a clear, full voice the soul cries out in the deep silence:

Hail, unto thee, O thou great god, thou who art lord of truth!
Lo! I draw nigh to thee now, O my lord, and mine eyes behold thy beauty.
Thee I know, and I know also the two-and-forty gods assembled with thee in the Hall of justice;
They observe all the deeds of the wicked; They devour those who seek to do evil;
They drink the blood of those who are condemned before thee, O just and good king.
Hail! Lord of justice; Thee I know,
I come before thee even now to speak what is true,
I will not utter what is false, O Lord of All.

The soul then recites the ritual confession in which he claims to be guiltless of the offences which are punishable.

I have done no evil against any man.
I have never caused my kinsfolk to be put to death,
I have not caused false witnesses to speak in the Hall of justice.
I have not done that which is hated by the gods.
I am not a worker of wickedness.
I have never oppressed a servant with too much work.
I have not caused men to hunger nor to weep.
I have not been devoid of good works, nor have I acted weakly or with meanness.
I am not a murderer.
I have not conspired to have another put to death.
I have not plotted to make another grieve.
I have not taken away temple offerings.
I have not stinted the food offered to the gods.
I have not despoiled the dead.
I have never committed adultery.
I have not failed to keep myself pure as a priest.
I have not lessened the corn measure.
I have not shortened the hand measure.
I have not tampered with the balance.
I have not deprived children of milk.
I have not stolen cattle from the meadows.
I have not snared the birds consecrated to the gods.
I have not taken fish from holy lakes.
I have not prevented (Nile) water from running (in channels).
I have not turned aside the water.
I have not stolen water from a channel.
I have not put out the fire when it should burn.
I have never kept from the Nine Gods what was their due.
I have not prevented the temple cattle from grazing on my land.
I have not obstructed a god (his image) when he came forth (in a festival procession).

The soul concludes by declaring that he is sinless,and expresses the hope that no ill will befall him in the Hall of Judgment.

The jackal-headed god Anubis, "Opener of the Ways", then strides from the hall and leads the soul by the hand before Osiris, who had heard the confession in silence. No word is uttered as the dead man enters. The King of the Dead sits in his high throne within a dim pavilion. His crown is upon his head. In one hand he holds the crook and in the other the flail. He is the supreme judge of the Dead.. Before him stands the sure balance on which the heart of the dead man will be weighed. Thoth, the recording god, is beside it, and Horus and Maat, goddess of truth and justice, are there also. The guardian of the balance is a monster which is ready to fall upon sinners who are condemned before the great god. Around the dread hall crouch the two-and-forty animal gods who tear the wicked to pieces.

In the tingling silence which prevails, the pilgrim again recites the confession. Osiris makes no comment. Then, quivering with fear, the soul watches the gods deliberately weighing his heart in the balance, while Maat, the goddess of truth and justice, or her symbol, an ostrich feather, occupies the opposite scale.

The trembling soul cries out to his heart not to witness against him. "O heart that was mine," he says, "do not say 'Behold the things he hath done'. Permit me not to be wronged in presence of the great god."

If the heart is found to be neither too heavy nor too light, the dead man is acquitted. Thoth makes known the result of the weighing to Osiris, who then orders the heart to be restored to the man on trial. "He hath won the victory," the King of the Dead exclaims. "Now let him dwell with the spirits and the gods in the fields of Aalu."

Released and rejoicing, the dead man goes forth to gaze upon the wonders of the Nether World. The divine kingdom is a greater and more glorious Egypt, in which the souls work and hunt and combat against their enemies as in other days. To each man is allotted his task. He must till the soil and reap the grain which grows in abundance and to a great height. The harvest never fails, and famine and sorrow are unknown.

When the soul desires to return to visit familiar scenes upon earth it enters the body of a bird or an animal, or perhaps it blossoms as a flower. It may also visit the tomb as the Ba, and reanimate the mummy and go forth to gaze on scenes which were familiar and dear in other days.

The souls of dead men whom Osiris condemns, because of sins committed upon earth, are subjected to terrible tortures ere they are devoured by the animal gods which crouch, waiting, in the silent and awful Hall of Judgment.

CHAPTER VIII. The Religion of the Stone Workers

Memphite Religion—The Cult of Ptah—Ethical Beliefs——Pharaoh worshipped as a God—"Husband of his Mother"—Magical Incantations—"Mesmerizing the Gods"—The Earliest Mastabas—Endowment of Tomb Chapels—The Servants of the Dead—Scenes of Everyday Life—Zoser's Two Tombs—The First Pyramid—An Architect who became a God—Inspiration of Egyptian Religion—How it promoted Civilization—Mythology of the Stone Builders——Ptah and Khnûmû—The Frog Goddess—A Prototype of Isis—A Negroid Deity—Khnûmû associated with Khufu (Cheops).

WHEN Old Memphis became the leading city of United Egypt the religious beliefs of the mingled peoples were in process of fusion and development. Commerce was flourishing, and ideas were being exchanged as freely as commodities. In the growing towns men of many creeds and different nationalities were brought into close personal contact, and thought was stimulated by the constant clash of opinions. It was an age of change and marked progress. Knowledge was being rapidly accumulated and more widely diffused. Society had become highly organized, and archaic tribal beliefs could no longer be given practical application under the new conditions that obtained throughout the land. A new religion became a necessity-at any rate existing beliefs had to be unified and systematized in the interests of peace and order, especially in a city like Memphis with its large and cosmopolitan population.

The cult which began to mummify the dead had evidently formulated a creed which appealed to the intellectualclasses. Beliefs regarding the after-life took definite shape. The "land of shades" was organized like the land of Egypt. Ideas of right living and good government prevailed, and the growth of ethical thought was reflected in the conception of a Judge of the Dead who justified or condemned men after consideration of their actions during life. The attributes of the principal gods were defined; their powers and their places were adjusted; they were grouped in triads and families; and from the mass of divergent beliefs was evolving a complex mythology which was intended not only to instruct but to unite the rival beliefs prevailing in a community.

Egyptian religion as a whole, however, was never completely systematized at this or any subsequent period. Each locality had its own theological system. The old tribal gods remained supreme in their nomes, and when they were grouped with others; the influence at work was more political than intellectual in character. The growth of culture did not permeate all classes of society, and the common people, especially in rural districts, clung to the folk beliefs and practices of their ancestors. A provincial nobleman, supported by the priests, secured the loyalty of his followers therefore by upholding the prestige of their ancient god, who could be linked, if needs be, with the deity of another tribe with whom a union had been effected. If the doctrines of a rival creed influenced the beliefs of the people of a particular district the attributes of the rival god were then attached to their own. When Ptah, for instance, ceased to make intellectual appeal as a creation artificer he was exalted above Ra and the other gods, whom he was supposed to have called into existence by uttering magical words.

Ptah, as we have seen, was linked with Osiris. The combined deity was at once the god of the industrial andagricultural classes, and the Judge of the Dead. He was the chief deity of the new religion which controlled the everyday life of the people. He was the Revealer who made city life possible by promoting law and order as a religious necessity, and by instructing the people how to live honourably and well. He ordained the fate of all men; he rewarded the virtuous and punished the sinners. Masters were required to deal humanely with their servants, and servants to perform their duties with diligence and obedience. Children were counselled to honour their parents lest they might complain to the god and he should hear them.

The supremacy of Ptah was not yet seriously threatened by the sun god Ra, whose cult was gathering strength at Heliopolis. For a full century the ascendancy of the Memphite cult was complete and unassailable. The influence of the north was thus predominant. The Horite religion, which was a form of sun worship, had been displaced; it was overshadowed by the Ptah Osiris creed. Apparently the people of Lower Egypt had achieved an intellectual conquest of their conquerors. The Osirian Paradise was a duplicate of the Delta region, and the new creed was strongly influenced by Osirian beliefs which had prevailed before Mena's day.

Although great rivalry existed between the various cults throughout the land, the people were united in reverencing the Pharaoh. He was exalted as a god; indeed he was regarded as an incarnation of the ruling deity. Until the Fourth Dynasty the monarch was the living Osiris; then he became the earthly manifestation of Ra, the sun god. The people believed that a deity must needs take human form to associate with mankind. His Ka, therefore, entered the king's body as the king's Ka entered his statue. In temple scenes we find thepeople engaged in worshipping Pharaoh; in fact, the Pharaoh might worship himself—he made offerings to his Ka, which was the Ka of a god.

The idea of the divinity of kings was, no doubt, a survival of ancestor worship. Families worshipped the spirit of their dead sire, and tribes that of their departed leader. But the Pharaoh was not like other men, who became divine after death; he was divine from birth. His father had been the ruling god and his mother the god's wife. On the walls of temples elaborate scenes were carved to remind the people of the divine origin of their ruler. At the marriage ceremony the king impersonated the god, and he was accompanied by his divine attendants. As Ptah Tanen he wore "the high feathers" and two ram's horns, and carried the holy symbols; as Osiris he appeared with crook and flail.; as Ra he was crowned with the sun disk. The queen was thus married to the god within his temple. In sculptured scenes depicting royal births we see goddesses in attendance as midwives, nurses, and foster mothers. This close association with deities was supposed to continue throughout the Pharaoh's life; he was frequently shown in company of gods and goddesses.

When the king died, the spirit of the god passed to his successor. The son, therefore, according to Egyptian reasoning, became his own father, and, in the theological Sense, "husband of his mother". Horus, who was born after Osiris was slain, was "the purified image of his sire". In one of the religious chants the same idea is given expression when it is declared that "the god Seb was before his mother". The new Pharaoh, on ascending the throne, became doubly divine, because both ideas regarding the divinity of kings were perpetuated at the same time.The worship of a particular Pharaoh did not cease when he died. Like other departed souls he required the service of the living. His priests must assist him to reach the Osirian Paradise of Aalu, or the sun bark of Ra. Even Ra had to be assisted to pass through the perilous hour-divisions of the night. Indeed all the good forces of Nature had to be continually prompted by men who desired to be benefited by them; similarly the evil forces had to be thwarted by the performance of magical ceremonies and the repetition of' magical formulæ. Egyptian religion was based upon belief in magic.

Pharaoh's body was therefore mummified, so that his soul might continue to exist and be able to return to reanimate the bandaged form. Food offerings were given regularly for the sustenance of the Ka. Magical ceremonies, which were religious ceremonies, were performed to cause the gods to act and to speak as was desired—to imitate those who impersonated them upon earth. The priests were supposed, as it were, to mesmerize the gods when they went through their elaborate ceremonies of compulsion and their ceremonies of riddance.

It was considered necessary to afford secure protection for the Pharaoh's mummy; his enemies might seek to dismember it with purpose to terminate the life of the soul. Substantial tombs were therefore erected, and the old brick and wood erections which were constructed for the kings at Abydos went out of fashion.

A tomb chamber was hewed out of solid rock, and over it was built an oblong platform structure of limestone called a mastaba. The mummy was lowered down the shaft. which was afterwards filled up with sand and gravel and closed with masonry. This low and flat-roofedbuilding was large enough to accommodate at least a hundred bodies) but it was made solid throughout with the exception of the secret shaft. Robbers would have to wreck it completely before the hiding place of the body could be discovered. On the east side there was a false door through which the Ka could pass when it came from) or departed towards, the western land of shades. In time a little chapel was provided, and the false door was placed at the end of it. This apartment was used for the performance of the ceremonies associated with the worship of the dead; mourners came with offerings, and met in presence of the invisible Ka.

The statue was concealed in an inner chamber, which was built up, but occasionally narrow apertures were constructed through which food and drink were given to the Ka. But only to kings and rich men could this service be rendered for a prolonged period, so the practice ultimately evolved of providing the dead with models of offerings which by a magical process gave sustenance to the hungry spirit.

Mortuary chapels were endowed as early as the First Dynasty. Priests were regularly engaged in worshipping dead kings and princes who had made provision in their wills for the necessary expenses. The son of one monarch in the Fourth Dynasty devoted the revenues of a dozen towns to maintain the priesthood attached to his tomb. This custom created grave financial problems.

In a few generations the whole land might be mortgaged to maintain mortuary chapels, with the result that a revolution involving a change of dynasty became an economic necessity.

Hearken! ye kings, while horror stalks the land,
Lo! your poor people fall a ready prey
Made weak by your oppression, even in death—
Burdened and bruised and terrorized; their lands
Tax ridden for these temples ye endowed,
That fawning priests might meek obeisance make
And render ceaseless homage to your shades.

The walls of the chapel were either sculptured in low relief or painted with scenes of daily life, and from these we gather much of what we know regarding the manners and customs of the ancient people. But such works of art were not intended merely to be decorative or to perpetuate the fame of the dead. It was desired that those scenes should be duplicated in Paradise. The figures of farm servants sowing and reaping corn, of artisans erecting houses, and cooks preparing meals, were expected to render similar services to the departed soul. Magical texts were inscribed with purpose to ensure this happy condition of affairs; others called down curses on the heads of tomb robbers.

Kings and nobles had no pleasure in the prospect that they would have to perform humble tasks in the Nether World. They desired to occupy there the exalted stations which they enjoyed upon earth. It was necessary, therefore, to have numerous employees so that their mansions might be erected, their fields cultivated, and their luxuries provided as of old.

The custom at first obtained of slaying a number of servants to accompany the great dignitary to Paradise. These poor victims were supposed to be grateful, because they were to be rewarded with assured immortality. But the shedding of blood was rendered unnecessary when the doctrine obtained that substitutes could be provided by sculptors and painters.

Another mortuary custom was to provide little figures, called Ushebtiu, "the answerers", inscribed with magical formulæ, which would obey the dead and perform whatever duties he desired of them in Paradise. These were ultimately shaped in mummy form, and in the later Dynasties were made of glazed ware, because wooden figures suffered from the ravages of the white ant.

Many toy-like figures of servants are found in early tombs. Here we discover, perchance, the model of a nobleman's dwelling. An ox is being slain in the backyard. In the kitchen the staff is engaged cooking an elaborate repast; a little fellow devotes himself entirely to a goose which he turns on a spit before the fire. We have a glimpse of high life in another scene. The nobleman has feasted, and he sits at ease in a large apartment listening to singers and harpers. A dancing girl comes out to whirl before him, while her companions keep time to the music by clapping their hands. Meanwhile artisans are busy in their workshops. We see a potter moulding a vessel of exquisite shape, while near at hand a carpenter saws wood with which he intends to construct an elaborate article of furniture. Boats are rocking at a pier, for the soul may desire to sail down the Nile of the Nether World. Here. in fact, is a boat pursuing its way; a dozen strenuous oarsmen occupy the benches, while the steersman stands erect at the helm with the guiding rope in his hands; armed men are on guard, and the nobleman sits with a friend below an awning on a small deck in the centre of the boat, calmly engaged playing a game of draughts.

King Zoser had two tombs erected for himself. One is a great brick mastaba at Abydos, which may have been a "soul house" in the chapel of which his "double" was worshipped; the other, which is constructed of limestone, is situated on the desert behind Memphis. The latter is of particular interest to students of Egyptian history.It is a terraced structure nearly 200 feet in height, formed by a series of mastabas of decreasing size superimposed one above another. This wonderful building has been called "the step pyramid of Sakkara"; it is not only the first pyramid which was erected in Egypt, but the earliest great stone structure in the world.

So much attention is paid to the three sublime pyramids at Gizeh that Zoser's limestone tomb is apt to be overlooked. Yet it is of marked importance in the history of the country. It was constructed nearly a hundred years before Khufu (Cheops) ascended the throne, and the experience gained in undertaking a work of such vast dimensions made possible the achievements of later times. The architect was the renowned Imhotep, one of the world's great men. His fame was perpetuated in Egypt until the Saite or Restoration period, when he was worshipped as the god called by the Greeks "Imuthes". He was an inventive and organizing genius, and a statesman who exercised much influence at the Court of King Zoser. Like Solomon, he was reputed to be the wisest man of his Age. He was the author of a medical treatise, and he left behind him a collection of proverbs which endured as long as the old Egyptian language. As a patron of learning his memory was revered by the scribes for over two thousand years, and it was their custom before beginning work to pour out from their jars a libation to his spirit.

The step pyramid was Imhotep's conception. He prepared the plans and overlooked the work of construction. No doubt, too, he was responsible for the organization of the army of labourers and artisans who were employed for a prolonged period in erecting this enduring memorial of a great monarch.

Such a vast undertaking is a sure indication of theadvanced character of the civilization of the times. Much wealth must have accumulated in the royal exchequer. The country was in a settled and prosperous condition., owing to the excellent system of government and the activity of administrators. It was no small task to bring together thousands of workmen, who had to be housed and fed and kept under control. Skilled tradesmen were employed, who had been trained in quarrying and dressing stone. Evidently masonry had flourished in Memphis for a considerable period. There were hundreds of overseers experienced in the organization of labour, and large numbers of educated scribes conversant with the exact keeping of accounts.

Education was no longer confined to the ruling classes. We know that there were schools in Memphis. Boys were instructed in "the three R's", and in a papyrus of maxims it was quaintly remarked that they could "hear with their backs", an indication as to the manner in which corporal punishment was inflicted. The system of writing was the cursive style called "hieratic", which originated in pre-Dynastic times as a rough imitation in outline of hieroglyphics. A knowledge of elementary arithmetic was required in the ordinary transactions of business. Some corrected exercises have survived. Advanced pupils were instructed in geometry—which had its origin in Egypt—in mensuration, and in the simpler problems of algebra.

As the Egyptians were an intensely practical people, school studies were specialized. Boys were trained for the particular profession in which they were to be employed. If they were to become business men they attended commercial classes. The number of "trial pieces" which have been found show that young sculptors attended technical schools, as did also artists andmetal workers. In the temple colleges the future officials and lawyers and doctors were made conversant with the accumulated knowledge and wisdom of the age. Education was evidently controlled by the priests.

Memphis was a hive of organized industry. The discipline of business pervaded all classes, and everywhere law and order were promoted. Pharaoh was no idler. His day was fully occupied in the transaction of public business, and to every prince was allotted a responsible post, and his duties had to be efficiently performed. The nation was in its young manhood; the foundations had been securely established of a great civilization, which was to endure for some thirty centuries.

It may be said that the royal house of the Old Kingdom was established upon a rock. When the Pharaoh's builders discarded brick, and began to quarry and hew stones, Egyptian civilization made rapid progress. It had had its beginnings in the struggle with Nature in the Nile valley. An increasing population was maintained under peaceful conditions when the problem of water distribution was solved by the construction of canals. These had to be controlled, and the responsibility of a regulated flow was imposed upon the Pharaoh. Good government, therefore, became a necessity; a failure of water caused famine and insurrection. To those who toiled and those who protected the toiler Nature gave a bountiful reward. More food was produced than was required for home consumption. The surplus yield of corn was, as we have seen, the means of promoting trade, which made Egypt a wealthy country. As capital accumulated, the progress of knowledge was assured, and men entered upon those higher pursuits which promote moral and intellectual advancement.

Egypt might have continued happily on the eventenor of its way as an agricultural and trading country, but its civilization could never have attained so high a degree of perfection if its arts and industries had not been fostered and developed. We may riot think highly of Egyptian religion, of which, after all, we have but imperfect knowledge, but we must recognize that it was the inspiration of the architects and craftsmen whose sublime achievements we regard with wonder and admiration after the lapse of thousands of years. It was undoubtedly a civilizing agency; it promoted culture and refinement, and elevated mankind to love beauty for its own sake. Egyptian art flourished because it was appreciated and was in demand.

The surplus wealth of Egypt was expended largely for religious purposes. Temple building kept those wonderful old architects and sculptors constantly engaged. an ever-increasing class of skilled workers had also to be trained, disciplined, and organized. Men of ability were brought to the front and were judged on their own merits. There is no place for pretenders in the world of Art. When the Pharaohs, therefore, undertook the erection of temples and tombs they not only ensured regularity of labour, but also stimulated intellectual effort, with results that could not have been otherwise than beneficial to society at large.

We may well regard the conquest of stone as one of the greatest conquests which the Egyptians achieved. In our Introduction we have suggested that the new industry may have been introduced by the cave-hewing pre-Semitic inhabitants of southern Palestine. The remarkable skill manifested by the earliest stone workers of Egypt with almost dramatic suddenness was evidently the result of long experience. Deft workmanship was accomplished from the outset; stones were measured and dressed withwonderful accuracy and skill. The changes which took place in the burial customs during the early Dynasties also suggest that influences from without were being felt in the ancient kingdom.

Whatever the origin of the stone workers may have been, it is evident that they were closely associated with Memphis at a very early period. As we have seen, the art of stone working and stone building on a sublime scale was first displayed by the worshippers of Ptah, the artificer god. It is of special interest to find, therefore, that Manetho has preserved those persistent Egyptian traditions which connect Memphis with the new industry. He credited Zoser, the builder of the step pyramid at Sakkara, with the introduction of stonework; he also recorded that the first temple in Egypt was erected at Memphis to Ptah by King Mena. The city's name of "White Walls" suggests that the fortress was constructed of limestone.

We know now that stone was used at Abydos before Zoser's day—not, however, until after the conquest of the north—but the traditional association of Memphis with the new industry is none the less significant. The probability that a colony of Memphite artisans settled in the vicinity of the Assouan quarries, and introduced stone working into Upper Egypt, is emphasized by the worship of Khnûmû, the god of the First Cataract, who bears so striking a resembling to Ptah. He was similarly regarded as the modeller of the world. Like Ptah, he was associated with the chaos egg, and he is depicted shaping the first man upon his potter's wheel.

Khnûmû was merged at an early date with the ram god Min, for he is invariably shown with ram's horns or a ram's head. He was a Great Father, and represented the male principle. His consort is Hekt, the frog-headedgoddess, who is evidently of great antiquity. The Egyptians believed that frogs were generated spontaneously from Nile-fertilized mud, and they associated Hekt with the origin of life. This quaint goddess was one of the "mothers" who was supposed to preside at birth, and so persistent was the reverence shown her by the great mass of the people that she was ultimately fused with Hathor. In Coptic times Hekt was a symbol of the resurrection.

Another goddess associated with Khnûmû was named Sati. Her title "Lady of the Heavens" links her with Nut and Hathor. She is usually depicted as a stately woman wearing a cow's horns and the crown of Upper Egypt; she is "the queen of the gods".

An island goddess, called Anukt, belongs to the same group. She has negroid attributes and wears a crown of feathers.

It is apparent that this arbitrary grouping of deities at the First Cataract was the direct result of the mingling of peoples of different origin. Hekt represents a purely Egyptian cult, while Sati is evidently one of the forms of the Great Mother deity of the earliest civilized people in the Nile valley; she resembles closely the historic Isis. Anukt, on the other hand, was probably of Nubian origin, and may have been introduced by those dusky settlers from the south whose aggressive tendencies caused so much concern at the royal Court from time to time. The theory that Khnûmû was the god of the quarries, and builders especially, is supported not only by his resemblance to Ptah, but also by the fact that the Pharaoh who erected the greatest pyramid at Gizeh was called Khnûmû Khufu; this is the monarch whom the Greeks called Cheops.

CHAPTER IX. A Day in Old Memphis

In the Streets—The Temple of Ptah—Glimpses of Life—A Dispute—Old Age is honoured—A Dignified Nobleman—High—born Ladies—Racial Types—Bearers of Temple Offerings—In the Slums—Artisans at Work—The Marketplace—Fresh Fish on Sale—On the Quays—Sailors from Crete—Pharaoh's Soldiers—Arrest of the Tax Collectors—A Significant Folk Tale—The Wronged Peasant—His Appeal to the judge—Eloquent Speeches—Honoured by His Majesty.

As we gaze upon the scenes depicted in tombs, read the inscriptions, and piece together fragments of papyri containing old legends, we are afforded vivid glimpses of life in the Old Kingdom. The great city of Memphis is conjured up before us; its gates lie open, and armed guards permit us to enter. We walk through the crowded streets, pausing now and again to gaze upon the people as they come and go, or, perchance, we loiter in front of a yard or workshop, watching the busy artisans plying their trades.

We pass through a main thoroughfare. Most of the houses are built of brick; the dwellings of the poor are of wattles daubed with clay. . . . Now we enter a spacious square, in the centre of which towers a sublime statue of the Pharaoh. The sun is hot, although it is yet early forenoon, and we seek the shadow of that vast dominating building round which the city has grown up. It is the stone temple of the god Ptah, grandly severe in outline and fronted by two noble pylons of massiveproportions. We peer through the gateway as we pass. A procession of priests is crossing an inner court on which lie the broad shadows of great square pillars set widely apart, and supporting immense blocks of limestone. One is impressed by the air of mystery and solemnity which pervades the temple interior.

We can seat ourselves here on the stone bench and watch the crowds pouring from the streets. Memphis is a wonderfully quiet city. You hear a constant hum of voices; it murmurs like a great beehive. But there is no clatter of traffic, for the streets are devoid of vehicles, and horses are as yet unknown in the land of Egypt. Peasants from the country are leading their asses laden with salt, corded bales, rushes for basket makers, bundles of papyrus stalks, and hard stones. Great burdens are carried on the shoulders of labourers; even boys stagger under heavy loads.

Everyone is scantily clad. Men of the lower classes wear only a loincloth, while those of higher social rank have short kilts of linen which are strapped round their waists with leather belts. Women of all ranks are gowned to the ankles, and ladies have skirts so narrow that they walk with short steps, but yet not ungracefully.

Half-naked the men may be, yet it is not difficult to distinguish the various classes. There is no mistaking the labourer, even although his burden has been delivered, or the tradesman, for he carries his tools. Here is a busy merchant knitting his brows, and there a bland-faced scribe with dry, pouting lips and peering eyes set in cobwebs of wrinkles. A few merry students are walking leisurely towards the temple with papyrus rolls under their arms.

A loud clamour of voices in dispute has broken out at a street corner. Two carriers have collided, and theone who has fallen is an Egyptian; the other is a tall negro. The smaller man leaps to his feet. Insult has been added to injury, for the alien is but. a slave, and, fuming with anger, he throws himself on the black man, who is hampered by his load, and belabours him with his fists. A crowd collects, and its sympathy is evidently with the Egyptian. But suddenly a few city guards rush forward; they smite the combatants with their staves, force them apart, and cause them to hasten away. The crowd disperses speedily, and order is again restored.

Note the studied politeness of the greater number of pedestrians. Age is highly honoured, young men stand aside to allow their seniors to pass; three lads have risen from a shaded seat near to us to make room for an old man who is frail and breathless and desires to rest a little ere he enters the temple.

Now the moving crowd breaks apart, for somebody of importance is coming up the street. He is a nobleman and a royal official of high rank. In. the Court he is "Keeper of the Royal Robes" and "Sandal-bearer to the Pharaoh". He is also one of those great judges who sit in the Hall of justice. In his youth he was a college friend of the monarch's, and is now privileged at Court ceremonies to kiss the royal toe instead of the dust on which it trod. He owns a large estate, and has much wealth and influence. As he walks past, the pedestrians salute him respectfully with uplifted arms. He makes no response; he appears to be oblivious to their presence. Mark his imperious air and lordly gait. . . . His kilt is finely embroidered; the upper part of his body is bare; on his head he wears a great stiff wig which falls down behind over his shoulders, protecting his neck from the hot sun. He is square-chested and muscular; he walks erect, with tilted chin. His face is drawn and severe; hehas firmly set, drooping lips, and his eyes are stern and proud. He is obviously a man accustomed to command and to be obeyed. . . . A servant shuffles after him carrying his sandals and water bottle.

He has just acknowledged with a curt bow the profound obeisance of that rich merchant. But now he meets an equal in the middle of the square—Imhotep, Chief Architect to the King. Ere they speak they both bow gravely, bending their backs, with hands reaching to their knees. Then they converse for a few moments, salute one another again, and turn gravely away.

Some high-born ladies have gathered in the shade. Two carry bunches of lotus flowers, and the others smell them with appreciation. Their faces are refined and vivacious, and one is "black but comely", for she is a Nubian by birth. How they chatter as they flicker their broad fans! Their white gowns are elaborately embroidered in colours, and they all wear sandals, for the builders have left much grit in the streets. Their wigs are drawn low on their foreheads, round which they are clasped by graven bands of silver and gold. Gems sparkle in their necklaces, which are of elaborate design, and one or two wear their wigs set well back to display heavy car-rings, which are becoming fashionable. A handsome girl is wearing a broad gold armlet which came from Crete. The others examine it with interest, and when they break into laughter, displaying gleaming white teeth, the girl looks sideways in confusion, for they tease her about her far-travelled lover who gifted her that rare ornament. Now they saunter in pairs across the square; they are going down to the quays to sail on the Nile.

There is a variety of racial types about us. The southern Egyptians are almost black, those from the centre of the kingdom are brown, and the Delta peoplehave yellow skins. That bearded man who has just gone past is a Semite from Arabia; and here comes a soft-featured Syrian, walking with an oblique-eyed Sumerian from Babylonia. These tall negroes are Nubian mercenaries, who were taken captive in a frontier war. Of late the stone builders have been purchasing them in large numbers, for they have great muscular strength and make excellent labourers.

There is no mistaking the awkward, wide-eyed peasant who came to the market with salt, and is now surveying the great city of wonderful buildings and endless streets.

That red-haired man who is hurrying past is an Amorite; he came south to barter rugs for corn. He looks behind with an ugly scowl-a carrier has shouted something after him, because an Egyptian peasant dislikes a man who reminds him of red-haired Set, the slayer of Osiris.

Now here comes a handsome stranger who is exciting much interest. Men and women turn round to look after him. Children regard him with wonder. Not only is he taller than the majority of Memphites, but he is distinguished by his lightly coloured hair and his strange blue eyes. Some would fain know if his cheeks are a natural red or smeared with face paint. No one doubts whence he came. He is one of the fair Libyans, and he is evidently a man of some importance, for even royal officials acknowledge his salutations.

Ere we turn away, let us watch that little procession of young peasants walking past. They are bearers of offerings, and are going to the temple. One lad has shouldered a live calf, another brings a bundle of papyrus stalks, and a third has a basket of flour upon his head. The girls carry bunches of flowers, doves in pairs, and tame pelicans. One or two calves are led by boys. Littlenotice is taken of the peasants. Processions of similar character are seen daily in Memphis.

We had better cross over quickly, for here comes a great herd of unwilling goats driven by shouting peasants who wield their staves rather freely, nor care whether they miss a goat and strike a pedestrian. The city guards are watching them with interest, for they know their men.

Now turn down this narrow twisting street. Houses are lower here, and some are built with brick, but most of them are constructed of clay-plastered wickerwork. Why not enter this little dwelling? The door lies open, and there is nobody within. Man and wife labour in a potter's yard. The furniture consists of one or two tough stools, a low bed over which hangs a gnat-protecting net, and here and there are a few jars and pots of coarse pottery. Within the window lattice a bunch of lotus leaves is drying in the sun; a cut of salted fish hangs on the wall; a flint knife lies on the floor. The house is used mainly as a sleeping apartment, and if there is a baby it is near the mother in the potter's yard.

Outside, a few children are playing a curious game, which appears to be an imitation of a temple ceremony. Wives of artisans sit gossiping in the shade of a brick building; some are sewing, and others are cutting vegetables which they have brought from the market. Two girls go past with water pots on their heads.

We have glimpses, as they walk on, of long narrow lanes of small and low-roofed houses. There is evidently much congestion in the poorer quarters of the city. Look through that open door and you will see an industrious family. A widow and her three daughters are spinning and weaving fine linen, which might well be mistaken for silk.Here is a brickyard. Labourers are mixing the clay; others shape the bricks with a binding of straw and lay them out to dry. Carriers come for those which are ready, and take heavy loads in two slings suspended from poles which they lift upon their shoulders. An overseer hastens them on, for the builders cannot be kept waiting.

Farther on is a stoneworker's yard. Under an awning squat several skilled artisans who are engaged making vessels of alabaster and porphyry. The process is slow and arduous. One has shaped and polished a handsome jar with fluted lip and narrow neck, and is hollowing it out with a copper-tipped drill which is fed with ground emery. He pauses for a moment to wipe the perspiration from his forehead. and remarks to a fellow: "This is certainly a handsome vessel." The other looks up and surveys it critically. "It is your masterpiece," he remarks, with a smile, and then goes on drilling a large shallow milk bowl.

Two men are cutting a block of porphyry with a copper saw, while an apprentice supplies the emery, and relieves now one and then the other. See how skilfully those labourers are levering a granite boulder into position; it is mounted on a rounded wooden cradle, and slewed this way and that. A lad is gathering wedges with which to raise it up. One or two naked boys, squatted in a shady corner, are watching the proceedings with interest. They are going to saw stone too, when they grow strong.

We enter another street and our ears are assailed by the clamour of metal workers. It is a noisy quarter. Bang, bang, go the hammers on a large sheet of copper. One would be deafened if he stayed here long. Passersby twitch their eyes and foreheads and hurry on. Lookat these naked men kneeling round the blazing furnace, puffing their cheeks and blowing through long pipes. No Egyptian inventor has yet contrived a mechanical bellows. Now the glowing metal is pulled from the furnace, and a dozen exhausted workers rise, with their blowpipes in their hands, coughing and rubbing their eyes, to wait until the hammermen require them again.

Here are goldsmiths at work. A man is weighing precious metal in a balance, and a scribe sits in front of him making careful records on a sheet of papyrus. Near by are men with clever fingers and keen eyes, who engrave and pierce little pieces of gold and silver, shape ear-rings and necklaces, and hammer out sheets of gold which are to be inscribed with hieroglyphics. An overseer moves to and fro from bench to bench and artisan to artisan, surveying everything that is being done with critical eyes.

So we pass from street to street, here watching potters at work, there sculptors and carvers of wood and ivory, and anon the sandal makers and those deft leather cutters who provide gentlemen with slitted network to suspend on the back of their kilts for sitting upon.

Now we reach the principal marketplace. The scene is animated and intensely human. Merchants are squatted beside their stalls, some drowsing in the heat while they await purchasers, and others gesticulating excitedly at bargain making. There is a good deal of wrangling, and voices are often raised in dispute, while friends gather in knots and chatter and laugh or engage in lively argument. Some make purchases with ring money, but the majority engage in barter. Here a merchant has displayed a fine collection of vases and bowls. A lady surveys his wares critically and shakes her head over the prices he demands; but he waits patiently, for he knowsshe is tempted to purchase and notes that she always returns to a particular porphyry jar of exquisite design.

A woman of the working class leans over a basket of fish, and doubts if they are quite fresh. The vendor lifts one, presses it with his fingers, and smiles to her. "Caught this morning," he says. She decides to have it for her husband's dinner, and gives in exchange a piece of red pottery. Another woman barters a small carved box for ointment and perfume, while a man gives a fan for a bundle of onions.

A steward from a nobleman's house passes from stall to stall, accompanied by two servants, making numerous purchases, because several guests of note are coming to the evening meal. He is welcomed, although a hard bargainer, for he pays with money.

We catch, as we turn away, a soothing glimpse of the broad blue river, and turn towards it, for the streets are dusty and hot, and we know the air is cooler beside the quays. We cross an open space in which are piled up the cargoes of unloaded boats. Here come half a dozen foreign sailors who are going sightseeing. They also intend to make private purchases for their friends at home. You can tell by their pants and characteristic "wasp waists" that they are Cretans. They are short of stature and slim and have sharp features like the Delta coast dwellers, and their movements are active. Their dark hair is pleated in three long coils which fall over their shoulders, and they affect small coloured turbans. They all wear armlets, which are greatly favoured in the distant island kingdom.

A company of Pharaoh's soldiers are marching towards the great limestone fortress. They are naked, save for their loincloths, and about half of them are archers; the others are armed with long spears and carry wooden shields, square at the bottom and arching to a point at the top. They go past with a fine swing, although they have been drilling all forenoon on an open space two miles southward of the city.

Yonder are boatbuilders at work. The Cretan traders have brought them a fresh supply of seasoned timber as well as a raft of drifted logs from Lebanon. Wood is scarce and dear in Egypt, and watchmen are on duty in the yard day and night.

Three commodious river boats are being constructed. The work is well advanced, for the carpenters are fitting in the benches, which are being pierced and prepared for jointing on trestles by men who sit astride them. The artisans are skilled and active, and the overseers who direct operations are easily recognized; they carry long staffs in their right hands and constantly urge on the men.

But what is happening yonder in front of the Government buildings? A large crowd has assembled, and the jeers and roars of laughter indicate that something of amusing character is in progress. We press forward to find that the city guards have made several arrests, and are hauling their protesting prisoners through the doorway. The spectators are delighted to see "the tables turned", for these are their oppressors—the tax collectors—who are being taken before the Pharaoh's accountants so that their accounts may be audited. There have been several complaints of late of extortionate dealings and dishonest transactions. In a large hall within we see the stern auditors kneeling at their low desks, on which are piled the official records. Scribes record the proceedings. Each arrested man crouches on his knees, and is held firmly by a guard while he is sharply questioned and his accounts are checked. All his privatepapers have been seized; he must explain every entry and prove that he is a man above suspicion. It is a rough-and-ready, but effective, manner of doing business. Punishments for dishonesty or oppression are sharp and peremptory.

The Pharaoh is the protector of all his subjects great and small. A poor man may suffer a great wrong and find himself unable to have it righted even in the Hall of justice; but if the great monarch is appealed to, he will prove to be no respecter of persons, and visit the wrongdoer with punishment of great severity.

A tale has come down the ages which was often related in the dwellings of poor and great alike, to show how Pharaoh might espouse the cause of the humblest man in the kingdom. Scribes recorded it on papyri, and fragments of these still survive.

Once upon a time a peasant had his dwelling in the Fayum, and it was his custom to load his ass with nitre and reeds, salt and stones, and seeds and bundles of wood, and drive it to a town in the south, where in the marketplace he exchanged what he had brought for other things that he and his family required. He began to be prosperous.

One day, when it was nigh to harvesttime, he journeyed townwards and reached the estate of a great royal official named Meritensa. As he passed through it he came to the farm of Hamti, a feudal tenant. The farmer saw him approach, and to himself he said: "May the god permit me to rob the peasant of his ass and its burden. I have need of salt."

The path along the river bank was exceedingly narrow, for Hamti had sowed much land. Between his corn and the water there was scarcely the breadth of a man's body.Said the farmer to one of his servants: "Bring me a rug from within." The man ran to Hamti's house and came back with a rug, which was spread out upon the path, and it reached from the corn to the river edge.

The peasant drove his ass along the narrow way, past the corn, and when he drew nigh, the farmer called to him, saying: "Observe where you are going; do not soil my rug."

"I will do according to your will," remarked the peasant, "and avoid troubling you."

So he smote his ass and turned it inland to pass round the field. But the farmer would not be satisfied with that even. He shouted with an angry voice, saying: "Would you dare to trample upon my corn? There is no path that way."

"What else can I do?" remonstrated the peasant; "you prevent me from using the path by laying a rug upon it."

As he spoke his ass began to eat the grain, and the farmer seized it and said: "I will take this animal in payment for the damage it has done."

The peasant cried indignantly: "What? first you close the path against me, and now you seize my ass because it has taken a few ears of barley. Dare not to wrong me on this estate; it belongs to the just Meritensa, the great judge, who is a terror to all evildoers in the kingdom. Well you know that I speak truly. Do not imagine that you can oppress me on the land of such a good and high nobleman."

But the farmer laughed. "Heard you not," he asked, "the maxim which says: 'A peasant is esteemed only by himself?' Know now, too, that I am even Meritensa, the judge, of whom you have spoken. I will deal with you here and now."Having spoken thus, the farmer seized a scourge and lashed the peasant fiercely, seeking to drive him away. But the wronged man refused to depart. His body ached with many wounds. He waited about all day, but neither by threat nor tearful appeal could he prevail upon the farmer to give him back his ass and the burden it carried.

Then the peasant hastened towards the dwelling of Meritensa. He waited the coming forth of that great lord, sitting patiently beside the wall gate. Hours went past, and at length he saw Meritensa walking out to step into a boat at the river side.

"Hail to thee, my lord!" he called. "Bid one of your servants to hear the tale of my wrong."

As the man desired, so did the nobleman do. He bade a scribe to converse with the peasant, who related how he had been wronged by Hamti.

So it happened that, when sitting in the Hall of justice next morning, Meritensa repeated the accusations which the peasant had made against the farmer. The other judges heard, and then said:

"It is our rule here that these peasants should bring witnesses. We know their ways. If it is proved that the farmer stole some nitre and salt, he can be ordered to make payment, or else he can be scourged. But we must first hear evidence to confirm what is said by this peasant fellow."

Meritensa made no reply. He was indignant at the other judges, and scorned to discuss the matter with them any further. He decided to advise the wronged man what to do.

But the peasant could not find witnesses, and again he waited the coming forth of the good judge. Then he praised him with a loud voice, saying: "Thou artmighty among the mighty ones and the good friend of poor men. May fair winds waft thee on the lake of truth; may no wave smite thee or any terror come nigh. Thou art a father to the fatherless, and a husband to the widow and a brother to the girl in need. I laud thy name, for thou dost give excellent counsel without desire of reward. Thou art the enemy of the wrongdoer and the lover of justice. My cry thou didst hear, and thou hast permitted me to speak. Thou art esteemed by those who are worthy. Now show me mercy and undo my wrong; consider my prayer, enquire regarding me, and thou wilt find that I have been plundered."

Meritensa was on his way to the palace, and he repeated unto Pharaoh what the peasant had said, and related how he had been robbed by the farmer.

His Majesty said: "This man hath great eloquence. See that his wrong is not righted for a little time yet, and arrange that all his fine speeches are recorded by your scribes. I should like to hear them word by word. Meantime see that his wife and his children do not want for food."

The peasant was given a supply of bread each day, and Meritensa arranged that his wife and children should also be supplied with food in abundance.

Daily did the wronged man wait the coming forth of the noble, whom he addressed with great eloquence and poetic fervour. The scribes recorded all the words of his mouth. But Meritensa pretended not to heed him, and he even had him beaten.

Nine times did the peasant make appeal to the judge, and at length two servants went and spoke to the man, who, when he saw them approach, feared that he was about to be scourged once again. But the words which they spake for their lord were:"You have no cause to be afraid because you addressed the judge these many times. The Pharaoh has read your speeches and has praised them, and you will be rewarded."

Meritensa then caused his scribes to take down the evidence of the peasant regarding the robbery of his ass and its burden of nitre and salt, and he laid the document before His Majesty.

Pharaoh said: "I cannot attend to this matter. Consider it yourself and see that justice is done."

Meritensa then dispatched his officers to the farm, and he caused Hamti's house and all his goods to be confiscated and given unto the peasant.

All that was done was confirmed and approved by the Pharaoh, who commanded that the eloquent peasant should be brought to the palace. His Majesty took delight in his speeches and honoured him greatly, for he caused rich dainties from the royal table to be sent unto the man and his family.

CHAPTER X. The Great Pyramid Kings

Zoser and Sneferu—Their Great Tombs—Sneferu's Battles with Invaders—Mastabas of Officials—The Grand Vizier—A New Dynasty—Khufu the Tyrant King—His Great Pyramid—The World's Greatest Stone Structure—An Army of Workers—How the Pyramids were built—Rocking Machines—A Religious Revolution—The Gods of the Sun Cult—Ptah excluded—King Khafra—Menkaura the just King—The Sacred Heifer—Khufu's Line overthrown.

WHEN the great pyramids were being erected Egypt was already a land of ancient memories. Some of the royal tombs at Abydos were a thousand years old. Folk tales had gathered round the memories of notable kings; their order was confused and not a few were quite forgotten.

Zoser and Sneferu of the Third Dynasty are really the first Egyptian monarchs of whom we obtain any accurate idea. They were forceful personalities. We trace Zoser's activities in Sinai, where he continued to work the copper mines from which several of his predecessors had obtained supplies of indispensable metal. He waged war on the southern frontier, which he extended below the First Cataract, and he imposed his rule firmly over the north. That peace prevailed all over the kingdom is evident; otherwise he could not have devoted so much time to the erection of his great tomb, at which a great army of workmen were kept continuously employed.

Sneferu, whose very name suggests swiftness ofdecision and unswerving purpose, impressed himself on the imagination of the Egyptians for many generations. When a great national achievement was accomplished it became customary to remark that no such success had been attained "since the days of Sneferu". He battled against Asian hordes who invaded the Delta region, and erected forts, like a chain of blockhouses, across the frontier, and these were associated with his name for over ten centuries. In Sinai there was trouble regarding the copper mines. Other people had begun to work them and disputed right of possession with the Egyptians. Sneferu conducted a vigorous and successful campaign, and so firmly established his power in that region that his spirit was worshipped generations afterwards as the protecting god of the mines. His ambitions were not confined to land, for he caused great ships to be built and he traded with Crete and the Syrian coast. The cedars of Lebanon were then cut and drifted to the Nile by Egyptian mariners. In the south Nubia was dealt with firmly. We gather that thousands of prisoners were captured and taken north as slaves to be employed, apparently, at the building of temples and tombs. Two pyramids are attributed to Sneferu, the greatest of which is situated at Medum.

The power and wealth of the officials had increased greatly. Their mastabas, which surround the royal tombs, are of greater and more elaborate construction. Pharaoh was no longer hampered with the details of government. A Grand Vizier controlled the various departments of State, and he was the supreme judge to whom final appeals were made by the Courts. There were also a "Chancellor of the Exchequer" and officials who controlled the canals and secured an equitable distribution of water. There were governors of nomes and towns,and even villages had their "chief men". To secure the effective control of the frontier, always threatened by raids from Nubia, a local vizier was appointed to quell outbreaks, and troops were placed at his disposal. These high offices were usually held by princes and noblemen, but apparently it was possible for men of humble rank to attain distinction and be promoted, like Joseph, to positions of influence and responsibility. In mastaba chapels there are proud records of promotion acquired by capable and successful officials who began life as scribes and were governors ere they died.

The Fourth Dynasty begins with Khufu the Great, the Cheops of the Greeks, who erected the largest pyramid in Egypt. His relationship to Sneferu. is uncertain. He was born in the Beni Hassan district, and was probably the son of a nobleman of royal birth. Sneferu may have left no direct heir or one who was a weakling. There is no record or tradition of a revolution, and it may be that Khufu was already a prominent figure at the Court when he seized the crown. In his harem was a lady who enjoyed the confidence of his predecessor, and it is possible that matters were arranged in his interests in that quarter.

No statues of Khufu survive. These were probably destroyed when, a few centuries after his death, his tomb was raided and his mummy torn to pieces, for he was remembered as a great tyrant. So much was he hated that Herodotus was informed by the priests that he "degenerated into the extremest profligacy of conduct". He barred the avenues to every temple and forbade the Egyptians to offer sacrifices. He proceeded next to make them labour as slaves for himself. Some he compelled to hew stones n the quarries of the Arabian mountains and drag them to the banks of the Nile;others were selected to load vessels. . . . A hundred thousand men were employed." But the memory of ancient wrongs was perpetuated by the priests not merely in sympathy for the workers and those who had to bear the burdens of taxation. A religious revolution was imminent. The sun worshippers at Heliopolis were increasing in numbers and power, and even in Khufu's day their political influence was being felt. In fact, their ultimate ascendancy may have been due to the public revolt against the selfish and tyrannical policy of the pyramid-building kings.

We enjoy a privilege not shared by Greeks or Romans, who heard the Egyptian traditions regarding the masterful monarch. Petrie discovered an ivory statue of Khufu, which is a minute and beautiful piece of work. The features occupy only a quarter of an inch, and are yet animate with life and expression. Khufu's face suggests that of the Duke of Wellington. The nose is large and curved like an eagle's beak; the eyes have a hard and piercing look; the cheek bones are high, the cheeks drawn down to knotted jaws; the chin is firmly cut and the hard mouth has an uncompromising pout; the brows are lowering. The face is that of a thinker and man of action—an idealist and an iron-willed ruler of men—

whose frown
And wrinkled lip and sneer of cold command
Tell that the sculptor well those passions read
Which still survive

stamped on the statuette of the greatest of the pyramid builders. There is withal an air of self-consciousness, and we seem to hear, "My name is Khufu"—

. . . King of Kings;
Look on my works, ye mighty, and despair.

Petrie, the great Egyptian archæologist, calculates that Khufu's vast pyramid is composed of some 2,003,000 blocks of limestone averaging about 2½ tons each. It occupies an area of 13 acres. Each side of the square base originally measured 768 feet, but the removal of the coating which left the sides smooth caused a shrinkage of about 18 feet. The height is now roughly 450 feet, 30 ft. less than when it was completed.

This pyramid is the greatest pile of masonry ever erected by man. Not only is it a monument to a mighty ruler and his great architects and builders, but also to the stone workers of Memphis. Many of the great stones have been cut and dressed with amazing skill and accuracy, and so closely are they placed together that the seams have to be marked with charcoal to be traced in a photograph. Blocks of limestone weighing tons are finished with almost microscopic accuracy, "equal", says Petrie, "to optician's work of the present day".

Volumes have been written to advance theories regarding the purpose of this and other pyramids. The orientation theory has especially been keenly debated. But it no longer obtains among prominent Egyptologists. A pyramid has no astronomical significance whatsoever; the Egyptians were not star worshippers. It is simply a vast burial cairn, and an architectural development of the mastaba, which had been growing higher and higher until Zoser's architect conceived the idea of superimposing one upon the other until an effect was obtained which satisfied his sense of proportion. Geometricians decided its final shape rather than theologians.

There are several chambers in the interior of Khufu's pyramid, whose mummy reposed in a granite sarcophagus in the largest, which is 19 feet high, 34½ feet in length, and 17 feet in breadth. The entrance is from the north.Herodotus was informed by the Egyptian priests that 100,000 workers were employed, and were relieved every three months. The limestone was quarried on the eastern side of the Nile, below Cairo, and drifted on rafts across the river. The low ground was flooded, so that the high ground was made an island. We are informed that ten years were spent in constructing a causeway up which the blocks were hauled. A considerable time was also spent in preparing the rocky foundations. The pyramid itself was the work of twenty years.

When the base was completed, the same writer explains, the stones were raised by the aid of "machines" made of "short pieces of wood". Models have been found in tombs of wooden "cradles"—flat on the top and rounded off so that they could be rocked—on which boulders were evidently poised and then slewed into position by haulage and leverage. The "cradles" were raised by wedges. When the block was lifted high enough, it could be tilted and made to slide down skids into position. Herodotus says that according to one account the stones were elevated by the numerous "machines" from step to step, and to another they were lifted into position by one great contrivance. This process was continued until the summit was reached. Then a granite casing was constructed downward to the base, and it was covered over with hieroglyphics which recorded the various sums of money expended for food supplied to the workers. "Cheops (Khufu) exhausted his wealth", adds Herodotus.

The royal exchequer does not appear to have been depleted, because Khufu also erected three smaller pyramids for members of his family, and his successor afterwards undertook the construction of a vast tomb also.

Apart from his pyramid work we know little ornothing regarding the events of Khufu's reign. Sneferu's military activities had secured peace on the frontiers, and neither dusky Nubian nor bearded Asiatic dared enter the land to plunder or despoil. That the administration was firm and perfectly organized under the iron-willed monarch may be taken for granted.

But a great change was impending which could not be controlled by the will of a single man. Prolonged peace had promoted culture, and the minds of men were centred on the great problems of life and death. Among the educated classes a religious revolution was imminent. Apparently Khufu was raised to power on an early wave of insurrection. It was a period of transition. The downfall of the Ptah cult as a supreme political force was in progress, and the rival cult of Ra, at Heliopolis, was coming into prominence. Already in Sneferu's reign a sun worshipper, one Ra-hotep, occupied the influential position of Superintendent of the South. It remained for the priests of the sun to secure converts among the members of the royal family, so as to obtain political and religious ascendancy, and it can be understood that those who were educated at their temple college were likely to embrace their beliefs. If they failed in that direction, the combined influence of priests and nobles was sufficient to threaten the stability of the throne. A strong ruler might delay, but he could not thwart, the progress of the new movement.

The king's name, as we have stated, was Khnûmû Khufu, which means: "I am guarded by the god Khnûmû". That "modeller" of the universe may have closely resembled Ptah, but the doctrines of the two sects developed separately, being subjected to different racial influences. Khnûmû was ultimately merged with the sun god, and his ram became "the living soul of Ra". Khnûmû wasregarded at Heliopolis as an incarnation of Osiris, whose close association with agricultural rites perpetuated his worship among the great mass of the people. In the theological system of the sun cult, Osiris became a member of the Ra family, and succeeded to the throne of the "first king" who ruled over Egypt. But Ptah, significantly enough, was never included among the sun god's companions, and the idea that he created Ra was confined to Memphis, and evolved at a later date. The rivalry between the two powerful cults must have been bitter and pronounced.

If Ptolemaic tradition is to be relied upon, Khufu constructed a temple to the goddess Hathor, who, as we have seen, was merged with the frog goddess Hekt, the spouse of Khnûmû. Indeed Hekt came to be regarded as a form of Hathor. Sati, Khnûmû's other spouse, was also a sky and cow goddess, so that she links with Nut, and with Hathor, who displaced Nut.

King Khufu's son and successor must have come under the influence of the Ra cult, for his name, Khaf-ra, signifies "Ra is my glory" or "My brightness is Ra". The sun cult had received their first great concession from the royal house. But not until the following Dynasty did the priests of Heliopolis obtain supreme power, and compel the Pharaoh to call himself "son of the sun", a title which ever afterwards remained in use. Sun worship then became the official religion of Egypt—gradually coloured every other cult. When the Osirian religion was revived, under the Libyan monarchs, the old deified king, who was an incarnation of the corn god, was also identified with the sun.

King Khafra did not, it would appear, satisfy the ambitions of the Ra worshippers, who desired more than formal recognition. A legend which survives only in fragmentary form relates that "the gods turned away from Khufu and his house". The powerful cult became impatient, and "hope deferred" made them rebels. A political revolution was fostered, and Khufu's Dynasty was doomed.

Khafra, the Chephren of Herodotus, who says Khufu was his brother, erected the second great pyramid, which is only about 30 feet lower than the other. The remains of his temple still survive. It is built of granite, and although the workmanship is less exact, as if the work were more hastily performed than in Khufu's day, the architecture is austerely sublime. Immense square pillars support massive blocks; there are great open spaces, and one is impressed by the simplicity and grandeur of the scheme.

Seven statues of Khafra were discovered by Mariette, so that his "Ka" was well provided for. The great diorite statue preserved in the Cairo museum is one of the enduring triumphs of Egyptian art. The conception is at once grand and imposing. His Majesty is seated on the throne, but he wears the wig of the great ruling judge. At the back of his head is the figure of the protecting Horus hawk. His face is calmer than Khufu's—resolution is combined with dignity and patience. He seems to be imbued with the spirit of Old Kingdom greatness.

Although cut from so hard a material as diorite, there is much muscular detail in the figure, which is that of a strong and vigorous man. His throne is straight-backed, but the stately floral design of the sides, and the lions' heads and fore paws in front are in keeping with the naked majesty of the whole statue, which was originally covered with a soft material.

Again the reign is a blank. The priests informedHerodotus that Khafra's conduct was similar to that of Khufu. "The Egyptians had to endure every species of oppression and calamity, and so greatly do they hate the memories of the two monarchs that they are unwilling to mention their names. Instead they called their pyramids by the name of the shepherd Philitis, who grazed his cattle near them."

The great Sphinx was long associated with Khafra, whose name was carved upon it during the Eighteenth Dynasty, but it is believed to be of much later date. It is fashioned out of the rock, and is over 60 feet in height. The body is a lion's, and the face was a portrait of a Pharaoh, but it has been so much disfigured by Mohammedans that it cannot be identified with certainty. Nor is there complete agreement as to the significance of the Sphinx. Centuries after its construction the Egyptians regarded it as a figure of the sun god, but more probably it was simply a symbol of royal power and greatness.

There were kindlier memories of Menkaura, the Mycernius of Herodotus, who said that this king was a son of Khufu. He erected the third great pyramid, which is but 218 feet high, and three small ones for his family. He was reputed, however, to have eased the burden of the Egyptians, and especially to have allowed the temples to be reopened, so that the people might offer sacrifices to the gods. As a just monarch he excelled all his predecessors, and his memory was long revered. Not only did he deliver equitable judgments, but was ever ready to hear appeals when complaints were made against officials, and willing to remove and redress wrongs. His statue shows us a less handsome man than either Khufu or Khafra, and the expression of the face accords with his traditional character. Indeed, it is not only unaffected, but melancholy.A story was told to Herodotus that the king was greatly stricken by the death of his daughter. He had her body enclosed in a heifer made of wood, which was covered over with gold. It was not buried, but placed in a palace hall at Sais. Incense was burned before it daily, and at night it was illuminated. The heifer reclined on its knees. A purple robe covered the body, and between the gilded horns blazed a great golden star. Once a year, in accordance with the request of the dying princess, the image was carried outside so that she might behold the sun. The occasion was an Osirian festival, and the heifer, it is believed, represented Isis.

We know definitely that a daughter of Menkaura was given in marriage to Ptah-shepses, a high official, who became the priest of three obelisks. The appointment is full of significance, because these obelisks were erected to Ra. Sun worship was evidently gaining ground.

The mummy of the king was enclosed in a great sarcophagus of basalt, but was destroyed with the others. Mention is also made of a Fourth-Dynasty monarch named Radadef, but he cannot be placed with certainty. Khufu's line flourished for about a century and a half, and then was overthrown. A new family of kings, who were definitely Ra worshippers, sat on the throne of United Egypt. In the folk tales which follow are interesting glimpses of the life and beliefs of the times.

CHAPTER XI. Folk Tales of Fifty Centuries

A Faithless Lady—The Wax Crocodile—Pharaoh's Decree—Story of the Green Jewel—A Sad-hearted King—Boating on the Lake—How the Waters were divided—Dedi the Magician—His Magical Feats—A Prophecy —Khufu's Line must fall—Birth of the Future Kings—Goddesses as Dancing Girls—Ghostly Music and Song—Tale of a King's Treasure—Fearless Thieves—A Brother's Bravery—Pharaoh's Soldiers are tricked—How a Robber became a Prince—King visits the Underworld.

KING KHUFU sat to hear tales told by his sons regarding the wonders of other days and the doings of magicians. The Prince Khafra stood before him and related the ancient story of the wax crocodile.

Once upon a time a Pharaoh went towards the temple of the god Ptah. His counsellers and servants accompanied him. It chanced that he paid a visit to the villa of the chief scribe, behind which there was a garden with a stately summer house and a broad artificial lake. Among those who followed Pharaoh was a handsome youth, and the scribe's wife beheld him with love. Soon afterwards she sent gifts unto him, and they had secret meetings. They spent a day in the summer house, and feasted there, and in the evening the youth bathed in the lake. The chief butler then went to his master and informed him what had come to pass.

The scribe bade the servant to bring a certain magic box, and when he received it he made a small wax crocodile, over which he muttered a spell. He placedit in the hands of the butler, saying: "Cast this image into the lake behind the youth when next he bathes himself "

On another day, when the scribe dwelt with Pharaoh, the lovers were together in the summer house, and at eventide the youth went into the lake. The butler stole through the garden, and stealthily he cast into the water the wax image, which was immediately given life. It became a great crocodile that seized the youth suddenly and took him away.

Seven days passed, and then the scribe spoke to the Pharaoh regarding the wonder which had been done, and made request that His Majesty should accompany him to his villa. The Pharaoh did so, and when they both stood beside the lake in the garden the scribe spoke magic words, bidding the crocodile to appear. As he commanded, so did it do. The great reptile came out of the water carrying the youth in its jaws.

The scribe said: "Lo! it shall do whatever I command to be done."

Said the Pharaoh: "Bid the crocodile to return at once to the lake."

Ere he did that, the scribe touched it, and immediately it became a small image of wax again. The Pharaoh was filled with wonder, and the scribe related unto him all that had happened, while the youth stood waiting.

Said His Majesty unto the crocodile: "Seize the wrongdoer." The wax image was again given life, and, clutching the youth, leaped into the lake and disappeared. Nor was it ever seen after that.

Then Pharaoh gave command that the wife of the scribe should be seized. On the north side of the house she was bound to a stake and burned alive, and what remained of her was thrown into the Nile.Such was the tale told by Khafra. Khufu was well pleased, and caused offerings of food and refreshment to be placed in the tombs of the Pharaoh and his wise servant.

Prince Khafra stood before His Majesty, and said: "I will relate a marvel which happened in the days of King Sneferu, thy father." Then he told the story of the green jewel.

Sneferu was one day disconsolate and weary. He wandered about the palace with desire to be cheered, nor was there aught to take the gloom from his mind. He caused his chief scribe to be brought before him, and said: "I would fain have entertainment, but cannot find any in this place."

The scribe said: "Thy Majesty should go boating on the lake, and let the rowers be the prettiest girls in your harem. It will delight your heart to see them splashing the water where the birds dive and to gaze upon the green shores and the flowers and trees. I myself will go with you."

The king consented, and twenty virgins who were fair to behold went into the boat, and they rowed with oars of ebony which were decorated with gold. His Majesty took pleasure in the outing, and the gloom passed from his heart as the boat went hither and thither, and the girls sang together with sweet voices.

It chanced, as they were turning round, an oar handle brushed against the hair of the girl who was steering, and shook from it a green jewel, which fell into the water. She lifted up her oar and stopped singing, and the others grew silent and ceased rowing.

Said Sneferu: "Do not pause; let us go on still farther."

The girls said: "She who steers has lifted her oar."Said Sneferu to her: "Why have you lifted your oar?"

"Alas, I have lost my green jewel she said it has fallen into the lake."

Sneferu said: "I will give you another; let us go on."

The girl pouted and made answer: "I would rather have my own green jewel again than any other."

His Majesty said to the chief scribe: "I am given great enjoyment by this novelty; indeed my mind is much refreshed as the girls row me up and down the lake. Now one of them has lost her green jewel, which has dropped into the water, and she wants it back again and will not have another to replace it."

The chief scribe at once muttered a spell. Then by reason of his magic words the waters of the lake were divided like a lane. He went down and found the green jewel which the girl had lost, and came back with it to her. When he did that, he again uttered words of power, and the waters came together as they were before.

The king was well pleased, and when he had full enjoyment with the rowing upon the lake he returned to the palace. He gave gifts to the chief scribe, and everyone wondered at the marvel which he had accomplished.

Such was Khafra's tale of the green jewel, and King Khufu commanded that offerings should be laid in the tombs of Sneferu and his chief scribe, who was a great magician.

Next Prince Hordadef stood before the king, and he said: "Your Majesty has heard tales regarding the wonders performed by magicians in other days, but I can bring forth a worker of marvels who now lives in the kingdom."

King Khufu said: "And who is he, my son?""His name is Dedi," answered Prince Hordadef. "He is a very old man, for his years are a hundred and ten. Each day he eats a joint of beef and five hundred loaves of bread, and drinks a hundred jugs of beer. He can smite off the head of a living creature and restore it again; he can make a lion follow him; and he knows the secrets of the habitation of the god Thoth, which Your Majesty has desired to know so that you may design the chambers of your pyramid."

King Khufu said: "Go now and find this man for me, Hordadef."

The prince went down to the Nile, boarded a boat, and sailed southward until he reached the town called Dedsnefru, where Dedi had his dwelling. He went ashore, and was carried in his chair of state towards the magician, who was found lying at his door. When Dedi was awakened, the king's son saluted him and bade him not to rise up because of his years. The prince said: "My royal father desires to honour you, and will provide for you a tomb among your people."

Dedi blessed the prince and the king with thankfulness, and he said to Hordadef: "Greatness be thine; may your Ka have victory over the powers of evil, and may your Khu follow the path which leads to Paradise."

Hordadef assisted Dedi to rise up, and took his arm to help him towards the ship. He sailed away with the prince, and in another ship were his assistants and his magic books.

"Health and strength and plenty be thine," said Hordadef, when he again stood before his royal father King Khufu. "I have come down stream with Dedi, the great magician."

His Majesty was well pleased, and said: "Let the man be brought into my presence."Dedi came and saluted the king, who said: "Why have I not seen you before?"

"He that is called cometh," answered the old man; "you have sent for me and I am here."

"It is told," King Khufu said, "that you can restore the head that is taken from a live creature."

"I can indeed, Your Majesty," answered Dedi.

The king said: "Then let a prisoner be brought forth and decapitated."

"I would rather it were not a man," said Dedi; "I do not deal even with cattle in such a manner."

A duck was brought forth and its head was cut off, and the head was thrown to the right and the body to the left. Dedi spoke magic words. Then the head and the body came together, and the duck rose up and quacked loudly. The same was done with a goose.

King Khufu then caused a cow to be brought in, and its head was cut off. Dedi restored the animal to life again, and caused it to follow him.

His Majesty then spoke to the magician and said: "It is told that you possess the secrets of the dwelling of the god Thoth."

Dedi answered: "I do not possess them, but I know where they are concealed, and that is within a temple chamber at Heliopolis. There the plans are kept in a box, but it is no insignificant person who shall bring them to Your Majesty."

"I would fain know who will deliver them unto me," King Khufu said.

Dedi prophesied that three sons would be born to Rud-dedit, wife of the chief priest of Ra. The eldest would become chief priest at Heliopolis and would

possess the plans. He and his brothers would one day sit upon the throne and rule over all the land.

King Khufu's heart was filled with gloom and alarm when he heard the prophetic words of the great magician.

Dedi then said: "What are your thoughts, O King? Behold your son will reign after you, and then his son. But next one of these children will follow."

King Khufu was silent. Then he spoke and asked: "When shall these children be born?"

Dedi informed His Majesty, who said: "I will visit the temple of Ra at that time."

Dedi was honoured by His Majesty, and thereafterwards dwelt in the house of the Prince Hordadef. He was given daily for his portion an ox, a thousand loaves of bread, a hundred jugs of beer, and a hundred bunches of onions.

The day came when the sons of the woman Rud-dedit were to be born. Then the high priest of Ra, her husband, prayed unto the goddess Isis and her sister Nepthys; to Meskhent, goddess of birth; and to the frog goddess Hekt; and to the creator god Khnûmû, who gives the breath of life. These he entreated to have care of the three babes who were to become three kings of Egypt, one after the other.

The deities heard him. Then came the goddesses as dancing girls, who went about the land, and the god Khnûmû followed them as their burden bearer. When they reached the door of the high priest's dwelling they danced before him. He entreated them to enter, and they did according to his desire, and shut themselves in the room with the woman Rud-dedit.

Isis called the first child who was born Userkaf, and said: "Let no evil be done by him". The goddess Meskhent prophesied that he would become King ofEgypt. Khnûmû, the creator god, gave the child strength.

The second babe was named Sahura by the goddess Isis. Meskhent prophesied that he also would become a king. Khnûmû gave him his strength.

The third was called Kaka. Meskhent said: "He shall also be a king", and Khnûmû gave him strength.

Ere the dancing girls took their departure the high priest gave a measure of barley to their burden bearer, and Khnûmû carried it away upon his shoulders.

They all went upon their way, and Isis said: "Now let us work a wonder on behalf of these children, so that their father may know who hath sent us unto his house.

Royal crowns were fashioned and concealed in the measure of barley which had been given them. Then the deities caused a great storm to arise, and in the midst of it they returned to the dwelling of the high priest, and they put the barley in a cellar, and sealed it, saying they would return again and take it away.

It came to pass that after fourteen days Rud-dedit bade her servant to bring barley from the cellar so that beer might be made.

The girl said: "There is none left save the measure which was given unto the dancing girls."

"Bring that then," said Rud-dedit, "and when the dancing girls return I will give them its value."

When the servant entered the cellar she heard the low sounds of sweet music and dancing and song. She went and told her mistress of this wonder, and Rud-dedit entered the cellar, and at first could not discover whence the mysterious sounds issued forth. At length she placed her ear against the sack which contained the barley given to the dancing girls, and found that the music was within it. She at once placed the sack in achest and locked it, and then told her husband, and they rejoiced together.

Now it happened that one day Rud-dedit was angry with her servant, and smote her heavily. The girl vowed that she would be avenged and said: "Her three children will become kings. I will inform King Khufu of this matter."

So the servant went away and visited her uncle, who was her mother's eldest brother. Unto him she told all that had happened and all she knew regarding the children of her mistress.

He was angry with her and spoke, saying: "Why come to me with this secret? I cannot consent to make it known as you desire."

Then he struck the girl, who went afterwards to draw water from the Nile. On the bank a crocodile seized her, and she was devoured.

The man then went towards the dwelling of Rud-dedit and he found her mourning with her head upon her knees. He spoke, saying: "Why is your heart full of gloom?"

Rud-dedit answered him: "Because my servant girl went away to reveal my secret."

The man bowed and said: "Behold! she came unto me and told me all things. But I struck her, and she went towards the river and was seized by a crocodile."'

So was the danger averted. Nor did King Khufu ever discover the babes regarding whom Dedi had prophesied. In time they sat upon the throne of Egypt.

A folk tale regarding the king who reigned in Egypt

before Khufu was related by a priest to Herodotus, the Greek historian.

The monarch was called Rhampsinitus. He built the western portion of the temple of Ptah. He also erected two statues—one to Summer, which faced the north, and was worshipped; and the other to Winter, which faced the south, but was never honoured. The king possessed great wealth, and he caused to be constructed beside the palace a strong stone chamber in which he kept his riches. One of the builders, however, contrived to place a stone in such a manner that it could be removed from the outside.

It chanced that, after the king had deposited his treasure in the chamber, this builder was stricken with illness and knew his end was nigh. He had two sons, and he told them his secret regarding the stone, and gave them the measurements, so that they might locate it.

After the man died the sons went forth in the darkness of night, and when they found the stone they removed it. Then they entered the chamber, and carried away much treasure, and ere they departed they closed up the wall again.

The king marvelled greatly when he discovered that his riches had been plundered, for the seals of the door were unbroken, and he knew not whom to suspect. Again and again the robbers returned, and the treasure diminished greatly. At length the king caused traps to be laid in the chamber, for his guards, who kept watch at the entrances, were unable to prevent the mysterious robberies.

Soon after the brothers returned. They removed the stone, and one of them entered stealthily. He went towards the treasure, as was his custom, but was suddenly caught in a trap. In a moment he realized that escapewas impossible, and he reflected that he would be put to death on the morrow, while his brother would be seized and similarly punished. So he said to himself: "I alone will die."

When he had thus resolved to save his brother, he called to him softly in the darkness, bidding him to enter cautiously. He made known his great misfortune, and said: "I cannot escape, nor dare you tarry long lest you be discovered, When they find me here I will be recognized, and they will seize you and put you to death. Cut off my head at once, so that they may not know who I am, and thus save your own life."

With a sad heart the brother did as he was desired, and carried away the head. Ere he escaped in the darkness he replaced the stone, and no man saw him.

When morning came the king was more astounded than ever to find a headless body entrapped in the treasure chamber, for the door had not been opened, and yet two men had entered and one had escaped. He commanded that the corpse should be hung on the palace wall, and stationed guards at the place, bidding them to keep strict watch, so that they might discover if anyone came to sorrow for the dead man. But no one came nigh.

Meanwhile the mother grieved in secret. Her heart was filled with anger because the body was exposed in such a manner, and she threatened to inform the king regarding all that had happened if her other son would not contrive to carry away the corpse. The young man attempted to dissuade her, but she only repeated her threat, and that firmly. He therefore made preparations to obtain possession of the corpse.

He hired several asses, and on their backs he put many skins of wine. In the evening he drove them towards the palace. When he drew near to the guardswho kept watch over his brother's body he removed the stoppers of some of the skins. The wine ran forth upon the highway, and he began to lament aloud, and beat his head as if he were in sore distress. The soldiers ran towards the asses and seized them, and caught the wine in vessels, claiming it for themselves. At first the brother pretended to be angry, and abused the men; but when they had pacified him, as they thought, he spoke to them pleasantly and began to make secure the stoppers of all the skins.

In a short time he was chatting with the guards, and pretended to be much amused when they bantered him over the accident. Then he invited them to drink, and they filled their flasks readily. So they began, and the young man poured out wine until they were all made very drunk. When they fell asleep, the cunning fellow took down his brother's body, and laid it upon the back of one of the asses. Ere he went away he shaved the right cheeks of the soldiers. His mother welcomed him on his return in the darkness and was well pleased.

The king was very angry when he discovered how the robber had tricked the guards, but he was still determined to have him taken. He sent forth his daughter in disguise, and she waited for the criminal. She spoke to several men, and at length she found him, because he came to know that he was sought and desired to deal cunningly with her. So he addressed her, and she offered to be his bride if he would tell her the most artful thing and also the most wicked thing he had ever done.

He answered readily: "The most wicked thing I ever did was to cut off my brother's head when he was caught in a trap in the royal treasure chamber, and the most artful was to deceive the king's guards and carry away the body."The princess tried to seize him, but he thrust forth his brother's arm, which he carried under his robe, and when she clutched it he made speedy escape.

Great was then the astonishment of the king at the cunning and daring of the robber. He caused a proclamation to be made, offering him a free pardon and a generous reward if he would appear at the palace before him. The man went readily, and His Majesty was so delighted with his speeches and great ingenuity that he gave him his daughter in marriage. There is no more artful people than the Egyptians, but this man had not his equal in the land.

It was told that this same king journeyed to the land of Death, where he played dice with the goddess Isis and now won and now lost. She gave to him a napkin embroidered with gold, and on his return a great festival was held, and it was repeated every year thereafter. On such occasions it was customary to blindfold a priest and lead him to the temple of Isis, where he was left alone. It was believed that two wolves met him and conducted him back to the spot where he was found. The Egyptians esteemed Isis and Osiris as the greatest deities of the underworld.

CHAPTER XII. Triumph of the Sun God

Rival Cults—Ptah as a Giant—His Mountain "Seat—Paradise of Osiris—Paradise of Sun Worshippers—Ideas of Hades—The Devil Serpent—The Great Worm of the Bible—The Nine Gods of Heliopolis—Stone and Sun Worship—The Horus Cult—Various Conceptions of the God—Union with other Deities—Legend of the Winged Disk—Ra's Enemies slain—Set as the "Roaring Serpent"——Sun Worshippers as Kings—Ptah Worshippers as Grand Viziers—Unas the Eater of Gods—The Egyptian Orion.

THE rise of the sun god had both theological and political significance. Ra was elevated as the Great Father of a group of cosmic and human deities, and his high priest, who was evidently of royal descent, sat upon the throne of united Egypt. The folk tale about the prophecy of Dedi and the birth of three children who were to become kings appears to have been invented in later times to give divine origin to the revolution which abruptly terminated the succession of Khufu's descendants.

An interesting contrast is afforded by the two great rival religions of this period of transition. While the theology of Heliopolis was based upon sun worship, that of Memphis was based upon earth worship. Ptah, the creation elf of the latter city, had been united with Tanen (or Tatûnen), the earth giant, who resembles Seb. The dwarfish deity then assumed gigantic proportions, and became a "world god" or Great Father. A hymn addressed to Ptah Tanen declares that his head is in

the heavens while his feet are on the earth or in Duat, the underworld. "The wind", declared the priestly poet, "issues from thy nostrils and the waters from thy mouth. Upon thy back grows the grain. The sun and the moon are thine eyes. When thou dost sleep it is dark, and when thou dost open thine eyes it is bright again."

Ptah Tanen was lauded as "a perfect god" who came forth "perfect in all his parts". At the beginning he was all alone. He built up his body and shaped his limbs ere the sky was fashioned and the world was set in order, and ere the waters issued forth. Unlike Ra, he did not rise from the primordial deep. "Thou didst discover thyself", sang the Memphite poet, "in the circumstance of one who made for himself a seat and shaped the Two Lands" (Upper and Lower Egypt). The suggestion is that, therefore, of a mountain giant with his 'seat' or 'chair' upon some lofty peak, an idea which only a hill folk could have imported.

"No father begot thee and no mother gave thee birth," the poet declared; "thou didst fashion thyself without the aid of any other being."

The further union of Ptah with Osiris is reflected in the conception of a material Paradise) where the souls of the dead were employed in much the same manner as the workers in Egypt. Ethical beliefs pervaded this religious system, as we have seen; men were judged after death; their future happiness was the reward of right conduct and good living. Thus we find men declaring in tomb inscriptions:

"I have constructed this tomb by honest means. I have never stolen from another . . . . I have never seized by force what belonged to another . . . . I was never scourged before an official (for law breaking) since I was born. My conduct was admired by all men. . . . Igave food to those who hungered, and those who were destitute I did clothe. . . . No man ever cried out to the god complaining against me as an oppressor."

Men died believing that Osiris would justify their actions. "I shall live like Osiris. He perished not when he died, neither shall I perish when I die."

These professions continued to be recorded after the rise of the sun god. The new religion was embraced mainly by the royal and aristocratic families and the Asiatic element in the population. It was infused by magical rather than ethical beliefs; a man's future happiness depended wholly on his knowledge of magical formulae and his devotion to religious rites.

The Paradise of the sun worshippers was of more spiritual character than that believed in by the cult of Ptah-Osiris. Their great hope was to find a place in the sun bark of Ra. The chosen among the dead became shining spirits, who accompanied their god on his safe journey through the perils of darkness, and they partook of his celestial food and shared his celestial drink; they became one with Ra, and yet did not suffer loss of identity.

It was taught by the priests of Heliopolis that after death the souls of mankind travelled towards the west and entered the first hour-division of the dark underworld Duat. There, in Amenti, "the hidden region", they awaited the coming of the bark of Ra. Those who could repeat the necessary magical "passwords" were permitted to enter, and they journeyed onward in the brightness diffused by the god until they reached the eastern horizon at dawn. Then they ascended the heavens and passed through happy fields. They could even visit old friends and old haunts upon earth, but they had to return to the sun bark in the evening, because evil spirits would devourthem in the darkness. So they sailed each night through the underworld. They lived in eternal light.

Less fortunate souls resided in the various hour-divisions of Duat. Some were left in the first; others were allowed to enter the sun bark until they reached the particular divisions to which the power of their magical formulæ extended. These remained in darkness, faintly lit up by the fire which serpents spat out and the flames of the torture pools, except for one of the four-and-twenty hours, when the sun bark appeared. Then they enjoyed the blessings of sunlight and the special benefits conferred by Ra. Assembling on the river banks they adored the passing deity, and when he departed their voices were raised in lamentation. They enjoyed the privilege of having food supplied without labour.

The supernatural enemies of Ra were slain nightly by spears, which were sun rays, and knives, which were flames of fire, as well as by powerful magic spells. When the god passed on, all the demons came to life again. Ra's human enemies were those apparently who had not worshipped him upon earth. Such were consigned to torture in lakes of everlasting fire. Later Egyptian beliefs retained the memory of this ancient conception. The Copts peopled hell with demons who had the heads of serpents, crocodiles, lions, and even bears. After death these "avengers" seized the doomed man and wrenched the soul from the body with much violence. Then they stabbed and hacked it with knives, and thrust goads into its sides, and carried it to a river of fire and plunged it in. Afterwards the tortured soul was cast into outer darkness, where it gnashed its teeth in the bitter cold. It might also be consigned to a place of horror which swarmed with poisonous reptiles. But although it could be wounded and hacked to pieces it did not perish. Intime the soul passed to the first hour-division of Duat. Egypt swarmed with serpents in early times, and they were greatly dreaded by the people. Even Ra feared them. He was bitten by the serpent which Isis created, and when he left the earth and ascended to heaven, after reigning over men, he spoke of them as his enemies, and provided magical spells so that they might be overcome. Serpent charmers have not yet disappeared in the land of Egypt. They had great repute in ancient days. Symbolic reference is made to their powers in the Bible. "Their poison", declared the Psalmist, "is like the poison of a serpent; they are like the deaf adder that stopped her ear, which will not hearken to the voice of charmers" (Psalm lviii, 4-5). In Jeremiah, viii, 17, we read: "I will send serpents, cockatrices, among you which will not be charmed, and they shall bite you"; and in Ecclesiastes, xii: "Surely the serpent will bite without enchantment". Those who have watched the genuine serpent charmers at work in Egypt have testified to the efficacy of their wonderful powers.

In ancient Egypt serpents were believed, especially by the sun worshippers, to be incarnations of evil spirits. Darkness, the enemy of light, was symbolized as the Apep serpent, which is also referred to as the Great Worm. It rose up each night in the realms of Duat to destroy the sun bark and devour Ra. Occasionally it issued forth in daylight, and appeared in darkening thunder clouds, when a dread battle was waged and lightning spears were hurled against it. At dreaded eclipse it seemed to achieve temporary triumph. In this respect the Apep serpent resembled the Chinese dragon.

When Ra was in peril the priests chanted powerful spells to assist him, and the people assembled and shouted together to scare away the monster of darkness and evil. The ordinary ritual of the sun worshippers provided magical formulæ which were recited to render service to the god at regular intervals. Written spells were also considered to be efficacious, and these were inscribed with green ink upon new papyrus, which was burned. Belief in sympathetic magic is reflected in the ceremony of making and destroying a green wax figure of the great serpent. At midnight, when Ra began his return journey, and the power of evil was strongest, the wax figure was placed in a fire and spat upon. As it melted, the pious worshippers of the sun god believed that the Apep serpent suffered loss of power. The ashes of the figure and of the papyrus were afterwards mixed with filth and committed to the flames a second time. It was also customary to make wax models of the serpent fiends which assisted Apep, and they were given the heads of black and white cats crocodiles, and ducks. Stone knives were stuck in their backs, and they were thrown in the dust and kicked with the left foot.

Symbolic references are also made in the Bible to the great Egyptian serpent. In Isaiah, lxvi, 24, we read: "Their worm shall not die, neither shall their fire be quenched, and they shall be an abhorring to all flesh"; and also: "The worm shall eat them like wool" (li, 8). In Coptic literature the Apep serpent is a monster which lies in outer darkness encircling the world and clutching its tail between its jaws, like the Midgard serpent of

Norse mythology. From its mouth issues forth "All ice, dust, cold, disease, and sickness" (Pistis Sophia).

The idea that the sun was an incarnation of the Creator was imported from Asia, but the conception of Duat, with its lakes of fire, is of Egyptian origin. In the Babylonian Hades, to which Istar descended, eternal darkness prevailed, and doomed souls partook of filthy food and drank unclean waters; they were not tortured by flames, but by pestilent odours and by diseases.'

Ra theology developed upon Egyptian lines, and was fused with pre-existing local beliefs. The sun bark, which was called "Bark of Millions of Years", sailed upon an underworld Nile by night and a celestial Nile by day, and the seasonal changes of its course over the heavens were accounted for by the celestial inundation. Ra occupied the Maadit bark in the forenoon, and the Sekti bark in the afternoon. The change was effected at noon, when special magical formulæ were chanted.

As the theology of the sun worshippers developed at Heliopolis, other gods, which were imported or had their origin in Egypt, were included in the divine family. The number three and its multiple had evidently magical significance. Ra, Khepera, and Tum formed the sun triad. The sun god and his children and descendants: Nut, the heavens, Shu, the air, Seb, the earth, with the lioness-headed Tefnut, "the spitter", Osiris, the deified king and corn spirit, Isis, the Delta "Great Mother",

and her sister Nepthys, and the Semitic Set, formed the Ennead of Heliopolis. The group of Nine Gods varied at different periods. In one Horus displaces Set, and in another Osiris is absent and his place is occupied by Khepera, the beetle god. The inclusion of Horus probably marks the union of the Horite creed with that of Ra. Attempts were frequently made by kings and priests to absorb the Osiran cult at Heliopolis, but they were never successful. A compromise was evidently effected in time, for in Duat a "division" was allocated to Osiris, and there he judged his followers. Ultimately the two ideas of Paradise were confused rather than fused, and in the end the earlier faith achieved the victory after centuries of repression. We have already noted that Ptah was rigidly excluded from the Ennead of the sun worshippers.

Archaic religious beliefs also received recognition at Heliopolis. The priests of the sun were evidently prepared to recognize any god so long as Ra was acknowledged as the Great Father. They not only tolerated but perpetuated the worship of trees and wells, and of stones and sacred mounds. Reverence is still shown for the well in which Ra was wont to wash his face daily, and it is called by the Arabs "the spring of the sun". A sycamore near it is also regarded with veneration. Sacrifices were offered up on a holy sand mound, and the custom prevailed at funeral services in tombs of setting up the mummy case in erect position on a heap of sand. One of the spirits of the sun god was believed to inhabit a great block of stone. Indeed On, the Egyptian name of the sacred "city of the sun", signifies "stone pillar". In the Fifth Dynasty the Ra kings erected

roofless temples in which there towered great broad obelisks surmounting mastaba-like square platforms. One of these stone idols at Abusir measured 138 feet at the base, and was 111 feet high. Outside the temple was a brick sun bark over 90 feet in length.

This form of temple was discontinued after the Sixth Dynasty, when the political power of the Ra priests was undermined. The tradition of stone worship survived, however, in the custom of erecting in front of temples those shapely obelisks similar to the familiar "Cleopatra's needle" on the Thames Embankment. One still remains erect at Matarieh (Heliopolis) to mark the site of a vanished temple. It bears the name of King Senusert I of the Twelfth Dynasty.

The religion of the Horite sun worshippers, which was introduced by the Dynastic Egyptians who pressed northwards and conquered the whole land, appears to have differed from that of the Ra cult. It is not possible now to distinguish the original form of the tribal god, or to discover what particular religious rites were associated with him. There are several forms of Horus. The most familiar is the hawk, which symbolized the spirit of the sun. It protected the early kings, who were "the priests or descendants of Horus"—a royal title which continued ever afterwards in use. Like the Ra cult, the cult of Horus absorbed Egyptian beliefs, and the conception of the hawk god varied accordingly in different districts.

The two outstanding Horuses arc the elder and the younger—the Horus who was the brother of Osiris an-d the Horus child who was the son of Osiris and Isis.

Horus of Letopolis, near Memphis, was a hawk-headed man and the son of Hathor, the sky goddess. In Upper Egypt he was similarly represented, or simplyas a hawk. At Edfu in particular he has the attributes of a sky god, and at Shedenu, a city in Lower Egypt, he was "Horus of the Two Eyes", the sun being one and the moon another, thus resembling the conception of Ptah Tanen. He was also Harmachis, "Horus of the Two Horizons", and in this character became one of the chief forms of Ra. As the "golden Horus" he was a dawn god, and in this character received the dead in the Judgment Hall of Osiris. The planet Saturn was "Horus the Bull", Mars was "Red Horus", and Jupiter "Horus, revealer of secrets". At Letopolis a temple was erected to "Horus of Not Seeing". In this form he is supposed to have represented the sun at solar eclipse, but he may have simply represented the firmament at night. It is possible that Hathor, as the chaos cow, was originally the Great Mother; and that the sky, sun, moon, and stars were the various forms assumed by her son Horus, or her various Horus sons.

When the child Horus became the son of Isis there may have been simply a change of mother. Isis and Hathor are similar conceptions, indeed the deities were ultimately confused. Both also resemble Nut as Great Mothers, but Nut represented Mother Heaven and Isis Mother Earth, while Hathor was the World Cow, representing fertility in that form. Nut was also represented as a cat. In her human form she gave birth to the sun daily, and the moon every month, and in another conception the sun and moon were her eyes. Ere Ra became the "Great Father" he was born of Nut.

The tribal aspect of the Osiris, Isis, and Horus myth is dealt with in a previous chapter. There is abundant evidence in Egyptian mythology that the union of deities signified the union of the tribes which worshipped them. The multiplicity of deities was due to the fact that anoriginal conception remained in its old tribal form, and was perpetuated alongside the new conception. Two gods might be fused into one, but Egypt retained not only the new deity, but the two old deities as well, and thus instead of one god we have three. We need not be surprised, therefore, to find more than one Horus. The name alone may survive in some cases, for the process of blending varied in districts and at various periods. Egyptian religion is made up of many forms of faith.

Horus was united with Ra as Harmachis, and the sun god of Heliopolis became Ra Harmachis. The hawk god was thus symbolized as the winged sun disk. The legend which was invented to account for the change may here be summarized.

When Ra reigned as king over Egypt he sailed up the Nile towards Nubia, because his enemies were plotting against him. At Edfu Horus entered the bark of the great god and hailed him as father. Ra greeted the hawk god and entreated him to slay the rebels of Nubia. Then Horus flew up to the sun as a great winged disk, and he was afterwards called "the great god, the lord of the sky". He perceived the enemies of Ra, and went against them as a winged disk. Their eyes were blinded by his brightness, and their ears were made deaf, and in the confusion they slew one another. Not a single conspirator remained alive.

Horus returned to the bark of Ra, and from that day he became Horus, god of Edfu, in the form of a winged sun disk. Ka embraced him and said: "Thou hast made the water wine-red with blood, and my heart is glad."

Ra afterwards visited the battlefield, and, when he saw the dead bodies of his foes, he said: "Life is pleasant." The name of the place thus became Horbehûdti, which means "Pleasant Life".The slain men were covered by water (at inundation) and became crocodiles and hippopotami. Then they attacked Horus as he sailed past; but his servants slew them with iron lances. Thoth rejoiced with glad heart when he beheld the enemies of Ra lying dead.

The legend continues in this strain, and relates that Horus pursued the enemies of the god Ra downstream. Apparently Egypt was full of them. We then learn that they were the followers of Set, who was driven towards the frontier. He was afterwards taken prisoner, and with manacled hands and a spear stuck in his neck he was brought before Ra. Then we find that there are two Horuses. The elder Horus is commanded by the sun god to deliver Set to Horus, son of Isis. The younger Horus cuts off the head of Set, and the slayer of Osiris becomes a roaring serpent which seeks refuge in a hole and is commanded to remain there.

Osiris is not mentioned in the legend, and Ra refers to the younger Horus as his own son. Apparently the theorists of Heliopolis desired Ra to supplant Osiris. Place names are played upon so that their origin may be ascribed to something said by the sun god, and grammatical construction is occasionally ignored with this end in view.

Horus worship never became popular in Egypt. It was absorbed by the various cults, so that, as we have indicated, its original form is confused. The religion of the sun cult at Heliopolis, which was imported by the Asiatic settlers, was the religion which received prominence at the beginning of the Fifth Dynasty. A new title was given to the Pharaoh. He became the "Son of the Sun" as well as "Priest of Horus", "Priest of Set", "lord of the north and south", &c.

The rise of the sun god involved far-reaching politicalissues. Although the high priest of Ra sat upon the throne, he did not become a tyrannical dictator like a Fourth-Dynasty king. A compromise had to be effected with the powerful faction at Memphis, and the high priest of Ptah became the vizier, a post previously held by the Pharaoh's chosen successor. Nome governors were also given extended powers as administrators, as a reward probably for the share they had taken in the revolution, or at any rate to conciliate them and secure their allegiance. This decentralizing process weakened the ruling power, but Egypt appears to have prospered as a whole, and the peaceful conditions which prevailed imparted activity to its intellectual life, as we shall see. Small and roughly constructed pyramid tombs were erected by the monarchs, who could no longer command an unlimited supply of labour.

The Fifth Dynasty lasted for about a century and a quarter. It began with Userkaf, the first babe mentioned in the Dedi folk tale, and he was succeeded in turn by the other two, who were not, however, his brothers. The ninth and last king of the Dynasty was Unas. In the so-called "Pyramid Texts", in his own tomb and that of Teta, the first king of the Sixth Dynasty, the monarch was deified as a star god, and has been identified with the constellation of Orion. The conception is a remarkable one. It smacks of absolute savagery, and we seem to be confronted with a symbolic revival of pre-Dynastic cannibalistic rites which are suggested, according to Maspero, by the gnawed and disconnected bones found in certain early graves. At the original Sed festival the tribal king, as Professor Petrie suggests, appears to have been sacrificed and devoured, so that his people might derive from his flesh and blood the power and virtues which made him great. Thepractice was based on belief in contagious magic. Bulls and boars were eaten to give men strength and courage, deer to give fleetness of foot, and serpents to give cunning. The blood of wounded warriors was drunk so that their skill and bravery might be imparted to the drinkers. King Unas similarly feasts after death on "the spirits" known at Heliopolis as "the fathers and the mothers", and on the bodies of men and gods. He swallows their spirits, souls, and names, which are contained in their hearts, livers, and entrails, and consequently becomes great and all-powerful. The resemblance to the man-eating giants of Europe is very striking.

The rendering which follows of the remarkable Unas hymn is fairly close. It is cast in metrical form with endeavour to reproduce the spirit of the original.

ORION IN EGYPT

Now heaven rains, and trembles every star
With terror; bowmen scamper to escape;
And quakes old Aker, lion of the earth,
While all his worshippers betake to flight,
For Unas rises and in heaven appears
Like to a god who lived upon his sires
And on his mothers fed.

Unas the lord
Of wisdom is; the secret of his Name
Not e'en his mother knows. . . . His rank is high
In heaven above; his power is like to Tum's,
His sire divine. . . . Greater than Tum is he.

His shadowy doubles follow him behind
As he comes forth. The uræus on his brow
Uprears; the royal serpent guides him on;
He sees his Ba a flame of living fire.

The strength of Unas shields him. . . He is now
The Bull of Heaven, doing as he wills,
Feeding on what gives life unto the gods—
Their food he eats who would their bellies fill
With words of power from the pools of flame.

Against the spirits shielded by his might,
Unas arises now to take his meal—
Men he devours; he feasts upon the gods
This lord who reckons offerings: he who makes
Each one to bow his forehead, bending low.

Amkenhuu is snarer; Herthertu
Hath bound them well; and Khonsu killer is
Who cuts the throats and tears the entrails out—
'Twas he whom Unas sent to drive them in . . .
Divided by Shesemu, now behold
The portions cooking in the fiery pots.

Unas is feasting on their secret Names;
Unas devours their spirits and their souls—
At morn he eats the largest, and at eve
The ones of middle girth, the small at night:
Old bodies are the faggots for his fire.

Lo! mighty Unas makes the flames to leap
With thighs of agèd ones, and into pots
Are legs of women flung that he may feast.

Unas, the Power, is the Power of Powers!
Unas, the mighty god, is god of gods!
Voraciously he feeds on what he finds,
And he is given protection more assured
Than all the mummies 'neath the western sky.

Unas is now the eldest over all—
Thousands he ate and hundreds he did burn;
He rules o'er Paradise. . . .Among the gods
His soul is rising up in highest heaven—
The Crown is he as the horizon lord.

He reckoned livers as he reckoned knots;
The hearts of gods he ate and they are his;
He swallowed up the White Crown and the Red,
And fat of entrails gulped; the secret Names
Are in his belly and he prospers well—
Lo! he devoured the mind of every god,
And so shall live for ever and endure
Eternally, to do as he desires.

The souls of gods are now in his great soul;
Their spirits in his spirit; he obtains
Food in abundance greater than the gods—
His fire has seized their bones, and lo! their souls
Are Unas's; their shades are with their forms.

Unas ascends. . . . Unas ascends with these—
Unas is hidden, is hidden . . . . An One
For him hath ploughed . . . . The seat of every heart Is
Unas's among all living men.

CHAPTER XIII. Fall of the Old Kingdom

Nobles become Little Pharaohs—The Growth of Culture—Temple Building—Maxims of Ptah—hotep—Homely Superstitions—Charms to protect Children—Fear of the Evil Eye—Set and Red—haired Babes—Gruesome Ghosts—Feudal Lords assert Themselves—A Strong Monarch—Military Expeditions—The Promotion of Uni—Coming of the Deng—A Queen's Vengeance—Revolt of Feudal Lords—Pyramids raided.

DURING the Fifth Dynasty the power of the nobles gradually increased until they became little Pharaohs in their own provinces. Even at the Court they could make their influence felt, and when they set out on expeditions their successes received personal acknowledgment and were not recorded to the credit of an overshadowing monarch. They recognized the official religion, but fostered the local religious cult, and in their tombs related the stories of their own lives, boasting of their achievements and asserting the ethical principles which justified them before Osiris. The age thus became articulate. Education was spreading, and the accumulation of wealth promoted culture. The historic spirit had birth, and the scribes began to record the events of the past and compile lists of kings. Among the tomb pictures of everyday life were inscribed fragments of folksong, and it is evident that music was cultivated, for we find groups of harpers and flautists and singers.

The religious energies of the Pharaohs were devotedmore to the building of temples than to the erection of tombs. Ra worship introduced elaborate ceremonials, and large numbers of priests were engaged at Heliopolis. At a later period we learn that over 12,000 persons were directly connected with the temples there. The Pharaohs continued to reside in the vicinity of Memphis, and the Court was maintained with great splendour; their tombs were erected at Abusir, farther south than those of the Khufu line of kings.

No wars of any consequence occurred during the Fifth Dynasty, but exploring expeditions were fitted out, and in the time of Sahura, the second monarch, the coast of Somaliland, which was called Punt, was visited, and there were large imports of gum and resins for incense in the temples, and of wood and precious metals.

The quarries in Sinai continued to be worked, and the name of Isôsi, the eighth monarch, is associated with the working of black granite at Wadi Hammamat. We know little or nothing regarding the personalities of the kings. They appear to have reigned with discretion and ability, for the age was one of political progress and extending culture.

In the reign of King Dedka Ra Isôsi—to give him his full name—that famous collection of maxims, "The Instruction of Ptah-hotep", was compiled. This production survives in the Prisse Papyrus, which was called after the French archæologist who purchased it from a native in 1847. The author was Isôsi's grand vizier, and he was evidently of Memphite birth and a Ptah worshipper, for his name signifies "Ptah is well pleased". He lived over a thousand years before Hammurabi, the wise king of Babylon, and long ages ere Solomon collected his Proverbs at Jerusalem.

The maxims of Ptah-hotep were for centuries copiedby boys in the schools of ancient Egypt. In their papyrus "copybooks" they were wont to inscribe the following phrases:—

It is excellent for a son to obey his father.
He that obeys shall become one who is obeyed.
Carelessness to-day becomes disobedience to-morrow.
He that is greedy for pleasure will have an empty stomach.
A loose tongue causes strife.
He that rouses strife will inherit sorrow.
Good deeds are remembered after death.

The maxims afford us interesting glimpses of the life and culture of the times. Old Ptah-hotep is full of worldly wisdom, and his motto is: "Do your duty and you will be happy". He advises his son to acquire knowledge and to practise the virtues of right conduct and right living. His precepts are such as we would expect to find among a people who conceived of an Osirian Judgment Hall in the next world.

The "Instruction" is dedicated to King Isôsi. The vizier feels the burden of years, and laments his fate. He opens in this manner:

O King, my lord, I draw nigh to life's end,
To me the frailties of life have come
And second childhood. . . . Ah! the old lie down
Each day in suffering; the vision fails,
Ears become deaf and strength declines apace,
The mind is ill at case. . . . An old man's tongue
Has naught to say because his thoughts have fled,
And he forgets the day that has gone past. . . .
Meanwhile his body aches in every bone;
The sweet seems bitter, for all taste is lost—
Ah! such are the afflictions of old age,
Which work for evil. . . . Fitful and weak
His breath becomes, standing or lying down.

Ptah-hotep then proceeds to petition the king to be released of his duties, so that his son may succeed him. He desires to address to the young man the words of wisdom uttered by sages of old who listened when the gods spake to them.

His Majesty at once gives his consent, and expresses the hope that Ptah-hotep's son will hearken with understanding and become an example to princes. "Speak to him", adds the king, "without making him feel weary."

The "Instruction" is fairly long—over 4000 words—so that it was necessary to have it copied out. We select a few of the most representative maxims.

Do not be vain although you are well educated; speak to an illiterate man as you would to a wise one. After all, there is a limit to cleverness; no worker is perfect. Courteous speech is more uncommon than the emeralds which girl slaves find among the stones.

If you speak with an argumentative man who really knows more than you do yourself, listen respectfully to him, and do not lose your temper if he differs from you.

If, however, an argumentative man knows less than you do, correct him and show him that you are the wiser of the two; others will approve of you and give you an excellent reputation.

If a man of low rank argues without knowledge, be silent. Do not speak angrily to him. It is not very creditable to put such an one to shame.

When you become a leader, be courteous and see that your conduct is exemplary. . . . Do not tyrannize over men. . . . It is he who gives to those who are in need that prospers; not the man who makes others afraid. . . . Listen graciously to one who appeals to you. Let him speak frankly, and be ever ready to put an end to a grievance. If a man is not inclined to tell everything he knows, it is because he to whom he speaks has the reputation of not dealing fairly. A mind that is well controlled is always ready to consider. . . . See that your employees are adequately rewarded, as is proper on the part of one to whom the god has

given much. It is well known that it is no easy thing to satisfy employees. One says to-day: "He is generous; I may get much", and to-morrow: "He is a mean, exacting man". There is never peace in a town where workers arc in miserable circumstances.

That man is never happy who is always engaged reckoning his accounts, but the man whose chief concern is to amuse himself does not provide for his household. . . . If you become rich after having been poor, do not bind your heart with your wealth; because you are the administrator of what the god has given you. Remember that you are not the last, and that others will become as great as you. . . . Enjoy your life, and do not occupy the entire day at your work. Wealth is no use to a worn-out man.

Love your wife; feed her and clothe her well; make her happy; do not deal sternly with her; kindness makes her more obedient than harshness; if she yearns for something which pleasures her eye, see that she gets it. . . . Do not be jealous, or despondent, or cross if you have no children. Remember that a father has his own sorrows, and that a mother has more troubles than a childless woman. . . . How beautiful is the obedience of a faithful son. The god loves obedience; he hates disobedience. A father rejoices in a son's obedience and honours him. A son who hearkens to counsel guards his tongue and conducts himself well. A disobedient son is foolish and never prospers. He blunders continually. . . . In the end he is avoided because he is a failure. . . . A father should teach wisdom to his sons and daughters, so that they may be of good repute. When others find them faithful and just, they will say: "That father has trained them well". . . . A good son is a treasure given by the god.

Ptah-hotep reminds his son that when he goes to dine with a great man he should take what is given to him. A nobleman gives the daintiest portions to those he likes best. He must not keep staring at his host, or speak until he is spoken to; then he should answer readily. . . . When he is sent with a message from one nobleman to another he should take care not to say anything which will cause strife between them. He should not repeat what a nobleman said when in a temper"Let your heart be more generous than your speech," advises Ptah-hotep as he draws his "Instruction" to a close. He hopes that his son will prosper as well as he himself has prospered, and that he will satisfy the king by his actions. "I have lived", he adds, "for a hundred and ten years, and have received more honours from His Majesty than did any of my ancestors, because I have been just and honourable all through life."

Such was the ethical. but there was also a superstitious element in Egyptian domestic life. The people believed that the world swarmed with spirits which were continually desiring to inflict injuries upon living beings, and were abroad by day as well as by night. An amulet on which was depicted a human hand was considered to be efficacious, and the Egyptian mother suspended it from a cord which was put round the baby's neck. She tied a knot in the morning and another in the evening until there were seven knots in all. On each occasion she repeated a formula over a knot, which was to the following effect: "Isis has twisted the cord; Nepthys has smoothed it; and it will guard you, my bonnie bairn, and you will become strong and prosper. The gods and the goddesses will be good to you, and the evil ones will be thwarted, the mouths of those who utter spells against you will be closed. . . . I know all their names, and may those, whose names I know not, suffer also, and that quickly."

Erman, the German Egyptologist, has translated an interesting papyrus by an unknown scribe, which contains the formulæ used to protect children. Some children were more liable to be attacked by evil spirits than

others. In Europe pretty children require special protection against the evil eye. Red-haired youngsters were disliked because the wicked god Set was red-haired) and was likely to carry them away. Their mothers, therefore, had to exercise special care with them, and there was a particular charm for their use. In Russia red-haired people are believed to have more knowledge of magic than others, and are disliked on that account.

The Egyptian ghosts, the enemies of the living, like the archaic deities, were of repulsive aspect. They came from tombs in mummy bandages with cheeks of decaying flesh, flat noses, and eyes of horror, and entered a room with averted faces, which were suddenly turned on children, who at once died of fright. They killed sleeping babies by sucking their breath when they kissed, or rather smelled, them, and if children were found crying they rocked them to sleep—the sleep of death.

When an infant was being hushed to sleep the Egyptian mother sang a ditty to scare away the ghosts of dead men, and then made a protecting charm with lettuce, garlic, tow, bones, and honey. The following is a rendering of one of the old "sleepy songs":—

Oh, avaunt! ye ghosts of night,
Nor do my baby harm;
Ye may come with steps so light,
But I'll thwart you with my charm.

For my babe you must not kiss,
Nor rock if she should cry—
Oh! if you did aught amiss,
My own, my dear, would die.

O ye dead men, come not near—
Now I have made the charm—
There's lettuce to prick you here,
Garlic with smell to harm;

There 's tow to bind like a spell,
The magic bones are spread;
There's honey the living love well—
'T is poison to the dead.

According to tradition, the Sixth-Dynasty kings were not descendants of Mena. Teta, the first king, may have come to the throne as a result of a harem conspiracy. He was a Ra worshipper, and probably a powerful nobleman, supported by a well-organized military force, which held the balance of power. The kingdom was in a state of political unrest. In every nome the hereditary chieftains clamoured for concessions from the royal house, and occasionally their requests were couched in the form of demands. Pepi 1, the third king of the line, who was a strong monarch, appears to have secured the stability of the throne by promoting a policy of military aggression which kept the ambitious nobles fully engaged on the northern and southern frontiers. Nubia was invaded with success, and expeditions visited the land of Punt.

The Egyptians had imagined that the edge of the world was somewhere a little beyond the first cataract, and that the intervening space was peopled by demigods, called "Manes". Now the horizon was considerably widened. The heavenly Nile was believed to descend in a cascade much farther south than had hitherto been supposed, and the region of mystery was located beyond the area occupied by the too-human and ever-aggressive Nubians.

Pepi selected capable officials of proved loyalty to holdthe noblemen in check and secure the equitable distribution of water throughout the kingdom. These were liberally rewarded, and were privileged to erect elaborate tombs, like the nome governors, and in these they had their biographies inscribed.

On an Abydos tomb wall we have recorded the achievements of Uni, who rose from humble official rank to be Pharaoh's intimate confidant and counsellor. He was, he says, Pepi's "guardian of heart", and he "knew everything that happened and every secret affair". Although he was only "superintendent of irrigated lands", he exercised more influence over the kingdom than any other dignitary. Royal journeys were arranged by him and at Court ceremonies he marshalled the nobles, which was, no doubt, a delicate task. The perils which continually beset the throne are indicated in his reference to a harem conspiracy. "When one visited the palace to give secret information against the great royal wife Ametsi, His Majesty selected me to enter the harem to listen to business. No scribe was called, nor any other except me alone. I was selected because of my probity and discretion. I recorded everything."

He was only, he repeats, "superintendent of irrigated lands". It was the first occasion on which a man of his rank had listened to harem secrets. Uni tells us no more. We do not even know what fate befell the plotting queen.

When military campaigns were carried out, Uni was placed in command of the army. He tells that there were generals in it, mamelouks from Lower Egypt, friends of the king, and princes from the north and south, besides a host of officials of high rank. But they had all to obey the man who was only the superintendent of irrigated lands. Evidently the commissariat arrangements were ofa simple character. Each man carried his own supply of bread. The inhabitants of the towns they passed through had to supply the soldiers with beer and "small animals".

Several campaigns were successfully conducted by Uni, and on each occasion large numbers of the enemy were slain, while "fig trees were cut down and houses burned". So firmly was peace established in the south that Merenra, the next monarch, was able to visit the first cataract, where he received the homage of the nobles.

After Uni's death, the chief of a warlike tribe at Elephantine, who was a veritable Rob Roy, came into royal favour. He made several raids into Nubia, and brought back ivory and ebony and gold. On one occasion he returned with a pygmy or "Deng". It was a great triumph, for "Dengs" belonged to the land of the "Manes" (demigods), and were able to charm even the sulky ferryman who transported the dead over the river of Hades. King Merenra had just died, and his successor, Pepi II, a young man, was greatly excited over the coming of the "Deng". Orders were sent to guard the pygmy carefully; and those who slept beside him in the boat were changed ten times each night. The little fellow was welcomed like royalty at Memphis, and he delighted the Pharaoh with his strange antics, boisterous manners, and war dances. It was the desire of everyone who watched him to be transformed into a "Deng" after death, so that the ferryman of Hades might come to the bank at once to transport the waiting soul to the other side.

These military expeditions taught the Nubians to respect the power of Egypt, and they subsequently became subjects of the Pharaohs.The Sixth Dynasty, however, was doomed. Conspiring nobles regarded one another with suspicion, and cast ambitious eyes upon the throne. Local religious cults also gathered strength, and the political influence exercised by the priests of Heliopolis suffered decline. For about three centuries Ra had remained supreme; now his power was being suppressed. Serious revolts occurred. Merenra II—the successor of Pepi II, who is credited with a reign of over ninety years—was deposed twelve months after he ascended the throne. According to Herodotus, who is supported in this connection by Manetho, his queen immediately seized the reins of power. The Egyptian priests informed the Greek historian that Merenra was murdered, and that the queen Nitocris avenged his death in the following manner. She caused a large subterranean hall to be made for the purpose of celebrating festivals, as she pretended, and invited a number of noblemen to visit it. As the conspirators sat feasting, the waters of the Nile flooded the artificial cave through a secretly constructed canal, and the guests were all drowned. Great indignation was aroused throughout the kingdom, and the queen committed suicide by suffocation in an apartment filled with the fumes of burning wood. The story appears to be more mythical than historical.

At the close of the Sixth Dynasty the kingdom was plunged in anarchy. The nobles attempted to establish a government in which they were to hold power in rotation. It was impossible for such an arrangement to succeed, because the interests of each feudal lord were centred in his own particular nome. The Seventh Dynasty was brief. According to tradition there were "seventy kings in seventy days". Egypt was then divided into a number of small separated states, which were administratedby the hereditary owners of the soil, and we find one of them declaring, significantly enough, in his tomb inscription that he had "freed his city in a time of war from the oppression of the king".

Thus came to an end the Old Kingdom, which had existed for about 1700 years from the time of Mena. A great civilization had evolved during that period. It had grown rich in art and architecture. Indeed, the artistic achievements of the Old Kingdom were never afterwards surpassed either in technique or naturalism; the grandeur of its architectural triumphs is emphasized by the enduring Pyramids, and especially Khufu's great tomb with its finely wrought stonework, which remains unequalled to the present day.

The people, too, had prospered and made great progress. Refined and cultured faces appear in the surviving statuary; indeed many of the men and women look much like those of the present day. Agriculture flourished, the industries developed, and commerce made the people prosperous. Education appears to have been thorough within its limits, and had gradually become more widespread.

Although the power of the monarchy declined, the people as a whole did not lapse back into a state of semi-savagery. The nomes were well governed by the nobles, but a system of detached local administration was foredoomed to failure on account of the physical conditions of the country. Egypt required then, as now, a strong central government to promote the welfare of the entire country. A noble might continue to cut canals, but there was no guarantee that he would receive an equitable and regular supply of water. In an irrigated country water laws must be strictly observed, otherwise the many will suffer because of the heedlessness or selfishness of thefew. When the power of the Pharaoh was shattered, the natural resources of Egypt declined, and a great proportion of the people were threatened with periodic famines.

The demands of the Court when at the height of its power may have seemed oppressive to the feudal lords. Pharaoh required a proportion of their crops and of their live stock, much free labour, and many fighting men, because he gave them water and protected them against the inroads of invaders. He had also private ambitions, and desired to erect a great tomb for himself. Yet he governed Egypt for the good of the greater number, and the conflicts between the Court and the feudal lords were really conflicts between national and local interests. The country as a whole suffered from the effects of extreme governmental decentralization- a policy inaugurated by priestly Pharaohs, who were, perhaps, too greatly concerned about promoting a national religion based upon sun worship.

The ascendancy of the nobles was impossible so long as the Pharaohs were, in a practical sense, the chief priests of each particular cult. Diplomatic rulers honoured local gods and attended to the erection and endowment of temples. They wedged themselves in between the hereditary chieftains and the priests who exercised so powerful an influence over the people. When, however, the nobles became the sole patrons of their nome cults, they were able to openly defy the Court.

So, when the throne tottered, a plague of anarchy fell upon Egypt, and the forces of reaction were let loose. Nome warred against nome and the strong prevailed over the weak. Temples were ruthlessly pillaged, and tombs were raided by robber bands; the mummies of hated kings were torn from the Pyramids; statuary wasshattered and inscriptions were destroyed. Only in those provinces where good government was maintained did the old order of things remain. But Egypt was so thoroughly disorganized as a whole that several centuries had to elapse before the central government could be once again firmly established in the interests of progress and the welfare of the great mass of the people.

Occasionally a strong Pharaoh arose to compel the rival lords to make truce one with another, but such successes were only temporary. The feudal system was deeply rooted, and all a king could do was to organize a group of nobles to deal with those who threatened to grow too powerful. He could not raise or maintain a standing army, for each lord commanded all the fighting men in his own nome, and they owed allegiance to him alone; nor could the Pharaoh employ mercenaries, because the resources of the royal treasury were strictly limited.

CHAPTER XIV. Father Gods and Mother Goddesses

An Obscure Period—Popularity of Osiris Worship—A Mythical Region—The Lake of Fire—Her-shef, who resembles Ptah—Links with Khnûmû—A Wind God and Earth God—Giants and Elves—The God of Mendes—The Ram a Corn Spirit—Deities fused with Osiris—Feline Goddesses—Flying Serpents—The Mother of Mendes—Abydos, the Egyptian Mecca—Foreign Invaders—A Buffer State—North and South in Revolt.

WE have entered upon an obscure and disturbed period which extends over an interval of about three hundred years. The petty states of Egypt continued to wage sporadic wars of conquest one against another, and a prolonged struggle was in progress for supreme power. In time the political units grew less numerous, and several federated tribes were ruled over by powerful feudal lords. The chief centres of government in Upper Egypt were established at Thebes, Siut, and Heracleopolis. Memphis was for a time the capital of a group of allied nomes in Middle Egypt, and at Sais in the north there was a reigning family of whom we know nothing except from casual references in later times. The eastern Delta lay open to the invader, and it is believed that foreign settlements were effected there. Ultimately Egypt was divided into two great states. The southern group of allies was governed by the Theban power, and the northern by the Heracleopolitan. Then history repeated itself, and the kingdom was once again united by a conqueror who pressed northward from Upper Egypt.The Eighth-Dynasty kings claimed to be descended from those of the Sixth. But, although they reigned at Memphis, their control of the disordered kingdom was so slight that they were unable to erect any monuments. No royal inscriptions survive at the quarries. After a quarter of a century of weak Memphite rule, the powerful nome governor of Heracleopolis Magna seized the throne and established the Ninth Dynasty. The kings of the Tenth Dynasty are believed to have been also his descendants.

Manetho calls the new king Akhthoes, and his name in the hieroglyphs is usually rendered as Kheti. He is also known as Ab-meri-ra. Like Khufu, he was reputed in the traditions of later times to have been a great tyrant, who in the end went mad, and was devoured by a crocodile. He seems to have held in check for a period the ambitious feudal nobles whose rivalries so seriously retarded the agricultural prosperity of the kingdom. No doubt famines were common.

Each nome promoted its own theological system, and that of Heracleopolis Magna now assumes special interest because of its association with the monarchy. The political influence of the priests of Heliopolis had passed away, but the impress of their culture remained. Osiris worship continued to be popular oil account of its close association with agriculture. A Horus temple had existed at Heracleopolis from early Dynastic times, but the identity of the god does not appear to have survived the theological changes of the intervening period.

Heracleopolis Magna, which the Egyptians called Khenen-su is of special mythological interest. It came to be recognized as the scene of the great creation myth of the sun worshippers. There Ra, at the beginning,rose from the primeval deep in the form of the sun egg, or the lotus flower—

He that openeth and he that closeth the door;
He who said: "I am but One".
Ra, who was produced by himself;
Whose various names make up the group of gods;
He who is Yesterday (Osiris) and the Morrow (Ra).

Khenen-su district was the scene of the "war of the gods", who contended against one another at Ra's command—a myth which suggests the everlasting struggle between the forces of nature, which began at Creation's dawn, and is ever controlled by the sun. Somewhere in the nome were situated the two mythical lakes, "the lake of natron" and "the lake of truth", in which Ra cleansed himself, and there, too, at the height of their great struggle—symbolized as the struggle between good and evil—Set flung filth in the face of Horus, and Horus mutilated Set. The ultimate victory was due to Ra, who, in the form of the Great Cat that haunted the Persea tree at Heliopolis, fought with the Apep serpent and overcame it. "On that day", according to The Book of the Dead, "the enemies of the inviolable god (Osiris) were slain."

In the vicinity of Khenen-su was the fiery region. At its entrance crouched the demon who had human skin and the head of a greyhound. He was concealed by the door, and pounced unexpectedly upon "the damned"; he tore out their hearts, which he devoured, and he swallowed their spirits. So the faithful sun worshippers were wont to pray:

O Ra-tum give me deliverance from the demon who devoureth those who are condemned—he who waits at the door of the fiery place and is not seen. . . . Save me from him

who clutcheth souls, and eateth all filth and rottenness by day and by night. Those who dread him are helpless.

At Khenen-su lived the Phoenix —the "Great Bennu". It resembled an eagle, and had feathers of red and golden colour. Some authorities identify this mythical bird with the planet Venus, which, as the morning star, was "the guide of the sun god".

The religion of Heracleopolis Magna was, no doubt, strongly tinged by the theology of the sun worshippers. It seems also to have been influenced by Memphite beliefs. The chief god was Her-shef, who bears a stronger resemblance to Ptah Tanen than to Horus. He was a self-created Great Father, whose head was in the heavens while his feet rested upon the earth. His right eye was the sun and his left the moon, while his soul was the light that he shed over the world. He breathed from his nostrils the north wind, which gave life to every living being.

"Wind" and "breath" and "spirit" were believed by many primitive peoples to be identical. Her-shef was therefore the source of universal life. As a "wind god" he resembles the southern deity Khnûmû, who was also called Knef (the Kneph of the Greeks). The Egyptian knef means "wind", "breath", and "spirit"—"the air of life". In Hebrew nephesh ruach, and in Arabic ruh and nefs have similar significance.

Ptah Tanen, Khnûmû, and Her-shef, therefore, combined not only the attributes of the earth giant Seb, but also those of Shu, the wind god, whose lightness is symbolized by the ostrich feather, but who had such great strength that he was the "uplifter" of the heavens.

At a later date it was located in Arabia. "Spirit" is derived from spiro, "I breathe". The Aryan root "an" also signifies "wind" and "spirit", and survives in words like "animal", "animate", &c.Both Seb and Shu are referred to as self-created deities.

It has been suggested that the elfin Khnûmû, of whom Ptah was the chief, had a tribal origin, and were imported into Egypt. In European lore, dwarfs and giants are closely associated, and are at times indistinguishable. The fusion of the dwarf Ptah with the giant Tanen is thus a familiar process, and in the conception we may trace the intellectual life of a mountain people whose giants, or genii, according to present-day Arabian folk belief, dwell in the chain of world-encircling hills named "Kaf".

In what we call "Teutonic" lore, which has pronounced Asiatic elements, the giant is the "Great Father", and in what we call "Celtic", in which the Mediterranean influence predominates, the giantess is the "Great Mother". The Delta Mediterranean people had "Great Mother" goddesses like Isis, Neith, the virgin deity of Buto, and Bast. At Mendes there was a "Great Father" deity who links with Ptah, Her-shef, and Khnûmû. He is called Ba-neb-tettu, the ram god, and "lord of Tettu", and he became, in the all-embracing theology of Heliopolis, "the breath (life) of Ra". In the Book of the Dead there is a reference to Ra as "the Lord of Air who giveth life to all mortals".

The god of Mendes was reputed to have made "the wind of life" for all men, and was called "chief of the gods", "ruler of the sky" and "monarch of all deities". The earth was made fertile by his influence, and he was the origin of the passion of love; he caused the fertilizing Nile flood. Like Ptah Tanen, from whose mouth issued forth the waters, and like Ptah, Khnûmû, and Shu) he was the pillar (dad) of the sky. Osiris is also associated with the sky prop or props. All these deities appear tohave had their origin in crude conceptions which survive in various stages of development in European lore.

Like Ba-neb-tettu, the Mendes "Great Father", Hershef of Heracleopolis was also a ram god, symbolizing the male principle; so was Khnûmû of the First Cataract district. In some representations of Ptah the ram's horns appear on his head. The ram was the primitive Min, who was worshipped throughout Egypt, and was absorbed by all the Great Father deities, including Ra. Min was honoured at harvest festivals, and was therefore a corn god, a character assumed by the deified King Osiris.

One of the figures of Her-shef of Heracleopolis is almost as complex as that of Sokar, the Memphite god of the dead. He is shown with four heads-a ram's head, a bull's head, and two heads of hawks. The bull was Mentu, who, like Min, represented the male principle, and was also a war god, the epitome of strength and bravery.

All the Great Fathers—Her-shef, Ptah, Khnûmû, and Ba-neb-tettu—were fused with Osiris. Ptah united with Osiris as ruler of the dead, Khnûmû became a form of Osiris at Heliopolis, Ba-neb-tettu of Mendes was also Ba-neb-ded, another name for Osiris, and Her-shef of Heracleopolis was "he on the sand", a form of Osiris, who is called "the god on the sand".

Her-shef is usually represented as a ram-headed man, wearing the white crown with plumes, surmounted by two disks (sun and moon) and two serpents with disks on their heads. Plutarch regarded him as the symbol of "strength and valour", a conception which accords with the military reputation of at least some of the kings of Heracleopolis who lived in stormy times.

The goddess associated with Her-shef was Atet, who was also call Mersekhnet, a "Great Mother" deity similar to Hathor, Isis, Neith, and others. She was a cat goddess, and in her cat form was called Maau, an appropriate name. She slew the Apep serpent—a myth which, as we have seen, was absorbed by Ra. Other feline deities are Bast of Bubastis, Sekhet, wife of Ptah, and Tefnut.

At Heracleopolis there was a shrine to Neheb-Kau, who, like the virgin deity of Buto in the Delta, was a serpent goddess, symbolizing the female principle. She is represented as a flying serpent, a reptile which Herodotus heard much about in Egypt but searched for in vain; she also appears as a serpent with human head, arms, and legs. She was worshipped at the Ploughing Festival before the seed was sown. Like the sycamore goddess, she was believed to take a special interest in the souls of the dead, whom she supplied with celestial food and drink.

Another Heracleopolitan deity was the vine god Heneb, who suggests an Egyptian Bacchus; he was probably a form of Osiris.

The female counterpart of the northern god, Baneb-tettu, was Heru-pa-Kaut, "Mother of Mendes", who was represented as a woman with a fish upon her head.

She was in time displaced by Isis, as her son was by Horus. The ceremonies associated with all the "mother goddesses" were as elaborate as they were indecent.

Osiris worship flourished at Abydos, which became an Egyptian Mecca with its holy sepulchre. The tomb of King Zer, of the First Dynasty, was reputed to be that of the more ancient deified monarch Osiris, and it was visited by pious pilgrims and heaped with offerings. Elaborate religious pageants, performed by priests, illustrated the Osiris-Isis story. Set, the fearful red demon god, was execrated, and the good Osiris revered and glorified. Isis, mother of the god Horus, was a popular figure. "I who let fall my hair, which hangs loosely over my forehead, I am Isis when she is hidden in her long tresses."

Pious worshippers sought burial at Abydos, and its cemetery was crowded with the graves of all classes. Nome governors, however, were interred in their own stately tombs, like those at Beni Hassan and elsewhere, but their mummies were often carried first to Abydos, where "the Judgment of the Dead" was enacted. The Pharaohs appear to have clung to the belief in the Ra bark, which they entered, as of old, by uttering the powerful magic formulæ. The victory of the early faith was, however, complete among the masses of the people. With the exception of the Ra believers the worshippers of every other deity in Egypt reposed their faith in Osiris, the god of the dead.

Some Egyptologists regard the Heracleopolitans as foreign invaders. Their theology suggests that they were a mountain people of similar origin to the Memphite worshippers of Ptah. But no records survive to afford us definite information on this point. The new monarchs were evidently kept fully engaged by their military operations,and not until nearly the close of the Tenth Dynasty do we obtain definite information regarding the conditions which prevailed during the obscure period. There then came into prominence a powerful nome family at Siut which remained faithful to the royal house and kept at bay the aggressive Thebans. In their cliff tombs we read inscriptions which indicate that for a period, at least, the Pharaohs were able to maintain peace and order in the kingdom. One of these records that the royal officials performed their duties effectively, and that war had ceased. Children were no longer slain in their mother's arms, nor were men cut down beside their wives. The rebels were suppressed, and people could sleep out of doors in perfect safety, because the king's soldiers were the terror of all doers of evil. Further, we learn that canals were constructed, and that there were excellent harvests—a sure indication that a degree of order had been restored. A standing army was in existence, and could be dispatched at short notice to a disturbed area. The Siut nobles appear to have been Pharaoh's generals. They enjoyed intimate relations with the ruling house. One, who was named Kheti, was educated with the Pharaoh's family, and learned to swim with them, and his widowed mother governed the nome during his minority. He married a princess. His son, Tefaba, reduced the south by military force, and won a great naval battle on the Nile. The younger Kheti, Tefaba's son, was also a vigorous governor, and stamped out another southern rebellion, and made a great display with his fleet, which stretched for miles. But although southern Egypt was temporarily pacified, a rebellion broke out in the north, and the Pharaoh Meri-ka-ra was suddenly driven from Heracleopolis. He took refuge with Kheti, who pressed northward and won a decisive victory. Meri-ka-ra wasagain placed on the throne. But his reign was brief, and he was the last king of the Tenth Dynasty.

The Delta was now in a state of aggressive revolt, and the power of the Theban house was growing in Upper Egypt. Ultimately the Siut house fell before the southern forces, and a new official god and a new royal family appeared in the kingdom.

CHAPTER XV. The Rise of Amon

The Theban Rulers—Need for Centralized Government—Temple Building—The first Amon King—Various Forms of Amon—The Oracle—Mentu the War God—Mut, Queen of the Gods—The Egyptian Cupid—Story of the Possessed Princess—God casts out an Evil Spirit—A Prince's Dream—The God of Spring—Amenemhet's Achievements—Feudal Lords held in Check—The Kingdom United—A Palace Conspiracy—Selection of Senusert—The first Personality in History.

ANTEF, the feudal lord of the valley of Thebes, was the next Pharaoh of Egypt. With him begins the Eleventh Dynasty, which covers a period of over a century and a half. His power was confined chiefly to the south, but he exercised considerable influence over the whole land by gaining possession of sacred Abydos. The custodians of the "holy sepulchre" were assured of the allegiance of the great mass of the people at this period of transition and unrest.

The new royal line included several King Antefs and King Mentuhoteps, but little is known regarding the majority of them. Antef I, who was descended from a superintendent of the frontier, had probably royal blood in his veins, and a remote claim to the throne. He reigned for fifty years, and appears to have consolidated the power of his house. Mentuhotep II, the fifth king, was able to impose his will upon the various feudal lords, and secured their allegiance partly, no doubt, by force of arms, but mainly, it would appear, because the prosperityof the country depended upon the establishment of a strong central government, which would secure the distribution of water for agricultural purposes. Famine may have accomplished what the sword was unable to do. Besides, the road to sacred Abydos had to be kept open. The political influence of the Osirian cult must therefore have been pronounced for a considerable time.

Under Mentuhotep II the country was so well settled that a military expedition was dispatched to quell the Nubian warriors. Commerce had revived, and the arts and industries had begun to flourish again. Temples were built under this and the two succeeding monarchs of the line. The last Mentuhotep was able to organize a quarrying expedition of ten thousand men.

Meantime the power of the ruling house was being securely established throughout the land. The Pharaoh's vizier was Amenemhet, and he made vigorous attacks upon the feudal lords who pursued a policy of aggression against their neighbours. Some were deposed, and their places were filled by loyal supporters of the Pharaoh. After a long struggle between the petty "kings" of the nomes and the royal house, Amenemhet I founded the Twelfth Dynasty, under which Egypt became once again a powerful and united kingdom. He was probably a grandson of the vizier of the same name.

A new god—the chief god of Thebes—has now risen into prominence. His name is Amon, or Amen. The earliest reference to him appears in the Pyramid of the famous King Unas of the Fifth Dynasty, where he and his consort are included among the primeval gods associated with Nu—"the fathers and mothers" who were in "the deep" at the beginning. We cannot, however, attach much importance to the theorizing of the priests of Unas's time, for they were busily engaged in absorbingevery religious myth in the land. Amon is evidently a strictly local god, who passed through so many stages of development that it is impossible to grasp the original tribal conception, which may, perhaps, have been crude and vague enough. His name is believed to signify "The Hidden One"—he concealed his "soul" and his "name", like the giant who hid his soul in an egg. Sokar of Memphis was also a "hidden" god, and was associated with the land of the dead. Amon may have been likewise a deity of Hades, for he links with Osiris as a lunar deity (Chapter XXII). In fact, as Amon Ra he displaced Osiris for a time as judge of the dead.

Amon is represented in various forms: (1) As an ape; (2) as a lion resting with head erect, like the primitive earth lion Aker; (3) as a frog-headed man accompanied by Ament, his serpent-headed female counterpart; (4) as a serpent-headed man, while his consort is cat-headed; (5) as a man god with the royal sceptre in one hand and the symbol of life (ankh) in the other; (6) as a ram-headed man.

In the Twelfth Dynasty a small temple was erected to Amon in the northern part of the city which was called Apet, after the mother goddess of that name who ultimately was fused with Hathor. "Thebes" is believed to have been derived from her name, the female article "T", being placed before "Ape"; Tap or Tape was pronounced Thebai by the Greeks, who had a town of that name. The sacred name of the city was Nu or Nu-Amon. "Art thou better than populous No?" cried

the Hebrew prophet, denouncing Nineveh; "Ethiopia and Egypt were her strength and it was infinite."

Amon, the ram god, was the most famous oracle in Egypt. Other oracles included the Apis bull; Sebek, the crocodile; Uazit, the serpent goddess of Buto; and Bes, the grotesque god who comes into prominence later. Revelations were made by oracles in dreams, and when Thutmose IV slept in the shadow of the Sphinx it expressed its desire to him that the sand should be cleared from about its body. Worshippers in a state of religious ecstasy were also given power to prophesy.

The oracle of Amon achieved great renown. The god was consulted by warriors, who were duly promised victory and great spoils. Wrongdoers were identified by the god, and he was even consulted regarding the affairs of State. Ultimately his priests achieved great influence owing to their reputation as foretellers of future events, who made known the will of the god. A good deal of trickery was evidently indulged in, for we gather that the god signified his assent to an expressed wish by nodding his head, or selected a suitable leader of men by extending his arm.

Amon was fused with several deities as his various animal forms indicate. The ram's head comes, of course, from Min, and it is possible that the frog's head was from Hekt. His cult also appropriated the war god Mentu, who is depicted as a bull. Mentu, however, continued to have a separate existence, owing to his fusion with Horus. He appears in human form wearing a bull's tall with the head of a hawk, which is surmounted by a sun disk between Amon's double plumes; he is also depicted as a hawk-headed sphinx. As a bull-headed man he carries bow and arrows, a club, and a knife.

In his Horus form Mentu stands on the prow ofthe sun bark on the nightly journey through Duat, and slays the demons with his lance. He was appropriated, of course, by the priests of Heliopolis, and became the "soul of Ra" and "Bull of Heaven". A temple was erected to him near Karnak, and in late times he overshadowed Amon as Mentu-ra.

Amon was linked with the great sun god in the Eleventh Dynasty, and as Amon-ra he ultimately rose to the supreme position of national god, while his cult became the most powerful in Egypt. In this form he will be dealt with in a later chapter.

Amon's wife was Mut, whose name signifies "the mother", and she may be identical with Apet. She was "queen of the gods" and "lady of the sky". Like Nut, Isis, Neith, and others, she was the "Great Mother" who gave birth to all that exists. She is represented as a vulture and also as a lioness. The vulture is Nekhebet, "the mother", and the lioness, like the cat, symbolizes maternity. Mut wears the double crown of Egypt, which indicates that she absorbed all the "Great Mother" goddesses in the land. Her name, in fact, is linked with Isis, with the female Tum, with Hathor, the Buto serpent, &c. In the Book of the Dead she is associated with a pair of dwarfs who have each the face of a hawk and the face of a man. It was to Mut that Amenhotep III, the father of Akenaton, erected the magnificent temple at Karnak with its great avenue of ram-headed sphinxes. Queen Tiy's lake in its vicinity was associated with the worship of this "Great Mother".

The moon god Khonsu was at Thebes regarded as the son of Amon and Mut. At Hermopolis and Edfu he was linked with Thoth. In the Unas hymn he is sent forth by Orion to drive in and slaughter the souls of gods and men—a myth which explains whystars vanish before the moon. His name means "the traveller".

As a lunar deity Khonsu caused the crops to spring up and ripen. He was also the Egyptian Cupid, who touched the hearts of lads and girls with love. The Oracle of Khonsu was consulted by those who prayed for offspring. Agriculturists lauded the deity for increasing their flocks and herds.

This popular god also gave "the air of life" to the newly born, arid was thus a wind god like Her-shef and Khnûmû. As ward of the atmosphere he exercised control over the evil spirits which caused the various diseases and took possession of human beings, rendering them epileptic or insane. Patients were cured by Khonsu, "giver of oracles", whose fame extended beyond the bounds of Egypt.

An interesting papyrus of the Ramessid period relates the story of a wonderful cure effected by Khonsu. It happened that the Pharaoh, "the Horus, he who resembles Tum, the son of the sun, the mighty with scimitars, the smiter of the nine-bow barbarians", &c., was collecting the annual tribute from the subject kings of Syria. The Prince of Bakhten, who brought many gifts, "placed in front of these his eldest daughter". She was very beautiful, arid the Pharaoh immediately fell in love with her, arid she became his "royal wife".

Some time afterwards the Prince of Bakhten appeared at Uas (Thebes) with an envoy. He brought presents to his daughter, and, having prostrated himself before the "Son of the Sun", announced:

"I have travelled hither to plead with Your Majesty for the sake of Bent-rash, the younger sister of your royal wife; she is stricken with a grievous malady which

causes her limbs to twitch violently. I entreat Your Majesty to send a learned magician to see her, so that he may give her aid in her sore distress."

Pharaoh said: "Let a great magician who is learned in the mysteries be brought before me."

As he desired, so was it done. A scribe of the House of Life appeared before him, and His Majesty said: "It is my will that you should travel to Bakhten to see the younger daughter of the royal wife."

The magician travelled with the envoy, and when he arrived at his journey's end he saw the Princess Bentrash, whom he found to be possessed of a hostile demon of great power. But he was unable to draw it forth.

Then the Prince of Bakhten appeared at Uas a second time, and addressing the Pharaoh said: "O King, my lord, let a god be sent to cure my daughter's malady!"

His Majesty was compassionate, and he went to the temple of Khonsu and said to the god: "Once again I have come on account of the little daughter of the Prince of Bakhten. Let your image be sent to cure her."

Khonsu, "giver of oracles" and "expeller of evil spirits", nodded his head, assenting to the prayer of the king, and caused his fourfold divine nature to be imparted to the image.

So it happened that the statue of Khonsu was placed in an ark, which was carried on poles by twelve priests while two chanted prayers. When it was borne from the temple, Pharaoh offered up burning incense, and five boats set forth with the ark arid the priests, accompanied by soldiers, a chariot, and two horses.

The Prince of Bakhten came forth from his city to meet the god, accompanied by many soldiers, and prostrated himself."So you have indeed come," he cried. "You are not hostile to us; the goodwill of the Pharaoh has caused you to come hither."

Khonsu was then carried into the presence of the Princess Bent-rash, who was immediately cured of her malady. The evil demon was cast out, and it stood before the god and said: "Peace be with you, O mighty god. The land of Bakhten is your possession, and its people are your slaves. I am your slave also. As you desire, I will return again to the place whence I came. But first let the Prince of Bakhten hold a great feast that I may partake thereof."

Khonsu then instructed a priest, saying: "Command the Prince of Bakhten to offer up a great sacrifice to the evil spirit whom I have expelled from his daughter."

Great dread fell upon the prince and the army and all the people when the sacrifice was offered up to the demon by the soldiers. Then amidst great rejoicings that spirit of evil took its departure and went to the place whence it came, according to the desire of Khonsu, "the giver of oracles".

Then the Prince of Bakhten was joyful of heart, and he desired that Khonsu should remain in the land. As it happened, he kept the image of the god for over three years.

One day the prince lay asleep upon his couch, and a vision came to him in a dream. He saw the god rising high in the air like a hawk of gold and taking flight towards the land of Egypt. He awoke suddenly, trembling with great fear, and he said: "Surely the god is angry with us. Let him be placed in the ark and carried back to Uas."

The prince caused many rich presents to be laid in the temple of the god when his image was returned.One of Khonsu's popular names was "The Beautiful One at Rest". He was depicted, like the Celtic love god Angus, "the ever-young", as a handsome youth. The upper part of a particularly striking statue of this comely deity was found in the ruins of his temple at Karnak.

As a nature god Khonsu was a hawk-headed man, crowned with a crescent moon and the solar disk; he was a sun god in spring. Like Thoth, he was also an architect, "a deviser of plans", and a "measurer", for he measured the months. Both the lunar deities are evidently of great antiquity. The mother-goddess-and-son conception is associated with the early belief in the female origin of the world and of life. The "Great Mother" was self-begotten as the "Great Father" was self-begotten, and the strange Egyptian idea that a god became "husband of his mother" arose from the fusion of the conflicting ideas regarding creation.

Amenemhet I, the first great ruler who promoted the worship of Amon, was also assiduous in doing honour to the other influential deities. From Tanis in the Delta, southward into the heart of Nubia, he has left traces of his religious fervour, which had, of course, a diplomatic motive. He erected a red granite altar to Osiris at sacred Abydos, a temple to Ptah at Memphis; he honoured the goddess Bast with monuments at Bubastis, and duly adored Amon, of course, at Thebes. His Ka statues were distributed throughout the land, for he was the "son of Ra", and had therefore to be worshipped as the god"—the human incarnation of the solar deity.

Amenemhet was an active military ruler. Not only did he smite the Syrians and the Nubians, but also punished the rebellious feudal lords who did not bend to his will. New and far-reaching changes were introducedinto the system of local, as well as central government. The powers of nome governors were restricted. When one was forcibly deposed an official took his place, and the appointment of town rulers and headmen of villages became once again vested in the Crown. This policy was followed by Amenemhet's successors, until ultimately the feudal system, which for centuries had been a constant menace to the stability of the throne, was finally extinguished. The priestly allies of the provincial nobles were won to the Crown by formal recognition and generous gifts, and all the chief gods, with the exception of Ptah, were included in the "family" of Amon-ra.

Amenemhet gathered about him the most capable men in the kingdom. Once again it was possible for humble officials to rise to the highest rank. The industries of the country were fostered, and agriculture received special attention, so that harvests became plentiful again and there was abundance of food in Egypt.

When the king was growing old he selected his son Senusert to succeed him. Apparently the choice was not pleasing to some of the influential members of the royal house. In the "Instruction of Amenemhet", a metrical version of which is given at the end of the next chapter, we learn that a harem conspiracy was organized to promote the claims of a rival to the throne. A band of conspirators gained access to the palace through a tunnel which had been constructed secretly, and burst upon the old monarch as he lay resting after he had partaken of his evening meal. He "showed fight", although unarmed, and in the parley which ensued was evidently successful. It appears. to have been accepted that the succession of Senusert was inevitable.

How the conspirators were dealt with we have nomeans of knowing. It is possible that the majority of them were pardoned. So long as Amenemhet remained alive they were safe; but they must have feared the vengeance of Senusert, who was a vigorous and warlike prince, and eminently worthy to succeed his father. The papyrus story of "The Flight of Senuhet" is evidently no mere folktale, but a genuine fragment of history. It is possible that Senuhet was one of the sons of Amenemhet; at any rate he appears to have been compromised in the abortive palace conspiracy. When the old king died at Memphis, where he appears to have resided oftenest, a messenger was hurriedly dispatched to Senusert, who was engaged leading an army against the troublesome Libyans. None of the other princes was informed, and Senuhet, who overheard the messenger informing the new king of his father's death, immediately fled towards Syria. He found that other Egyptians had taken refuge there.

After many years had elapsed his whereabouts were revealed to King Senusert, who was evidently convinced of his innocence. Senuhet was invited to return to Egypt, and was welcomed at the palace by his royal kinsman.

The narrative is of homely and graceful character, and affords us more intimate knowledge of the life of the period than can be obtained from tomb inscriptions and royal monuments. Senuhet is one of the earliest personalities in history. We catch but fleeting glimpses of the man Amenemhet in his half-cynical "Instruction" with its vague references to a palace revolt. In the simple and direct narrative of the fugitive prince, however, we are confronted by a human being whose emotions we share, and with whom we are able to enter into close sympathy. The latter part of the story hassome of the happiest touches. Our old friend rejoices because he is privileged once again to sleep in a comfortable bed after lying for long years in the desert sand; he throws away his foul rustic clothing and attires himself in perfumed linen, and feels young when his beard is shaved off and his baldness is covered by a wig. He is provided with a mansion which is decorated anew, but what pleases him most is the presence of the children who come to visit him. He was fond of children. . . . Our interest abides with a man who was buried. as he desired to be, after long years of wandering, in the land of his birth, some forty centuries ago!

CHAPTER XVI. Tale of the Fugitive Prince

A Libyan Campaign—Death of King Amenemhet—The Prince's Flight —Among the Bedouins—An Inquisitive Chief—The Prince is honoured—A Rival Hero—Challenge to Single Combat—Senuhet victorious—Egyptian Love of Country—Appeal to Pharaoh—Prince returns Home—Welcome at the Court—A Golden Friend—An Old Man made Happy.

SENUHET, "son of the sycamore", was a hereditary prince of Egypt. When war was waged against the Libyans he accompanied the royal army, which was commanded by Senusert, the chosen heir of the great Amenemhet. As it fell, the old king died suddenly on the seventh day of the second month of Shait. Like the Horus hawk he flew towards the sun. Then there was great mourning in the palace; the gates were shut and sealed and noblemen prostrated themselves outside; silence fell upon the city.

The campaign was being conducted with much success. Many prisoners were taken and large herds of cattle were captured. The enemy were scattered in flight.

Now the nobles who were in possession of the palace took counsel together, and they dispatched a trusted messenger to Prince Senusert, so that he might be secretly informed of the death of his royal father. All the king's sons were with the army, but none of them were called when the messenger arrived. The messenger spoke unto no man of what had befallen save Senusert alone.

Now it chanced that Senuhet was concealed nigh tothe new king when the secret tidings were brought to him. He heard the words which the messenger spoke, and immediately he was stricken with fear; his heart shook and his limbs trembled. But he retained his presence of mind. His first thought was for his own safety; so he crept softly away until he found a safe hiding place. He waited until the new king and the messenger walked on together, and they passed very close to him as he lay concealed in a thicket.

No sooner had they gone out of hearing than Senuhet hastened to escape from the land of Egypt. He made his way southward, wondering greatly as he went if civil war had broken out. When night was far spent he lay down in an open field and slept there. In the morning he hastened along the highway and overtook a man who showed signs of fear. The day passed, and at eventide he crossed the river on a raft to a place where there were quarries. He was then in the region of the goddess Hirit of the Red Mountains, and he turned northward. On reaching a frontier fortress, which had been built to repel the raiding Bedouin archers, he concealed himself lest he should be observed by the sentinels.

As soon as it grew dark he continued his journey. He travelled all night long, and when dawn broke he reached the Qumor valley. . . . His strength was well-nigh spent. He was tortured by thirst; his tongue was parched and his throat was swollen. Greatly he suffered, and he moaned to himself: "Now I begin to taste of death". Yet he struggled on in his despair, and suddenly his heart was cheered by the sound of a man's voice and the sweet lowing of cows.

He had arrived among the Bedouins. One of them spoke to him kindly, and first gave him water to drink

and then some boiled milk. The man was a chief, and he perceived that Senuhet was an Egyptian of high rank. He showed him much kindness, and when the fugitive was able to resume his journey the Bedouin gave him safe conduct to the next camp. So from camp to camp Senuhet made his way until he reached the land of the Edomites, and then he felt safe there.

About a year went past, and then Amuanishi, chief of Upper Tonu, sent a messenger to Senuhet, saying: "Come and reside with me and hear the language of Egypt spoken."

There were other Egyptians in the land of Edom, and they had praised the prince highly, so that the chief desired greatly to see him.

Amuanishi spoke to Senuhet, saying: "Now tell me frankly why you have fled to these parts. Is it because someone has died in the royal palace? Something appears to have happened of which I am not aware."

Senuhet made evasive answer: "I certainly fled hither from the country of the Libyans, but not because I did anything wrong. I never spoke or acted treasonably, nor have I listened to treason. No magistrate has received information regarding me. I really can give no explanation why I came here. It seems as if I obeyed the will of King Amenemhet, whom I served faithfully and well."

The Bedouin chief praised the great king of Egypt, and said that his name was dreaded as greatly as that of Sekhet, the lioness goddess, in the time of famine.

Senuhet again spoke, saying: "Know now that the son of Amenemhet sits on the throne. He is a just and tactful prince, an excellent swordsman, and a brave warrior who has never yet met his equal. He sweeps the barbarians from his path; he hurls himself uponrobbers; he crushes heads and strikes down those who oppose him, for he is indeed a valiant hero without fear. He is also a swift runner when pursuing his foes, and he smites them with the claws of a lion, for they cannot escape him. Senusert rejoices in the midst of the fray, and none can withstand him. To his friends he is the essence of courtesy, and he is much loved throughout the land; all his subjects obey him gladly. Although he extends his southern frontier he has no desire to invade the land of the Bedouins. If it happens, however, that he should come hither, tell him that I dwell amongst ye."

The chief heard, and then said: "My desire is that Egypt may flourish and have peace. As for yourself, you will receive my hospitality so long as you please to reside here."

Then Senuhet was given for wife the eldest daughter of the chief of Upper Tonu. He was also allowed to select for himself a portion of land in that excellent country which is called Aia. There was abundance of grapes and figs; wine was more plentiful than water; the land flowed with milk and honey; olives were numerous and there were large supplies of corn and wheat, and many cattle of every kind.

The chief honoured Senuhet greatly and made him a prince in the land so that he was a ruler of a tribe. Each day the Egyptian fared sumptuously on cooked flesh and roasted fowl and on the game he caught, or which was brought to him, or was captured by his dogs, and he ever had bread and wine. His servants made butter and gave him boiled milk of every kind as he desired.

Many years went past. Children were born to him and they grew strong, and, in time, each ruled over a tribe. When travellers were going past, they turnedaside to visit Senuhet, because he showed great hospitality; he gave refreshment to those who were weary; and if it chanced that a stranger was plundered, he chastised the wrongdoers; he restored the stolen goods and gave the man safe conduct.

Senuhet commanded the Bedouins who fought against invaders, for the chief of Upper Tonu had made him general of the army. Many and great were the successes he achieved. He captured prisoners and cattle and returned with large numbers of slaves. In battle he fought with much courage with his sword and his bow; he displayed great cunning on the march and in the manner in which he arranged the plan of battle The chief of Tonu loved him dearly when he perceived how powerful he had become, and elevated Senuhet to still higher rank.

There was a mighty hero in Tonu who had achieved much renown, and he was jealous of the Egyptian. The man had no other rival in the land; he had slain all who dared to stand up against him. He was brave and he was bold, and he said: "I must needs combat with Senuhet. He has not yet met me."

The warrior desired to slay the Egyptian and win for himself the land and cattle which he possessed.

When the challenge was received, the chief of Tonu was much concerned, and spoke to Senuhet, who said:

"I know not this fellow. He is not of my rank and I do not associate with his kind. Nor have I ever done him any wrong. If he is a thief who desires to obtain my goods, he had better be careful of how he behaves himself. Does he think I am a steer and that he is the bull of war? If he desires to fight with me, let him have the opportunity. As it is his will, so letit be. Will the god forget me? Whatever happens will happen as the god desires."

Having spoken thus, Senuhet retired to his tent and rested himself. Then he prepared his bow and made ready his arrows, and he saw that his arms were polished.

When dawn came, the people assembled round the place of combat. They were there in large numbers; many had travelled from remote parts to watch the duel. All the subjects of the chief of Tonu desired greatly that Senuhet should be the victor. But they feared for him. Women cried "Ah!" when they saw the challenging hero, and the men said one to another: "Can any man prevail over this warrior? See, he carries a shield and a lance and a battleaxe, and he has many javelins."

Senuhet came forth. He pretended to attack, and his adversary first threw the javelins; but the Egyptian turned them aside with his shield, and they fell harmlessly to the ground. The warrior then swung his battleaxe; but Senuhet drew his bow and shot a swift arrow. His aim was sure, for it pierced his opponent's neck so that he gave forth a loud cry and fell forward upon his face. Senuhet seized the lance, and, having thrust it through the warrior's body, he raised the shout of victory.

Then all the people rejoiced together, and Senuhet gave thanks to Mentu, the war god of Thebes, as did also the followers of the slain hero, for he had oppressed them greatly. The Chief Ruler of Tonu embraced the victorious prince with glad heart.

Senuhet took possession of all the goods and cattle which the boastful warrior had owned, and destroyed his house. So he grew richer as time went on. But old age was coming over him. In his heart he desiredgreatly to return to Egypt again and to be buried there. His thoughts dwelt on this matter and he resolved to make appeal unto King Senusert. Then he drew up a petition and dispatched it in the care of a trusted messenger to the royal palace. Addressing His Majesty, "the servant of Horus" and "Son of the Sun" Senuhet wrote:—

I have reposed my faith in the god, and lo! he has not failed me. . . . Although I fled away from Egypt my name is still of good repute in the palace. I was hungry when I fled and now I supply food unto others; I was naked when I fled and now I am clad in fine linen; I was a wanderer and now I have many followers; I had no riches when I fled and now possess land and a dwelling. . . . I entreat of Your Majesty to permit me to sojourn once again in the place of my birth which I love dearly so that when I die my body may be embalmed and laid in a tomb in my native land. I, who am a fugitive, entreat you now to permit me to return home. . . . Unto the god I have given offerings so that my desire may be fulfilled, for my heart is full of regret—I who took flight to a foreign country.

May Your Majesty grant my request to visit once again my native land so that I may be your favoured subject. I humbly salute the queen. It is my desire to see her once again and also the children so that life may be renewed in my blood. Alas! I am growing old, my strength is diminishing; mine eyes are dim; I totter when I walk and my heart is feeble. Well, I know that death is at hand. The day of my burial is not far off. . . . Ere I die, may I gaze upon the queen and bear her talk about her children so that my heart may be made happy until the end.

King Senusert read the petition which Senuhet had sent unto him and was graciously pleased to grant his request. He sent presents to his fugitive subject, and messages from the princes, his royal sons, accompanied His Majesty's letter, which declared:

These are the words of the King. . . . What did you do,

or what has been done against you, that you fled away to a foreign country? What went wrong? I know that you never calumniated me, but although your words may have been misrepresented, you did not speak next time in the gathering of the lords even when called upon. . . . Do not let this matter be remembered any longer. See, too, that you do not change your mind again. . . . As for the queen, she is well and receives everything she desires. She is in the midst of her children. . . .

Leave all your possessions, and when you return here you may reside in the palace. You will be my closest friend. Do not forget that you are growing older each day now; that the strength of your body is diminishing and that your thoughts dwell upon the tomb. You will be given seemly burial; you will be embalmed; mourners will wail at your funeral; you will be given a gilded mummy case which will be covered with a cypress canopy and drawn by oxen; the funeral hymn will be sung and the funeral dance will be danced; mourners will kneel at your tomb crying with a loud voice so that offerings may be given unto you. Lo! all shall be as I promise. Sacrifices will be made at the door of your tomb; a pyramid will be erected and you will lie among princes. . . . You must not die in a foreign country. You are not to be buried by Bedouins in a sheepskin. The mourners of your own country will smite the ground and mourn for you when you are laid in your pyramid.

When Senuhet received this gracious message he was overcome with joy and wept; he threw himself upon the sand and lay there. Then he leapt up and cried out: "Is it possible that such good fortune has befallen an unfaithful subject who fled from his native land unto a hostile country? Great mercy is shown unto me this day. I am delivered from the fear of death."

Senuhet sent an answer unto the king saying:

Thou mighty god, what am I that you should favour me thus? . . . If Your Majesty will summon two princes who know what occurred they will relate all that came to pass . . . . It was not my desire to flee from Egypt. I fled as in a dream . . . . I

was not followed. I had not heard of any rebellious movement, nor did any magistrate receive my name . . . . I fled as if I had been ordered to flee by His Majesty . . . . As you have commanded, I will leave my riches behind me, and those who are my heirs here will inherit them. . . . May Your Majesty have eternal life.

When he had written this to His Majesty, Senuhet gave a great feast and he divided his wealth among his children. His eldest son became the leader of the tribe, and he received the land and the corn fields, the cattle and the fruit trees, in that pleasant place. Then Senuhet turned his face towards the land of Egypt. He was met on the frontier by the officer who commanded the fort, who sent tidings to the palace of Senuhet's approach. A boat laden with presents went to meet him, and the fugitive spoke to all the men who were in it as if he were of their own rank, for his heart was glad.

A night went past, and when the land grew bright again he drew nigh to the palace. Four men came forth to conduct him, and the children waited his coming in the courtyard as did also the nobles who led him before the king.

His Majesty sat upon his high throne in the great hall which is adorned with silver and gold. Senuhet prostrated himself. The king did not at first recognize him, yet he spoke kindly words; but the poor fugitive was unable to make answer; he grew faint; his eyes were blinded and his limbs were without strength; it seemed as if he were about to die.

The king said: "Help him to rise up so that we may converse one with another."

The courtiers lifted Senuhet, and His Majesty said: "So you have returned again. I perceive that in skulking about in foreign lands and playing the fugitive inthe desert you have worn yourself out. You have grown old, Senuhet. . . . But why do you not speak? Have you become deceitful like the Bedouin. Declare your name. What causes you to feel afraid?"

Senuhet found his tongue and said: "I am unnerved, Your Majesty. I have naught to answer for. I have not done that which deserves the punishment of the god. . . . I am faint, and my heart has grown weak, as when I fled. . . . Once again I stand before Your Majesty; my life is in your hands; do with me according to your will."

As he spoke, the royal children entered the great hall, and His Majesty said to the queen:

"This is Senuhet. Look at him. He has come like a desert dweller in the attire of a Bedouin."

The queen uttered a cry of astonishment, and the children laughed, saying: "Surely it is not him, Your Majesty?"

The king said: "Yes, it is Senuhet."

Then the royal children decked themselves with jewels and sang before the king, each tinkling a sweet sistrum. They praised His Majesty and called upon the gods to give him health and strength and prosperity, and they pleaded for Senuhet, so that royal favours might be conferred upon him.

Mighty thy words and swift thy will!
    Then bless thy servant in thy sight—
With air of life his nostrils fill,
    Who from his native land took flight.
Thy presence fills the land with fear;
    Then marvel not he fled away—
All cheeks grow pale when thou art near;
    All eyes are stricken with dismay.

The king said: "Senuhet must not tremble in my presence, for he will be a golden friend and chief amongthe courtiers. Take him hence that he may be attired as befits his rank."

Then Senuhet was conducted to the inner chamber, and the children shook hands with him. He was given apartments in the house of a prince, the son of the king, in which he obtained dainties to eat. There he could sit in a cool chamber; there he could eat refreshing fruit; there he could attire himself in royal garments and anoint his body with perfumes; and there courtiers waited to converse with him and servants to obey his will.

He grew young again. His beard was shaved off, and his baldness was covered with a wig. The smell of the desert left him when his rustic garments were thrown away, and he was dressed in linen garments and anointed with perfumed oil. Once again he lay upon a bed—he who had left the sandy desert to those accustomed to it.

In time Senuhet was provided with a house in which a courtier had dwelt, when it had been repaired and decorated. He was happy there, and his heart was made glad by the children who visited him. The royal children were continually about his house.

King Senusert caused a pyramid to be erected for Senuhet; his statue was also carved at His Majesty's command, and it was decorated with gold.

"It was for no ordinary man," adds the scribe, who tells us that he copied the story faithfully, "that the king did all these things. Senuhet was honoured greatly by His Majesty until the day of his death."

The Instruction of Amenemhet

Be thou in splendour like the god, my son . . .
Hearken and hear my words, if thou wouldst reign
In Egypt and be ruler of the world,
Excelling in thy greatness. . . . Live apart
In stern seclusion, for the people heed
The man who makes them tremble; mingle not
Alone among them; have no bosom friend,
Nor intimate, nor favourite in thy train—
These serve no goodly purpose.

Ere to sleep
Thou liest down, prepare to guard thy life—
A man is friendless in the hour of trial. . . .
I to the needy gave, the orphan nourished,
Esteemed alike the lowly and the great;
But he who ate my bread made insurrection,
And those my hands raised up, occasion seized
Rebellion to create. . . . They went about
All uniformed in garments that I gave
And deemed me but a shadow. . . . Those who shared
My perfumes for anointment, rose betimes
And broke into my harem.

Through the land
Beholden are my statues, and men laud
The deeds I have accomplished . . . yet I made
A tale heroic that hath ne'er been told,
And triumphed in a conflict no man saw.

Surely these yearned for bondage when they smote
The king who set them free. . . . Methinks, my son,
Of no avail is liberty to men
Grown blind to their good fortune.

I had dined
At eve and darkness fell. I sought to rest

For I was weary. On my bed I lay
And gave my thoughts release, and so I slept . . .
The rebels 'gan to whisper and take arms
With treacherous intent . . . I woke and heard
And like the desert serpent waited there
All motionless but watchful.

Then I sprang
To fight and I alone. . . . A warrior fell,
And lo! he was the captain of my guard.
Ah! had I but his weapons in that hour
I should have scattered all the rebel band—
Mighty my blows and swift! . . . but he, alas!
Was like a coward there . . . . Nor in the dark,
And unprepared, could I achieve renown.

Hateful their purpose! . . . I was put to shame.
Thou wert not nigh to save. . . . Announced I then
That thou didst reign, and I had left the throne.
And gave commands according to thy will. . . .
Ah! as they feared me not, 't was well to speak
With courtesy before them. . . . Would I could
Forget the weakness of my underlings!

My son, Senusert, say—Are women wont
To plot against their lords? Lo! mine have reared
a brood of traitors, and assembled round
a rebel band forsworn. They did deceive
My servants with command to pierce the ground
For speedy entry.

Yet to me from birth
Misfortune hath a stranger been. I ne'er
Have met mine equal among valiant men.
Lo! I have set in order all the land.
From Elephantinè adown the Nile
I swept in triumph: so my feet have trod
The outposts of my kingdom. . . . Mighty deeds
Must now be measured by the deeds I've done.

I loved the corn god. . . . I have grown the grain
In every golden valley where the Nile
Entreated me; none hungered in my day,
None thirsted, and all men were well content—
They praised me, saying: "Wise are his commands".

I fought the lion and the crocodile,
I smote the dusky Nubians, and put
The Asian dogs to flight.

Mine house I built.
Gold-decked with azure ceilings, and its walls
Have deep foundations; doors of copper are,
The bolts of bronze. . . . It shall endure all time.
Eternity regards it with dismay!
I know each measurement, O Lord of All!

Men came to see its beauties, and I heard
In silence while they praised it. No man knew
The treasure that it lacked. . . . I wanted thee,
My son, Senusert. . . . Health and strength be thine!
I lean upon thee, O my heart's delight;
For thee I look on all things. . . . Spirits sang
In that glad hour when thou wert born to me.

All things I've done, now know, were done for thee;
For thee must I complete what I began
Until the end draws nigh. . . . O be my heart
The isle of thy desire. . . . The white crown now
Is given thee, O wise son of the god—
I'll hymn thy praises in the bark of Ra. . . .
Thy kingdom at Creation was. 'T is thine
As it was mine—how mighty were my deeds!
Rear thou thy statues and adorn thy tomb. . . .
I struck thy rival down . . . . . 'T would not be wise
To leave him nigh thee . . . . Health and strength be thine!

CHAPTER XVII. Egypt's Golden Age

A Leader of Men—Gloomy Prophecy—Agriculture flourishing—The Chief Treasurer and his Auditors—Great Irrigation Scheme—Lake M�ris formed—Military Expeditions—A Murdered King—Disturbing Race Movements—First Mention of Hittites—Abraham in Egypt—Syria invaded—The Labyrinth—Like Mazy Cretan Palaces—Fall of Knossos—Bronze in Egypt—Copper and Iron—Trade in Tin—The British Mines—Spiral Ornament in Egypt and Europe.

THE Twelfth Dynasty, which embraces about two centuries, was a period of industrial and intellectual activity, and is appropriately called "The Golden Age of Egypt". It was ushered in, as we have seen, by Amenemhet I, whose name signifies "Amon leads". The king was, in a true sense, a leader of men; he displayed great military and administrative genius, and proved to be a saviour of the people. He rose to power at a time when a great crisis was approaching. The kingdom had grown weak as a result of prolonged internal dissensions, and its very existence as a separate power was being threatened by invaders on the northern and southern frontiers. The hour had come, and with it the man.

Amenemhet subdued the Nubians, who were as warlike and aggressive as the modern Sudanese; he cleared the eastern Delta of hordes of Asiatics, attracted thither by the prospects of plunder and the acquisition of desirable territory, and he reduced by shattering blows the growing power of the Libyans. His administrative reforms were beneficial to the great mass of the people, for theestablishment of a strong central government protected them from brigandage and periodic visitations of devastating famines. Agriculture was promoted, and the revival of trade ensured a more equitable distribution of wealth. As the influence of the feudal lords declined, it became possible for capable men of humble rank to attain high official positions.

In a striking literary production of the age, a prophetic scribe, named Apura, stands before his king, uttering grave warnings of approaching national disaster. He pictures Egypt in the throes of revolution; brothers contend against brothers; men cease to till the soil. The prophet exclaims:

In vain will the Nile rise in flood, for the land will lie barren. Men who were wont to plough will say: "What is the good of it? We know what is coming." No children will be born in Egypt. Poor people will seize upon treasure. A man hitherto unable to purchase sandals will obtain possession of much grain. Diseases will decimate all classes; a terrible plague will smite the land; there will be war and much shedding of blood. Rich men will sorrow and poor men will laugh. All the cities will desire to throw off the yoke of their rulers. . . . Slaves will plunder their masters, and their wives will be decked with fine jewellery. Royal ladies will be driven from their homes; they will sit in the dust, wailing: "Oh! that we had bread to eat."

Thus, he declared, Egypt would suffer from the Conquest of Evil. But a more terrible conquest would immediately follow. Suddenly foreigners would enter the land to set up barbarous rule. Then all classes of Egyptians would endure great afflictions.

Having drawn this dark and terrible picture, the prophet foretells that a great deliverer is to arise. He will "cool the fire of oppression" and will be called "The Shepherd of his People". He will gather togetherhis wandering flocks; he will smite the wrongdoer; he will stir up enthusiasm in the hearts of the men of Egypt and become their leader. "May he indeed be their deliverer!" exclaims the scribe. "Where is he to be found? Is he already here, waiting among the people?"

It is possible that at this period contemporary historical events were narrated in the prophetic manner, and that the scribe was eulogizing the reigning Pharaoh and justifying his reforms. In the "Instruction of Amenemhet" the old king reflects with astonishment that those he set free should rise up against him. A more literal rendering of his remark is: "He struggles for an ox that is bound who hath no memory of yesterday". Amenemhet had set the people free, and those who had received benefits showed that they failed to appreciate them by espousing the cause of their old oppressors. Was it their desire to become serfs again?

The condition of the past is reflected in the tomb inscription of one of the nome lords whose family owed its rise to its loyalty to the monarch. He boasts that every available piece of land under his jurisdiction was thoroughly cultivated. He protected the lives of the people. None starved, for he saw that all received food. A widow was treated in the same manner as a woman whose husband was alive, and when relief was given the poor received the same treatment as the powerful. Lord Kitchener has recently commented upon the financial embarrassments of the present-day fellahin of Egypt. Apparently the problem is one of long standing, for this governor—Ameni of the Gazelle nome—states that when the river rose high, and there was an abundance of produce, he "did not oppress the peasant because of his arrears".

It was the duty of the Chief Treasurer to see that the various nomes were administered in such a manner that they yielded adequate surpluses. A "sinking fund" was instituted for bad years, and relief was given in those localities where harvests were insufficient. The problem of irrigation received constant attention, and it became customary to measure the rise of the Nile on the rocks of the second cataract. The statistics thus obtained made possible the calculation of the probable yield of grain, so that the assessments might be fixed in the early part of each year. The royal auditors were constantly engaged throughout the land "taking stock" and checking the transactions of those who collected taxes "in kind", and references are made to their operations in tomb inscriptions. Their returns were lodged in the office of the Chief Treasurer at Memphis, who was ever in a position to advise the Pharaoh regarding the development of a particular district, and, in times of distress, to know where to find supplies to relieve the needy.

During the reign of Amenemhet Ill, the sixth monarch of the Dynasty, a great water storage and irrigation scheme was successfully carried out. The possibilities of the swampy Fayum had been recognized by certain rulers. King Den, of the First Dynasty, began the work of reclamation there, and some of his successors continued to deal with the problem. Amenemhet's operations were conducted on a grand scale. The famous Lake M�ris was formed by the erection of a reclaiming wall which extended for nearly thirty miles. It was connected with the Nile by a broad canal, and its largest circumference was 150 miles, while its area was about 750 square miles. It served the same purpose as the Assouan dam of the present day, but of course benefited only the province of the Fayum and the districtbelow it. Strabo, writing long centuries after it was constructed, said: "The Lake M�ris, by magnitude and depth, is able to sustain the superabundance of water which flows into it when the river rises, without overflowing the inhabited and cultivated parts of the country. When the river falls the lake distributes the excess of water through its canal, and both the lake and the canal retain a remainder which is used for irrigation. . . . There are locks on both mouths of the canal, and the engineers use these to store up and distribute the water."

When the scheme was completed the area of land reclaimed embraced., according to Major R. H. Brown, R.E., about 27,000 acres. He has calculated that a sufficient quantity of water was conserved to double the flow of the Nile during the period between April and July, when it is very low. The extension of the cultivatable area increased greatly the drawings of the Chief Treasurer. Pharaoh, in a generous moment, being, no doubt, well pleased with the success of the scheme. made over the revenue from the fishing rights of the lake to his queen, so that she might provide luxurious attire and jewellery for herself and her train.

Senusert I, the friend of Sentihet, was an able and vigorous ruler. During his reign of about forty years he appears to have engaged himself mainly in carrying out the policy inaugurated by his father. The results were eminently satisfactory. Peace was maintained with a firm hand on the northern frontier, and the Libyans were kept at bay. He found it necessary, however, to lead in person a strong army into Nubia. There does not appear to have been much fighting, for in the tomb of his general, the favoured Ameni, it is recorded that the losses were insignificant. Apparently the most notableevent of the campaign was the capture of an elephant. Other expeditions followed, the last being in the year before the king's death. The Nubians never ceased to give trouble.

Senusert restricted at every opportunity the powers of the feudal lords, and pursued the diplomatic policy of conciliating the various religious cults. He erected a great temple at Heliopolis, and its site is marked today by a stately obelisk which bears his name. He also repaired or extended temples at Coptos, Abydos, Hierakonpolis, and Karnak, and his monuments were judiciously distributed throughout the land.

Two years before his death Senusert appointed as regent his son, who became the second Amenemhet. After reigning for thirty years, Amenemhet II lost his life, according to Manetho, in a palace revolution. Senusert II, who followed, appears to have resided chiefly at Illahun, a town which is of special interest to us, because a plan of it was discovered by Petrie in the royal tomb. We are not impressed by the accommodation provided for the great mass of the inhabitants. The workers resided in narrow slums. Many of the living rooms in the blocks run one into another, so that there could not have been either great comfort or much privacy.

A new type of face begins to appear in the royal house, as is shown by the smaller sculpture work of the time. This matter will be dealt with in the next chapter. Nomadic tribes were also settling in Egypt. In the well-known Beni-hassan tomb of the loyal nome governor Khnûmûhotep ("the god Khnûmû is satisfied") appears an interesting and significant wall painting of a company of Semites, who are presenting gifts of perfumes to the Pharaoh. They are accompanied by their wives andfamilies, as if they desired to become faithful subjects in the land of prosperity and good government.

Syria at this period was in a state of constant unrest. Great race movements were in progress over a considerable area in Asia and Europe. These were caused by one of those periodic waves of migration from Arabia, the southward and westward pressure of hill tribes in middle Asia, and by the aggressive tendencies of the Hittites. The earliest mention of the latter is made in the reign of Amenemhet I. Their seat of power was at Boghaz-Kol in Asia Minor, and they were raiding Mesopotamia and gradually pressing down through northern Syria. The smaller tribes were displaced by the larger, and migrations by propulsion were, in consequence, frequent and general. Many privations were endured by the scattered people, and of course agricultural operations must have been completely suspended in some districts.

About this time Abraham sojourned in Egypt, because "the famine was grievous in the land" (Canaan). After he returned he purchased from Ephron, the Hittite, the cave of Machpelah, in which to bury his dead. This landowner was evidently a pioneer settler from Asia Minor. He was friendly to the patriarch, whom he addressed as "a mighty prince among us". The Hittites may have penetrated Canaan as far south as Jerusalem.

Owing to the unrest on his northern frontier Senusert III found it necessary to invade Syria. A stela of his has been found at Gezer. It is recorded at Abydos that a battle was fought in which the Asiatics were defeated, and Sebek-khu, an Egyptian dignitary, to whom we are indebted for this scrap of interesting history, boasts of the gifts he received from the Pharaohfor his bravery on the field. Nubia was also giving trouble again during this reign. A vigorous campaign against the restless warriors resulted in the extension of the Egyptian frontier to the third cataract. Two great forts were afterwards erected and garrisoned. It was also decreed that no negroes with cattle or merchandise should pass northward by land or water beyond a certain point. Traders were followed by colonists, and then fighting men desired to take forcible possession of territory. A second campaign was conducted against the dusky tribes eight years after the first, and three years later there was another. The flesh pots of Egypt were attracting all sorts and conditions of peoples.

The interests of the next king, Amenemhet III, were centred chiefly in the Fayum, where he saw completed the great Lake M�ris scheme. His reign, which lasted for nearly half a century, was peaceful and prosperous. He was one of the great Pharaohs of Egypt. Under his jurisdiction the country developed rapidly, commerce increased, and the industries were fostered. Instead of sending periodic expeditions to Sinai for copper and turquoise, as had been the custom hitherto, he established a colony there. A reservoir was constructed and a temple built to the goddess Hathor. The colonists suffered greatly from the heat during the summer months. A nobleman recorded on a stela the hardships endured by a pioneer expedition which visited the mines at an earlier date than usual, before permanent settlement was effected in that tropical land. "The mountains are hot," he says, "and the rocks brand the body." He endured his hardships with exemplary fortitude, and expressed the hope that others would similarly show their readiness to obey royal commands.

It was a building age, and Amenemhet honoured thegods and at the same time humoured the growing communities of priests by erecting and enlarging temples. He gave special recognition to Osiris at sacred Abydos, where many Egyptians of all ranks continued to seek sepulture; to Amon, the family deity at Karnak; and to Her-shef at Heracleopolis. Ptah, the god of the artisans, appears to have been neglected, which seems to indicate that he had absorbed, or was absorbed by, Her-shef, whom he so closely resembles.

This Amenemhet is credited with having erected the great Labyrinth in the vicinity of Lake M�ris. The mosque-building Arabs must have used it as a quarry, for no trace of it remains. It appears to have been an immense temple, with apartments for each of the Egyptian gods. "All the works of Greece", declared Herodotus, "are inferior to it, both in regard to workmanship and cost." The Greek historian was of opinion that it surpassed even the Pyramids. There were twelve covered courts with entrances opposite to each other—six to the north and six to the south, and the whole was enclosed by a wall. Of the three thousand apartments half were underground. "The numerous winding passages through the various courts", Herodotus wrote, "aroused my warmest admiration. I passed from small apartments to spacious halls, and from these to magnificent courts, almost without end. Walls and ceilings were of marble, the former being sculptured and painted, and pillars of polished marble surrounded the courts." At the end of the labyrinth stood Pharaoh's Pyramid, with figures of animals carved upon its casement. "No stranger", Strabo informs us, "could find his way in or out of this building without a guide." The brick pyramids of the Twelfth Dynasty were also constructed with winding passages to baffle the tomb robbers; but they were "jerrybuilt", compared with those of the Khufu type, and survive to us in various stages of decay.

The idea of a labyrinth may have come from Crete. The palaces of the island kingdom were of mazy character, and the earliest at Knossos and Phaestos were erected in the First Middle Minoan period, which is parallel with the Eleventh Egyptian Dynasty. Their fame must have reached the Nile valley, for the influence of the island kingdom's architecture is traceable in the construction of Mentuhotep's complicated temple at Der el Bahari. A people who appear to have been "broad-headed" mountaineers invaded Crete at the close of its Second Middle Minoan period, which is parallel with the Twelfth Egyptian Dynasty. Their success culminated in the destruction of the earlier palace of Knossos. At a later age, when a similar invasion occurred, large numbers of Cretans fled to Asia Minor, and it is possible that in the time of Amenemhet III many of the island refugees settled in the Nile valley. If these included architects and skilled artisans, they must have received most hospitable welcome.

Egypt, we know, was at this period in close touch with Crete. The numerous relics of the Twelfth Dynasty which have been found in the palace ruins of the island show how free and continuous was the sea trade between the two kingdoms. No doubt it was greatly stimulated by the Egyptian demand for tin. We find that bronze came into more general use during the Twelfth Dynasty than had previously been the case. In Old-Kingdom times tools were made chiefly of copper, and occasionally of iron. The latter was called "The Metal of Heaven", and is referred to in the Pyramid texts of King Unas. If it was obtained originally from meteorites, as has been suggested, we can understand why, in Egypt as elsewhere,it was supposed to possess magical qualities. It does not seem to have been excavated in great quantities by the early Egyptians; the difficulty of smelting it must have been great, owing to the scarcity of timber.

Copper was used in the late pre-Dynastic period, when expeditions from the southern kingdom began to visit the mines of the Sinaitic peninsula. The Delta people may have also obtained it from Cyprus, where the earliest weapons and pottery resemble Egyptian forms. At the close of the Third Dynasty bronze was introduced or manufactured; the bronze "rod of Medum" was found deeply embedded in the fillings of a mastaba associated with the pyramid of King Sneferu. A bronze socketed hoe of the Sixth Dynasty bears resemblances to examples from Cyprus and South Russia preserved in the British Museum. Trade with the copper island did not assume any dimensions, however, until the Eighteenth Dynasty, and the Cypriote weapons which were imported into the Nile valley before that period may have come along the trade route through Syria, if they were not captured in frontier conflicts with Asiatic invaders.

Egypt manufactured its own bronze, and the suggestion of W. M. Muller, that certain figures on a Sixth-Dynasty relief are "Ægeans bringing tin into Egypt" is therefore of special interest. If such a trade existed, it must have been hampered greatly, if not entirely cut off, during the disturbed period prior to the rise of Amenemhet I.

Whence were the liberal supplies of bronze obtained by the Egyptians in the Twelfth Dynasty? The unrest in Asia must have interrupted trade along the great caravan routes to the ancient tin mines of Khorassan in Persia, from which Babylonia received supplies. The Ph�nician mariners had scarcely yet begun to appear inthe Mediterranean. Tin must have come mainly through Crete therefore; indeed the island traders could not have had anything more valuable to offer in exchange for the corn of Egypt.

Crete had long been familiar with bronze. The First Early Minoan period, which marks the transition from stone, began in Egypt's Third Dynasty, or slightly earlier. Was its tin obtained from Central Europe or Brittany? Dr. Duncan Mackenzie, the distinguished archæologist, says in this connection: "By the beginning of the Bronze Age (in Crete) the valley of the Rhone must have played a dominant rôle of communication between the great world of the Mediterranean and the north; by that time it was probably the high continental trade route towards the tin mines of Britain". If so, the tin-mining industry of Cornwall and the Scilly islands must have been increased greatly by the demand created by the tin-importing and temple-building Pharaohs of the Twelfth Dynasty, who flourished long before Joseph appeared in the land of Egypt.

Another link between ancient Britain and the Nile valley is the spiral ornament, which appears in "degenerate form" on the so-called "spectacle stones" of Scotland. The spiral is common on Egyptian scarabs of the Twelfth Dynasty. We find that it passed to Crete, and then along the Danube trade route to Denmark, where the ornaments on which it appeared were possibly given in exchange for the much-sought-for Baltic amber. It spread in time through Scandinavia. The spiral must also have followed the Rhone-valley route, for it was passed on from France to the British Isles, through which it was widely diffused in the Bronze Age. In Ireland it was carved on the stones of the famous New Grange barrow, County Meath.The brilliant Twelfth Dynasty came to an end soon after the death of the great Amenemhet III. His closing years were shadowed by domestic grief, for his favourite son, Ewib-ra, predeceased him. A wooden statue of the prince is preserved in the Cairo museum, and is that of a handsome and dignified youth. The next king, Amenemhet IV, ruled for about nine years. He left no son, and was succeeded by Queen Sebeknefru-ra, a daughter of Amenemhet III, and the last of her "line", who sat on the throne for four years. With her passed away the glory and grandeur of the "Golden Age", the latter half of which had special features of much interest. These are dealt with in the next chapter.

CHAPTER XVIII. Myths and Lays of the Middle Kingdom

Foreign Brides—Succession by Male and Female Lines—New Religious Belief—Sebek the Crocodile God—Identified with Set and Sutekh—The Crocodile of the Sun—The Friend and Foe of the Dead—Sebek Kings—The Tame Crocodile—Usert, the Earth Goddess—Resemblance to Isis and Neith —Sutekh and Baal—Significance of Dashur Jewellery—The Great Sphinx—Literary Activity—Egyptian Folksongs—Dialogue of a Man with his Soul—"To be or not to be"—Sun Cult Doctrines—"The Lay of the Harper".

DURING the Twelfth Dynasty Babylon fell and Crete was invaded. Egypt alone among the older kingdoms successfully withstood the waves of aggression which were passing over the civilized world. It was not immune, however to foreign influence. A controlling power in Syria had evidently to be reckoned with, for raiding bands were constantly hovering on the frontier. It has been suggested that agreements were concluded, but no records of any survive. There are indications, however, that diplomatic marriages took place, and these may have been arranged for purposes of conciliation. At any rate foreign brides were entering the royal harem, and the exclusive traditions of Egypt were being set at defiance.

Senusert II had a favourite wife called Nefert, "the beautiful", who appears to have been a Hittite. Her son, Senusert III, and her grandson, Amenemhet III, have been referred to as "new types". Their faces, as is shown plainly in the statuary, have distinct non-Egyptian and non-Semitic characteristics; they are long

and angular—the third Senusert's seems quite Mongoloid—with narrow eyes and high cheek bones. There can be no doubt about the foreign strain.

It is apparent that Senusert III ascended the throne as the son of his father. This fact is of special interest, because, during the Twelfth Dynasty, succession by the female line was generally recognized in Egypt. Evidently Senusert II elevated to the rank of Crown Prince the son of his foreign wife. Amenemhet III appears to have been similarly an arbitrary selection. No doubt the queens and dowager queens were making their presence felt, and were responsible for innovations of far-reaching character, which must have aroused considerable opposition. It may be that a legitimist party had become a disturbing element. The high rate of mortality in the royal house during the latter years of the Dynasty suggests the existence of a plot to remove undesirable heirs by methods not unfamiliar in Oriental Courts.

Along with the new royal faces new religious beliefs also came into prominence. The rise of Sebek, the crocodile god, may have been due to the tendency shown by certain of the Pharaohs to reside in the Fayum. The town of Crocodilopolis was the chief centre of the hitherto obscure Sebek cult. It is noteworthy, however, that the reptile deity was associated with the worship of Set-not the familiar Egyptian Set, but rather his prototype, Sutekh of the Hittites. Apparently an old tribal religion was revived in new and developed form.

In the texts of Unas, Sebek is referred to as the son of Neith, the Libyan "Earth Mother", who personified the female principle, and was believed to be self-sustaining, as she had been self-produced. She was "the unknown one" and "the hidden one", whose veil had never been uplifted. Like other virgin goddesses, she had a fatherlessson, the "husband of his mother", who may have been identified with Sebek as a result of early tribal fusion.

It is suggested that in his crocodile form Sebek was worshipped as the snake was worshipped, on account of the dread he inspired. But, according to Diodorus, crocodiles were also regarded as protectors of Egypt, because, although they devoured the natives occasionally, they prevented robbers from swimming over the Nile. Opinions, however, differed as to the influence exercised by the crocodile on the destinies of Egypt. Some Indian tribes of the present day worship snakes, and do everything they can to protect even the most deadly specimens. In Egypt the crocodile was similarly protected in particular localities, while in others it was hunted down by sportsmen. We also find that in religious literature the reptile is now referred to as the friend and now as the enemy of the good Osiris. He brings ashore the dead body of the god to Isis in one legend, and in another he is identified with his murderers. In the "Winged Disk" story the followers of Set are crocodiles and hippopotami, and are slain by Horus because they are "the enemies of Ra". Yet Sebek was in the revolutionary Sixth Dynasty identified with the sun god, and in the Book of the Dead there is a symbolic reference to his dwelling on Sunrise Hill, where he was associated with Hathor and Horus—the Great Mother and son.

Sebek-Tum-Ra ultimately became the crocodile of the sun, as Mentu became "bull of the sun", and he symbolized the power and heat of the orb of day. In this

form he was the "radiant green disk"-"the creator", who rose from Nu "in many shapes and in many colours".

At Ombos, Sebek was a form of Seb, the earth giant, the son of Nut, and "husband of his mother". He was called the "father of the gods" and "chief of the Nine Bow Barbarians".

In his Set form, Sebek was regarded in some parts as an enemy and devourer of the dead. But his worshippers believed that he would lead souls by "short cuts" and byways to the Egyptian paradise. In the Pyramid Texts he has the attributes of the elfin Khnûmû, whose dwarfish images were placed in tombs to prevent decay, for he renews the eyes of the dead, touches their tongues so that they can speak, and restores the power of motion to their heads.

The recognition which Sebek received at Thebes may have been due to the influence of the late kings of the Twelfth Dynasty, and those of the Thirteenth who had Sebek names. The god is depicted as a man with a crocodile's head, and he sometimes wears Amon plumes with the sun disk; he is also shown simply as a crocodile. He was familiar to the Greeks as Sukhos. Strabo, who visited Egypt in the Roman period, relates that he saw a sacred crocodile in an artificial lake at Crocodilopolis in the Fayum. It was quite tame and was decorated with gold ear-rings, set with crystal, and wore bracelets on its fore paws. The priests opened its jaws and fed it with cakes, flesh, and honey wine. When the animal leapt into the water and came up at the other side, the priests followed it and gave it a fresh offering. Herodotus tells that the fore feet of the sacred crocodile which he saw were secured by a chain. It was fed not only with

choice food, but with "the flesh of sacred victims". When the reptile died its body was embalmed, and, having been deposited in a sacred chest, was laid in one of the lower chambers of the Labyrinth. These subterranean cells were reputed to be of great sanctity, and Herodotus was not permitted to enter them.

The deity Usert, whose name is associated with the kings Senusert (also rendered Usertesen), was an earth goddess. She is identified with Isis, and closely resembles Neith-the Great Mother with a son whose human incarnation is the Pharaoh. Usert worship may have been closely associated, therefore, with Sebek worship, because Sebek was the son of an earth goddess. He rose from Nu, the primordial deep, as the crocodile rose from Lake M�ris, the waters of which nourished the "earth mother", and caused green verdure to spring up where formerly there was but sandy desert. Sebek was thus in a new sense a form of Ra, and a "radiant green sun disk". His association with Set was probably due to Asiatic influence, and the foreign strain in the royal house may have come from a district where Set was worshipped as Sutekh. The Egyptian Set developed from an early conception of a tribal Sutekh as a result of Asiatic settlement in the eastern Delta in pre-Dynastic times. The Hittite Sutekh was a sun god and a weather god. But there were many Sutekhs as there were many Baals. Baal signifies "lord" or "chief god", and in Egypt was identified with Set and with Mentu, the bull of war. At Tanis he was "lord of the heaven". Sutekh, also a "baal" or "lord", appears to have been similarly adaptable in tendency. If it was due to his influence that the crocodile god of the Fayum became a solar deity, the foreign ladies in the Pharaoh's harem must have been Hittites, whose religious beliefs influenced those of their royal sons.

Exquisite jewellery has been found at Dashur, where Amenemhet II and his grandson Senusert III resided and erected their pyramids—two diadems of princesses of the royal house, the daughters of the second Senusert's foreign wife, at Dashur. One is a mass of little gold flowers connected by gold wires, which recall the reference, in Exodus, xxxlx, 3, to the artisans who "did beat the gold into thin plates, and cut it into wires". The design is strengthened by large "Maltese crosses" set with gems. Other pieces of Twelfth-Dynasty jewellery are similarly "innovations", and of the character which, long centuries afterwards, became known as Etruscan. But they could not have come from Europe at this period. They resemble the work for which the Hittites were famous.

The great sphinx may have also owed its origin to the influence exercised by the Hittites, whose emblem of power was a lion. Certain Egyptologists are quite convinced that it was sculptured during the reign of Amenemhet III, whose face they consider it resembles. Nilotic gods had animal heads with human bodies. The sphinx, therefore, could not have been a god of Egypt. Scarab beetle seals were also introduced during the Twelfth Dynasty. The Dynastic civilization of Egypt began with the use of the Babylonian seal cylinder.

The "Golden Age" is distinguished not only for its material progress, but also for its literary activity. In this respect it may be referred to as the "Elizabethan Age" of Ancient Egypt. The compositions appear to

have been numerous, and many were of high quality. During the great Dynasty the kingdom was "a nest of singing birds", and the home of storytellers. There are snatches of song even in the tomb inscriptions, and rolls of papyri have been found in mummy coffins containing love ditties, philosophic poems, and wonder tales, which were provided for the entertainment of the dead in the next world.

It is exceedingly difficult for us to enter into the spirit of some of these compositions. We meet with baffling allusions to unfamiliar beliefs and customs, while our ignorance of the correct pronunciation of the language make some ditties seem absolutely nonsensical, although they may have been regarded as gems of wit; such quaint turns of phrase, puns, and odd mannerisms as are recognizable are entirely lost when attempts are made to translate them. The Egyptian poets liked to play upon words. In a Fifth-Dynasty tomb inscription this tendency is apparent. A shepherd drives his flock over the wet land to tramp down the seed, and he sings a humorous ditty to the sheep. We gather that he considers himself to be in a grotesque situation, for he "salutes the pike", and is like a shepherd among the dead, who converses with strange beings as he converses with fish. "Salutes" and "pike" are represented by the same word, and it is as if we said in English that a fisherman "flounders like flounders" or that joiners "box the box".

A translation is therefore exceedingly bald.

The shepherd is in the water with the fish;
He converses with the sheath fish;
He salutes the pike;
From the West—the shepherd is a shepherd from the West.

"The West" is, of course, the land of the dead.Some of the Twelfth-Dynasty "minor poems" are, however, of universal interest because their meaning is as clear as their appeal is direct. The two which follow are close renderings of the originals.

THE WOODCARVER

The carver grows more weary
    Than he who hoes all day,
As up and down his field of wood
    His chisel ploughs away.
No rest takes he at even,
    Because he lights a light;
He toils until his arms drop down
    Exhausted, in the night.

THE SMITH

A smith is no ambassador—
    His style is to abuse;
I never met a goldsmith yet
    Able to give one news.
Oh, I have seen a smith at work,
    Before his fire aglow—
His "claws" are like a crocodile;
    He smells like fish's roe.

The Egyptian peasants were great talkers. Life was not worth living if there was nothing to gossip about. A man became exceedingly dejected when he had to work in solitude; he might even die from sheer ennui. So we can understand the ditty which tells that a brickmaker is puddling all alone in the clay at the time of inundation; he has to talk to the fish. "He is now a brickmaker in the West." In other words, the lonely task has been the death of him.This horror of isolation from sympathetic companionship pervades the wonderful composition which has been called "The Dialogue of a Man with his Soul". The opening part of the papyrus is lost, and it is uncertain whether the lonely Egyptian was about to commit suicide or was contemplating with feelings of horror the melancholy fate which awaited him when he would be laid in the tomb. He appears to have suffered some great wrong; his brothers have deserted him, his friends have proved untrue, and—terrible fate!—he has nobody to speak to. Life is, therefore, not worth living, but he dreads to die because of the darkness and solitude of the tomb which awaits him. The fragment opens at the conclusion of a speech made by the soul. Apparently it has refused to accompany the man, so that he is faced with the prospect of not having even his soul to converse with.

"In the day of my sorrow", the man declares, "you should be my companion and my sympathetic friend. Why scold me because I am weary of life? Do not compel me to die, because I take no delight in the prospect of death; do not tell me that there is joy in the 'aftertime'. It is a sorrowful thing that this life cannot be lived over again, for in the next world the gods will consider with great severity the deeds we have done here."

He calls himself a "kindly and sympathetic man", but the soul thinks otherwise and is impatient with him. "You poor fool," it says, "you dread to die as if you were one of these rich men."

But the Egyptian continues to lament his fate; he has no belief in joy after death. The soul warns him, therefore, that if he broods over the future in such a spirit of despondency he will be punished by being left forever inhis dark solitary tomb. The inference appears to be that those who lack faith will never enter Paradise.

"The thought of death", says the soul, "is sorrow in itself, it makes men weep; it makes them leave their homes and throw themselves in the dust."

Men who display their unbelief, never enjoy, after death, the light of the sun. Statues of granite may be carved for them, their friends may erect pyramids which display great skill of workmanship, but their fate is like that of "the miserable men who died of hunger at the riverside, or the peasant ruined by drought or by the flood—a poor beggar who has lost everything and has none to talk to except the fishes".

The soul counsels the man to enjoy life and to banish care and despondency. He is a foolish fellow who contemplates death with sorrow because he has grown weary of living; the one who has cause to grieve is he whose life is suddenly cut short by disaster. Such appears to be the conclusion which should be drawn from the soul's references to some everyday happenings of which the following is an example:—

"A peasant has gathered in his harvest; the sheaves are in his boat; he sails on the Nile, and his heart is filled with the prospect of making merry. Suddenly a storm comes on. He is compelled to remain beside his boat, guarding his harvest. But his wife and his children suffer a melancholy fate. They were coming to meet him, but they lost their way in the storm, and the crocodiles devoured them. The poor peasant has good cause to lament aloud. He cries out, saying:

"'I do not sorrow for my beloved wife, who has gone hence and will never return, so much as for the little children who, in the dawn of life, met the crocodile and perished.'"The man is evidently much impressed by the soul's reasoning. He changes his mind, and praises the tomb as a safe retreat and resting place for one who, like himself, cannot any longer enjoy life. Why he feels so utterly dejected we cannot tell; the reason may have been given in the lost portion of the old papyrus. There is evidently no prospect of enjoyment before him. His name has become hateful among men; he has been wronged; the world is full of evil as he is full of sorrow.

At this point the composition becomes metrical in construction:

Hateful my name! . . . more hateful is it now
Than the rank smell of ravens in the heat;
Than rotting peaches, or the meadows high
Where geese are wont to feed; than fishermen
Who wade from stinking marshes with their fish,
Or the foul odour of the crocodile;
More hateful than a husband deems his spouse
When she is slandered, or his gallant son
Falsely accused; more hateful than a town
Which harbours rebels who are sought in vain.

Whom can I speak to? . . . Brothers turn away;
I have no friend to love me as of yore;
Hearts have turned cold and cruel; might is right;
The strong are spoilers, and the weakly fall,
Stricken and plundered. . . . Whom can I speak to?

The faithful man gets sorrow for reward—
His brother turns his foe—the good he does,
How swiftly 'tis undone, for thankless hearts
Have no remembrance of the day gone past.
Whom can I speak to? I am full of grief—
There is not left alive one faithful man;
The world is full of evil without end.

Death is before me like a draught prepared
To banish sickness; or as fresh, cool air
To one who, after fever, walks abroad.
Death is before me sweet as scented myrrh;
Like soft repose below a shelt'ring sail
In raging tempest. . . . Death before me is
Like perfumed lotus; like a restful couch
Spread in the Land of Plenty; or like home
For which the captive yearns, and warriors greet
When they return. . . . Ah! death before me is
Like to a fair blue heaven after storm—
A channel for a stream—an unknown land
The huntsman long has sought and finds at last.

He who goes Yonder rises like a god
That spurns the sinner; lo! his seat is sure
Within the sun bark, who hath offered up
Choice victims in the temples of the gods;
He who goes Yonder is a learnèd man,
Whom no one hinders when he calls to Ra.

The soul is now satisfied, because the man has professed his faith in the sun god. It promises, therefore, not to desert him. "Your body will lie in the earth," it says, "but I will keep you company when you are given rest. Let us remain beside one another."

It is possible that this composition was intended to make converts for the sun cult. The man appears to dread the judgment before Osiris, the King of the Dead, who reckons up the sins committed by men in this world. His soul approves of his faith in Ra, of giving offerings in the temples, and of becoming a "learned man"—one who has acquired knowledge of the magic formulæ which enables him to enter the sun bark. This soul appears to be the man's Conscience. It is difficult to grasp the Egyptian ideas regarding the soul which enters Paradise, the soul which hovers over the mummy, and the consciouslife of the body in the tomb. These were as vague as they appear to have been varied.

One of the most popular Egyptian poems is called "The Lay of the Harper". It was chanted at the banquets given by wealthy men. "Ere the company rises," wrote Herodotus, "a small coffin which contains a perfect model of the human body is carried round, and is shown to each guest in rotation. He who bears it exclaims: 'Look at this figure. . . . After death you will be like it. Drink, therefore, and be merry.'" The "lay" in its earliest form was of great antiquity. Probably a real mummy was originally hauled through the banquet hall.

LAY OF THE HARPER

'Tis well with this good prince; his day is done,
His happy fate fulfilled. . . . So one goes forth
While others, as in days of old, remain.
The old kings slumber in their pyramids,
Likewise the noble and the learned, but some
Who builded tombs have now no place of rest,
Although their deeds were great. . . .
Lo! I have heard The words Imhotep and Hordadaf spake—
Their maxims men repeat. . . . Where are their tombs?—
Long fallen . . . e'en their places are unknown,
And they are now as though they ne'er had been.

No soul comes back to tell us how he fares—
To soothe and comfort us ere we depart
Whither he went betimes. . . . But let our minds
Forget of this and dwell on better things. . . .
Revel in pleasure while your life endures
And deck your head with myrrh. Be richly clad
In white and perfumed linen; like the gods
Anointed be; and never weary grow
In eager quest of what your heart desires—
Do as it prompts you . . . until that sad day

Of lamentation comes, when hearts at rest
Hear not the cry of mourners at the tomb,
Which have no meaning to the silent dead.
Then celebrate this festal time, nor pause—
For no man takes his riches to the grave;
Yea, none returns again when he goes hence.

CHAPTER XIX. The Island of Enchantment

A Sailor's Story—Shipwrecked—The Sole Survivor—A Lonely Island—A Voice like Thunder—The Giant Serpent God—A Threat—Sailor given Protection—Sacrifice of Asses—Rescued by a Ship—The Parting—A Man of Wisdom.

ONCE upon a time a ship set forth on a voyage to the mines of Sinai, and it was swamped in a storm. All the sailors were drowned save one, who swam to the Isle of Enchantment, which was inhabited by the "manes"—serpent gods who have heads and arms like to human beings and are able to hold converse in speech.

When this man returned to Egypt he related his wonderful story unto his lord, saying: "Now, be well satisfied that I have come back although alone. Your ship on which I have returned is safe, and no men are missing. I was rescued by it, and I had no other means of escape. When you have cleansed your limbs, I pray you to inform the Pharaoh of the things which have befallen me."

The master said: "So you persist in repeating this tale of yours. But speak on. I will hear you to the end, and, perchance, your words will betray the truth. But lower your voice and say what you have to say without excitement."

The sailor said: "I will begin at the beginning, and relate what happened to myself. I voyaged towards the mines in your great ship, in which were 150 of the finestsailors in Egypt. They were all stout-hearted men. Now, some said that the wind would be unfavourable, and others said that there would be no wind at all. As it chanced., a great storm arose, and the ship was tossed about in the midst of high billows so that it was swamped. When I found myself in the angry waters., I clung to a floating spar. All the others were drowned. In time I was cast ashore, and I found myself on a lonely island, where I lay helplessly for three days and three nights. Then I began to revive. I was faint with hunger and thirst, and went to search for food, and I found fruit and birds and fishes, and ate thereof. I gave thanks to the god because that I was alive, and offered up a sacrifice.

"No sooner had I given thanks in this manner than I heard a loud noise like to thunder, and the earth trembled beneath me and the trees were stricken as with tempest. I hid my face with terror, and after I had lain a time on the ground I looked up and beheld a giant serpent god with human face and arms. He wore a long beard, and his body was golden and blue.

"I prostrated myself before him, and he spake, saying: 'Speak and tell, little fellow, speak and tell why you have come hither. If you do not speak without delay, I will cause your life to end. If you do not tell me what I have not heard and what I do not know, I will cause you to pass out of existence like a flame which has been extinguished.'

"Ere I answered him he carried me inland and set me down without injury, whereupon I said that I had come from the land of Egypt in a great ship which perished in the storm, and that I had clung to a spar and was washed ashore.

"The serpent god heard, and said: 'Do not be terrified, little fellow, do not be terrified, and be cheerful of countenance, for it is the god who sent you hither to me. Here you may dwell until four moons wax and wane; then a ship will come, and you will depart in it and return once again to the land of Egypt. . . . It is pleasant to hold converse. Know, then, that I dwell here with my kind, and I have children, and there is also a girl who perished by accident in a fire. I will take you to my home, and you will return to yours again in time.'

"When the giant serpent god had spoken thus I prostrated myself before him, and I said: 'To the King of Egypt I will relate the things I have seen. I will laud your name, and offerings of oil and perfumes will be made to you. Asses and birds will I sacrifice to you, and the king will send you rich offerings because you are a benefactor of mankind.'

"'I need not your perfumes,' answered the serpent god. 'I am a ruler of Punt, and these I possess in abundance, but I have no oil of Egypt here. But know that when you go away this island will never again be seen by any man; it will vanish in the midst of the sea.'

"When four moons had waxed and waned, a ship appeared as the serpent god had foretold. I knelt down and bade farewell to the inhabitants of the island of enchantment, and the great god gave me gifts of perfumes and ivory and much treasure, and he gave me also rare woods and baboons. I took my leave with grateful heart, and I thanked the god because of my deliverance. Then I went to the shore and hailed the ship, and was taken aboard it.

These are the things which happened unto me, my lord and master. Now conduct me, I pray you, before His Majesty that I may present him with the gifts of the serpent god. . . . Look upon me, for I have returned to tell of the wonders I did behold with mine eyes. . . . In my youth I was instructed to acquire wisdom so that I might be highly esteemed. Now I have become a wise man indeed."

Apparently "the master" was convinced by this wonderful story, which was duly recorded by a scribe of the temple of Amon.

CHAPTER XX. The Hyksos and their Strange God

The Sebek-Ra Rulers—A Great Pharaoh—The Shadow of Anarchy—Coming of the "Shepherd Kings"—Carnival of Destruction—A Military Occupation —Causes of World—wide Unrest—Dry Cycles—Invasions of Pastoral Peoples—History in Mythology—Tribal Father and Mother Deities—Sutekh, Thor, Hercules—Mountain Deities and Cave Demons—Hyksos Civilization—Trade with Europe and Asia—The Horse—Hittite Influence in Palestine—Raid on Babylon—Kassites and Aryans—Aryan Gods in Syria—Mitanni Kingdom.

AFTER the close of the Golden Age the materials for Egyptian history become somewhat scanty. The Thirteenth Dynasty opened peacefully, and the Sebek-Ra names of its kings indicate that the cults of the crocodile and the sun held the balance of power. The influence exercised by the Pharaohs, however, appears to have been strictly circumscribed. Some of them may have reigned in Crocodilopolis or its vicinity, but Thebes ultimately became the capital, which indicates that the Delta region, with its growing foreign element, was considered insecure for the royal house. The great kings of the Twelfth Dynasty had established their power in the north, where they found it necessary to keep watchful eyes on the Libyan and Syrian frontiers.

Succession to the throne appears to have been regulated by descent in the female line. Evidently the Legitimists were resolved that alien influence should not predominate at Court, and in this regard they must have received the support of the great mass of the Egyptianpeople, of whom Herodotus said: "They contentedly adhere to the customs of their ancestors, and are averse from foreign manners". It is significant to find that the father of one of the Sebekhotep kings was a priest who achieved greatness because he married a princess. This Sebekhotep was followed by his son, who had a Hathor name, but he was dethroned after a brief reign. The next Pharaoh was the paternal uncle of the fallen monarch. His royal name was Neferkhara-Sebekhotep, and he proved to be the greatest ruler of this obscure period. He controlled the entire kingdom, from the shores of the Mediterranean to the second cataract, where records were made of the rise of the Nile. On the island of Argo, near the third cataract, he erected two granite statues over 20 feet in height, which stood in front of a large temple. Nubian aggression must have been held firmly in check by a considerable garrison. But not for long. After two weak kings had reigned, the throne was seized by Neshi, "the negro", a worshipper of Ra and Set. His colossal statue of black granite testifies to the supremacy achieved by the Nubian raiders. In the north another usurper of whom we have trace is Mermenfatiu, "Commander of the Soldiers".

The shadow of anarchy had again fallen upon Egypt. Once more, too, the feudal lords asserted themselves, and the kingdom was broken up into a number of petty states. A long list of monarchs is given by Manetho, and these may include many of the hereditary nome governors who became Pharaohs in their own domains and waged war against their neighbours. Thebes remained the centre of the largest area of control, which may have enjoyed a meed of prosperity, but the rest of Egypt must have suffered greatly on account of the lack of supervision over the needful distribution ofwater. Peasants may well have neglected to till the soil in districts ever open to the raids of plunderers, exclaiming, in the words of the Twelfth-Dynasty prophet: "What is the good of it? We know what is coming."

Egypt was thoroughly disorganized and unable to resist its enemies. These were ever watchful for an opportunity to strike. The Nubians had already achieved some success, although they were ultimately expelled by the Thebans; the Libyans must have been active in the north, while the Asiatics were pouring over the Delta frontier and possessing themselves of great tracts of territory. Then came the Hyksos invaders, regarding whose identity much controversy has been waged. They were evidently no disorganized rabble, and there are indications that under their sway Egypt became, for an uncertain period, a part of a great empire of which we, as yet, know very little.

Josephus, the patriotic Jewish historian, who believed that the Hyksos were "the children of Israel", quoted Manetho as saying that "they were a people of ignoble race who had confidence to invade our country, which they subdued easily without having to fight a battle. They set our towns on fire; they destroyed the temples of the gods, and caused the people to suffer every kind of barbarity. During the entire period of their dynasty they waged war against the people of Egypt, desiring to exterminate the whole race. . . . The foreigners were called Hyksos, which signifies 'Shepherd Kings'."

Manetho's reference to a carnival of destruction is confirmed by the inscription of Queen Hatshepsut of the Eighteenth Dynasty, who declared with characteristic piety:

I have restored what was cast down,
I have built up what was uncompleted,

Since the Asiatics were in Avaris of the north land,
And the barbarians were among them, destroying buildings,
While they governed, not knowing Ra.

But if the hated Hyksos were wreckers of buildings, so were the Egyptians, who were ever prone to obliterate all records of unpopular rulers. Khufu's enduring pyramid defied them, but they destroyed his mummy and perpetuated his memory in a spirit of undeniable bitterness, although he was one of their greatest men. He was an enemy of their gods, which means that he laid too firm a hand upon the ambitious and acquisitive priests. Thutmose III and Akenaton also undertook in their day the vengeful work of erasing inscriptions, while Rameses II and others freely appropriated the monuments of their predecessors. It is not surprising, therefore, to find that few traces of the Hyksos rulers survive, and that, in a folktale, they are referred to as "the impure". They ruled "not knowing Ra", and were therefore delivered to oblivion. Manetho, who compiled his history about a thousand years after they were driven from the country, was unable to ascertain much about them. Only a few of the kings to whom he makes reference can be identified, and these belong to the Fifteenth Dynasty. Of the Sixteenth Dynasty he knew little or nothing, but in dealing with the Seventeenth he was on surer ground, because Upper Egypt had then regained its freedom, and was gradually reconquering lost territory in the north.

The Hyksos overwhelmed the land at the close of the Fourteenth Dynasty. Then they chose for a king "one of their own people". According to Manetho his name was Salatis, and with him begins the Fifteenth Dynasty. He selected Memphis as his capital, and there"he made Upper and Lower Egypt pay tribute", while he left garrisons at places which were "considered to be proper for them". Did the Hyksos, therefore, effect merely a military occupation of Egypt and compel the payment of tribute to a controlling power in Asia? On this point we obtain no clear idea from Manetho, who proceeds to state that the foreigners erected a strongly fortified town called Avaris—afterwards destroyed by the Egyptians—and there they kept a garrison of 240,000 men, so as to secure the frontier from the attacks of the Assyrians, "who, they foresaw, would invade Egypt". Salatis held military reviews to overawe all foreigners.

Whatever enemy the Hyksos feared, or prepared to meet, it was certainly not the Assyrians, who were at the time fully occupied with their own affairs; they had not yet attained to that military strength which subsequently caused the name of their god Ashur to be dreaded even in the Nile valley.

The reference, however, may be to Babylonia, where, as we shall see, an aggressive people had made their appearance.

In absence of reliable records regarding the Hyksos people, or perhaps we should say peoples, for it is possible that there was more than one invasion, we must cross the frontier of Egypt to obtain some idea of the conditions prevailing in Asia during this obscure but fascinating period.

Great changes were passing over the civilized world. Old kingdoms were being broken up, and new kingdoms were in process of formation. The immediate cause was the outpourings of pastoral peoples from steppes and plateaus in quest of "fresh woods and pastures new", because herbage had grown scanty during a prolonged"dry cycle" in countries like Arabia, Turkestan, and the Iranian plateau. Once these migrations by propulsion began, they were followed by migrations caused by expulsion. The movements were in some districts accompanied by constant fighting, and a people who displayed the best warlike qualities ultimately became conquerors on a gradually increasing scale. Another cause of migration was the growth of population. When an ancestral district became crowded, the surplus stock broke away in "waves". But movements of this kind invariably followed the line of least resistance, and did not necessarily involve marked changes in habits of life, for pastoral peoples moved from upland to upland, as did agriculturists from river valley to river valley and seafarers from coast to coast. When, however, peaceful settlements were effected by nomads in highly civilized areas an increased impetus must have been given to migration from their native country, where their kindred, hearing of their prosperity, began to dream dreams of the land of plenty. Nomads who entered Babylon or Egypt became "the outposts" of those sudden and violent migrations of wholesale character which occurred during prolonged periods of drought. The Hyksos conquest of Egypt is associated with one of these "dry cycles".

In an earlier chapter we have referred to the gradual expansion from North Africa of the early Mediterranean "long heads", who spread themselves over the unoccupied or sparsely populated valleys and shores of Palestine, Asia Minor, and Europe. Simultaneously, or not much later, Asiatic "broad heads" moved in successive "waves" along the mountain ranges; these are the Alpine people of the ethnologists, and they are traced from the Himalayas to Brittany and the British Isles. The beliefs and

tribal customs of the Mediterraneans appear to have been mainly of Matriarchal character, while those of the Alpine folk were mainly Patriarchal.

The mixture of these peoples caused the development of a great civilization in Asia Minor, and so, it is believed, had origin the Hittite kingdom. Other races were embraced, however, in the Hittite confederacy. Mongols from Turkestan moved southward during a dry period apparently, and became a strong element in the Hittite area of control, while Semites from Arabia, who appeared at very early times in Syria, became allies of the rising people, with whom they fused in some districts. The eagle-nosed, bearded Alpine Hittites are believed to be represented by the present-day Armenians and the Mongolian Hittites by the Kurds. Some ethnologists are of opinion that the characteristic

EGYPTIAN MYTH AND LEGEND

Donald Mackenzie